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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613241 it is the complementary color #9ECDBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613241 shade: #66323C, #77444F, #885662, #996875 and #AA7A88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613241 shade: #613241, #50202E, #3F0E1B, #2E0008 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613241 shade: #613241, #613234 and #613232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613241 shade: #613241, #61324E, #61325A, #5B3261 and #4E3261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613241 shade matches the following richer shades: #613241, #6D263D, #791A38, #850E34 and #910230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613241 shade: #613241, #553E45, #494A4A, #3D564E and #316252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613241 shade: #61325B, #61324E, #613242, #613235 and #613B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613241 shade: #2B161C, #46242F, #613241, #7C4053 and #984E65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613241 shade: #613241, #615B32 and #325461

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613241 shade: #613241, #426132 and #324261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613241 shade: #613241, #615B32, #326151 and #323861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613241 shade: #613241, #596132, #326151 and #3A3261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

Complementary color

CMYK 23 / 0 / 7 / 20

HEX #9ECDBE

RGB 158 205 190

HSL 160.85, 0.32%, 0.71%

LAB 78.84, -18.44, 2.44

 

CMYK 0 / 51 / 41 / 60

HEX #66323C

RGB 102 50 60

HSL 348.46, 0.34%, 0.3%

LAB 27.93, 24.48, 4.45

 

CMYK 0 / 43 / 34 / 53

HEX #77444F

RGB 119 68 79

HSL 347.06, 0.27%, 0.37%

LAB 35.24, 23.42, 2.95

 

CMYK 0 / 37 / 28 / 47

HEX #885662

RGB 136 86 98

HSL 345.6, 0.23%, 0.44%

LAB 42.42, 22.46, 1.75

 

CMYK 0 / 32 / 24 / 40

HEX #996875

RGB 153 104 117

HSL 344.08, 0.19%, 0.5%

LAB 49.44, 21.61, 0.73

 

CMYK 0 / 28 / 20 / 33

HEX #AA7A88

RGB 170 122 136

HSL 342.5, 0.22%, 0.57%

LAB 56.33, 20.85, -0.16

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 60 / 43 / 69

HEX #50202E

RGB 80 32 46

HSL 342.5, 0.43%, 0.22%

LAB 19.78, 24.16, 1.81

 

CMYK 0 / 78 / 57 / 75

HEX #3F0E1B

RGB 63 14 27

HSL 344.08, 0.64%, 0.15%

LAB 12.29, 24.86, 4.39

 

CMYK 0 / 100 / 83 / 82

HEX #2E0008

RGB 46 0 8

HSL 349.57, 1%, 0.09%

LAB 5.41, 23.2, 5.26

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 48 / 46 / 62

HEX #613234

RGB 97 50 52

HSL 357.45, 0.32%, 0.29%

LAB 26.93, 21.38, 8.24

 

CMYK 0 / 48 / 48 / 62

HEX #613232

RGB 97 50 50

HSL 0, 0.32%, 0.29%

LAB 26.88, 21.14, 9.5

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 48 / 20 / 62

HEX #61324E

RGB 97 50 78

HSL 324.26, 0.32%, 0.29%

LAB 27.77, 25.27, -7.78

 

CMYK 0 / 48 / 7 / 62

HEX #61325A

RGB 97 50 90

HSL 308.94, 0.32%, 0.29%

LAB 28.28, 27.51, -14.88

 

CMYK 6 / 48 / 0 / 62

HEX #5B3261

RGB 91 50 97

HSL 292.34, 0.32%, 0.29%

LAB 27.76, 26.91, -20.29

 

CMYK 20 / 48 / 0 / 62

HEX #4E3261

RGB 78 50 97

HSL 275.74, 0.32%, 0.29%

LAB 26.05, 22.58, -23.09

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 65 / 44 / 57

HEX #6D263D

RGB 109 38 61

HSL 340.56, 0.48%, 0.29%

LAB 26.66, 33.79, 2.12

 

CMYK 0 / 79 / 54 / 53

HEX #791A38

RGB 121 26 56

HSL 341.05, 0.65%, 0.29%

LAB 26.99, 42.34, 6.27

 

CMYK 0 / 89 / 61 / 48

HEX #850E34

RGB 133 14 52

HSL 340.84, 0.81%, 0.29%

LAB 28.24, 48.82, 11.1

 

CMYK 0 / 99 / 67 / 43

HEX #910230

RGB 145 2 48

HSL 340.7, 0.97%, 0.29%

LAB 30.1, 53.73, 16.73

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 27 / 19 / 67

HEX #553E45

RGB 85 62 69

HSL 341.74, 0.16%, 0.29%

LAB 28.92, 11.31, -0.34

 

CMYK 1 / 0 / 0 / 71

HEX #494A4A

RGB 73 74 74

HSL 180, 0.01%, 0.29%

LAB 31.37, -0.41, -0.15

 

CMYK 29 / 0 / 9 / 66

HEX #3D564E

RGB 61 86 78

HSL 160.8, 0.17%, 0.29%

LAB 34.39, -11.41, 1.6

 

CMYK 50 / 0 / 16 / 62

HEX #316252

RGB 49 98 82

HSL 160.41, 0.33%, 0.29%

LAB 37.84, -20.92, 4.01

 

CMYK 0 / 48 / 6 / 62

HEX #61325B

RGB 97 50 91

HSL 307.66, 0.32%, 0.29%

LAB 28.32, 27.7, -15.46

 

CMYK 0 / 48 / 20 / 62

HEX #61324E

RGB 97 50 78

HSL 324.26, 0.32%, 0.29%

LAB 27.77, 25.27, -7.78

 

CMYK 0 / 48 / 32 / 62

HEX #613242

RGB 97 50 66

HSL 339.57, 0.32%, 0.29%

LAB 27.34, 23.3, -0.48

 

CMYK 0 / 48 / 45 / 62

HEX #613235

RGB 97 50 53

HSL 356.17, 0.32%, 0.29%

LAB 26.96, 21.5, 7.61

 

CMYK 0 / 39 / 48 / 62

HEX #613B32

RGB 97 59 50

HSL 11.49, 0.32%, 0.29%

LAB 29.16, 15.63, 12.59

 

CMYK 0 / 49 / 35 / 83

HEX #2B161C

RGB 43 22 28

HSL 342.86, 0.32%, 0.13%

LAB 10.34, 11.66, 0.35

 

CMYK 0 / 49 / 33 / 73

HEX #46242F

RGB 70 36 47

HSL 340.59, 0.32%, 0.21%

LAB 19.09, 17.72, -0.1

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 48 / 33 / 51

HEX #7C4053

RGB 124 64 83

HSL 341, 0.32%, 0.37%

LAB 35.16, 28.28, 0.37

 

CMYK 0 / 49 / 34 / 40

HEX #984E65

RGB 152 78 101

HSL 341.35, 0.32%, 0.45%

LAB 42.86, 33.55, 0.82

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 6 / 48 / 62

HEX #615B32

RGB 97 91 50

HSL 52.34, 0.32%, 0.29%

LAB 38.29, -4.07, 24.41

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 32 / 0 / 48 / 62

HEX #426132

RGB 66 97 50

HSL 99.57, 0.32%, 0.29%

LAB 37.73, -21.05, 23.18

 

CMYK 48 / 32 / 0 / 62

HEX #324261

RGB 50 66 97

HSL 219.57, 0.32%, 0.29%

LAB 27.95, 3.04, -20.31

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 0 / 6 / 48 / 62

HEX #615B32

RGB 97 91 50

HSL 52.34, 0.32%, 0.29%

LAB 38.29, -4.07, 24.41

 

CMYK 48 / 0 / 16 / 62

HEX #326151

RGB 50 97 81

HSL 159.57, 0.32%, 0.29%

LAB 37.52, -20.36, 4.17

 

CMYK 48 / 42 / 0 / 62

HEX #323861

RGB 50 56 97

HSL 232.34, 0.32%, 0.29%

LAB 24.86, 9.82, -25.17

 

CMYK 0 / 48 / 33 / 62

HEX #613241

RGB 97 50 65

HSL 340.85, 0.32%, 0.29%

LAB 27.31, 23.15, 0.14

 

CMYK 8 / 0 / 48 / 62

HEX #596132

RGB 89 97 50

HSL 70.21, 0.32%, 0.29%

LAB 39.42, -11.22, 25.64

 

CMYK 48 / 0 / 16 / 62

HEX #326151

RGB 50 97 81

HSL 159.57, 0.32%, 0.29%

LAB 37.52, -20.36, 4.17

 

CMYK 40 / 48 / 0 / 62

HEX #3A3261

RGB 58 50 97

HSL 250.21, 0.32%, 0.29%

LAB 23.82, 16.27, -26.77

 

Description

Color code: HEX #613241 | qconv.com Color code: HEX #613241 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 50 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 50 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 33 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 33% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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