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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613249 it is the complementary color #9ECDB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613249 shade: #663244, #774457, #88566A, #99687D and #AA7A90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613249 shade: #613249, #502036, #3F0E23, #2E0010 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613249 shade: #613249, #61323C and #613232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613249 shade: #613249, #613256, #603261, #533261 and #463261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613249 shade matches the following richer shades: #613249, #6D2649, #791A48, #850E48 and #910248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613249 shade: #613249, #553E49, #494A49, #3D564A and #31624A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613249 shade: #603261, #613256, #613249, #61323D and #613332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613249 shade: #2B1620, #462434, #613249, #7C405D and #984E72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613249 shade: #613249, #615332 and #325C61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613249 shade: #613249, #496132 and #324961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613249 shade: #613249, #615332, #326149 and #324061

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613249 shade: #613249, #616132, #326149 and #323261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

Complementary color

CMYK 23 / 0 / 11 / 20

HEX #9ECDB6

RGB 158 205 182

HSL 150.64, 0.32%, 0.71%

LAB 78.64, -20.05, 6.44

 

CMYK 0 / 51 / 33 / 60

HEX #663244

RGB 102 50 68

HSL 339.23, 0.34%, 0.3%

LAB 28.18, 25.59, -0.49

 

CMYK 0 / 43 / 27 / 53

HEX #774457

RGB 119 68 87

HSL 337.65, 0.27%, 0.37%

LAB 35.49, 24.62, -1.78

 

CMYK 0 / 37 / 22 / 47

HEX #88566A

RGB 136 86 106

HSL 336, 0.23%, 0.44%

LAB 42.66, 23.71, -2.81

 

CMYK 0 / 32 / 18 / 40

HEX #99687D

RGB 153 104 125

HSL 334.29, 0.19%, 0.5%

LAB 49.68, 22.9, -3.68

 

CMYK 0 / 28 / 15 / 33

HEX #AA7A90

RGB 170 122 144

HSL 332.5, 0.22%, 0.57%

LAB 56.56, 22.16, -4.46

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 60 / 33 / 69

HEX #502036

RGB 80 32 54

HSL 332.5, 0.43%, 0.22%

LAB 20.06, 25.31, -3.37

 

CMYK 0 / 78 / 44 / 75

HEX #3F0E23

RGB 63 14 35

HSL 334.29, 0.64%, 0.15%

LAB 12.56, 25.81, -1.19

 

CMYK 0 / 100 / 65 / 82

HEX #2E0010

RGB 46 0 16

HSL 339.13, 1%, 0.09%

LAB 5.58, 24.04, 1.83

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 48 / 38 / 62

HEX #61323C

RGB 97 50 60

HSL 347.23, 0.32%, 0.29%

LAB 27.15, 22.43, 3.24

 

CMYK 0 / 48 / 48 / 62

HEX #613232

RGB 97 50 50

HSL 0, 0.32%, 0.29%

LAB 26.88, 21.14, 9.5

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 48 / 11 / 62

HEX #613256

RGB 97 50 86

HSL 314.04, 0.32%, 0.29%

LAB 28.1, 26.73, -12.54

 

CMYK 1 / 48 / 0 / 62

HEX #603261

RGB 96 50 97

HSL 298.72, 0.32%, 0.29%

LAB 28.46, 28.59, -19.15

 

CMYK 14 / 48 / 0 / 62

HEX #533261

RGB 83 50 97

HSL 282.13, 0.32%, 0.29%

LAB 26.69, 24.24, -22.05

 

CMYK 28 / 48 / 0 / 62

HEX #463261

RGB 70 50 97

HSL 265.53, 0.32%, 0.29%

LAB 25.1, 19.99, -24.66

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 65 / 33 / 57

HEX #6D2649

RGB 109 38 73

HSL 330.42, 0.48%, 0.29%

LAB 27.07, 35.31, -5.32

 

CMYK 0 / 79 / 40 / 53

HEX #791A48

RGB 121 26 72

HSL 330.95, 0.65%, 0.29%

LAB 27.49, 43.94, -3.78

 

CMYK 0 / 89 / 46 / 48

HEX #850E48

RGB 133 14 72

HSL 330.76, 0.81%, 0.29%

LAB 28.82, 50.47, -1.54

 

CMYK 0 / 99 / 50 / 43

HEX #910248

RGB 145 2 72

HSL 330.63, 0.97%, 0.29%

LAB 30.71, 55.39, 1.53

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 27 / 14 / 67

HEX #553E49

RGB 85 62 73

HSL 331.3, 0.16%, 0.29%

LAB 29.05, 12.07, -2.76

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 29 / 0 / 14 / 66

HEX #3D564A

RGB 61 86 74

HSL 151.2, 0.17%, 0.29%

LAB 34.28, -12.36, 3.95

 

CMYK 50 / 0 / 24 / 62

HEX #31624A

RGB 49 98 74

HSL 150.61, 0.33%, 0.29%

LAB 37.63, -22.89, 8.62

 

CMYK 1 / 48 / 0 / 62

HEX #603261

RGB 96 50 97

HSL 298.72, 0.32%, 0.29%

LAB 28.46, 28.59, -19.15

 

CMYK 0 / 48 / 11 / 62

HEX #613256

RGB 97 50 86

HSL 314.04, 0.32%, 0.29%

LAB 28.1, 26.73, -12.54

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 48 / 37 / 62

HEX #61323D

RGB 97 50 61

HSL 345.96, 0.32%, 0.29%

LAB 27.18, 22.57, 2.62

 

CMYK 0 / 47 / 48 / 62

HEX #613332

RGB 97 51 50

HSL 1.28, 0.32%, 0.29%

LAB 27.13, 20.54, 9.83

 

CMYK 0 / 49 / 26 / 83

HEX #2B1620

RGB 43 22 32

HSL 331.43, 0.32%, 0.13%

LAB 10.5, 12.42, -2.42

 

CMYK 0 / 49 / 26 / 73

HEX #462434

RGB 70 36 52

HSL 331.76, 0.32%, 0.21%

LAB 19.27, 18.57, -3.33

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 48 / 25 / 51

HEX #7C405D

RGB 124 64 93

HSL 331, 0.32%, 0.37%

LAB 35.48, 29.77, -5.51

 

CMYK 0 / 49 / 25 / 40

HEX #984E72

RGB 152 78 114

HSL 330.81, 0.32%, 0.45%

LAB 43.27, 35.39, -6.57

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 14 / 48 / 62

HEX #615332

RGB 97 83 50

HSL 42.13, 0.32%, 0.29%

LAB 35.9, 0.74, 21.42

 

CMYK 48 / 5 / 0 / 62

HEX #325C61

RGB 50 92 97

HSL 186.38, 0.32%, 0.29%

LAB 36.36, -13.14, -7.44

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 25 / 0 / 48 / 62

HEX #496132

RGB 73 97 50

HSL 90.64, 0.32%, 0.29%

LAB 38.19, -18.2, 23.85

 

CMYK 48 / 25 / 0 / 62

HEX #324961

RGB 50 73 97

HSL 210.64, 0.32%, 0.29%

LAB 30.17, -1.54, -16.86

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 14 / 48 / 62

HEX #615332

RGB 97 83 50

HSL 42.13, 0.32%, 0.29%

LAB 35.9, 0.74, 21.42

 

CMYK 48 / 0 / 25 / 62

HEX #326149

RGB 50 97 73

HSL 149.36, 0.32%, 0.29%

LAB 37.31, -22.31, 8.79

 

CMYK 48 / 34 / 0 / 62

HEX #324061

RGB 50 64 97

HSL 222.13, 0.32%, 0.29%

LAB 27.32, 4.38, -21.29

 

CMYK 0 / 48 / 25 / 62

HEX #613249

RGB 97 50 73

HSL 330.64, 0.32%, 0.29%

LAB 27.58, 24.42, -4.76

 

CMYK 0 / 0 / 48 / 62

HEX #616132

RGB 97 97 50

HSL 60, 0.32%, 0.29%

LAB 40.12, -7.58, 26.66

 

CMYK 48 / 0 / 25 / 62

HEX #326149

RGB 50 97 73

HSL 149.36, 0.32%, 0.29%

LAB 37.31, -22.31, 8.79

 

CMYK 48 / 48 / 0 / 62

HEX #323261

RGB 50 50 97

HSL 240, 0.32%, 0.29%

LAB 23.08, 13.96, -27.99

 

Description

Color code: HEX #613249 | qconv.com Color code: HEX #613249 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 50 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 50 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 25 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 25% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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