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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #611348 it is the complementary color #9EECB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #611348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #611348 shade: #661343, #772556, #883769, #99497C and #AA5B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #611348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #611348 shade: #611348, #500135, #3F0022, #2E000F and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #611348 shade: #611348, #611333, #61131E and #611313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #611348 shade: #611348, #61135D, #501361, #3B1361 and #261361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #611348 shade matches the following richer shades: #611348, #6B094C and #74004F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #611348 shade: #611348, #581C45, #4E2641, #452F3E and #3B393B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #611348 shade: #501361, #61135E, #611349, #611334 and #61131F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #611348 shade: #1D0515, #3F0C2F, #611348, #841A62 and #A6207B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #611348 shade: #611348, #613B13 and #13615B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #611348 shade: #611348, #496113 and #134961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #611348 shade: #611348, #613B13, #13612C and #133961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #611348 shade: #611348, #615313, #13612C and #132161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

Complementary color

CMYK 33 / 0 / 22 / 7

HEX #9EECB7

RGB 158 236 183

HSL 139.23, 0.67%, 0.77%

LAB 87.33, -34.76, 18.23

 

CMYK 0 / 81 / 34 / 60

HEX #661343

RGB 102 19 67

HSL 325.3, 0.69%, 0.24%

LAB 22.64, 40.26, -8.06

 

CMYK 0 / 69 / 28 / 53

HEX #772556

RGB 119 37 86

HSL 324.15, 0.53%, 0.31%

LAB 29.2, 40.8, -10.53

 

CMYK 0 / 60 / 23 / 47

HEX #883769

RGB 136 55 105

HSL 322.96, 0.42%, 0.37%

LAB 35.96, 40.54, -12.21

 

CMYK 0 / 52 / 19 / 40

HEX #99497C

RGB 153 73 124

HSL 321.75, 0.35%, 0.44%

LAB 42.75, 39.92, -13.46

 

CMYK 0 / 46 / 16 / 33

HEX #AA5B8F

RGB 170 91 143

HSL 320.51, 0.32%, 0.51%

LAB 49.51, 39.17, -14.43

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 99 / 34 / 69

HEX #500135

RGB 80 1 53

HSL 320.51, 0.98%, 0.16%

LAB 15.4, 38, -9.7

 

CMYK 0 / 100 / 46 / 75

HEX #3F0022

RGB 63 0 34

HSL 327.62, 1%, 0.12%

LAB 10.35, 31.84, -3.72

 

CMYK 0 / 100 / 67 / 82

HEX #2E000F

RGB 46 0 15

HSL 340.43, 1%, 0.09%

LAB 5.56, 23.92, 2.33

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 80 / 47 / 62

HEX #611333

RGB 97 19 51

HSL 335.38, 0.67%, 0.23%

LAB 21, 36.9, 0.48

 

CMYK 0 / 80 / 69 / 62

HEX #61131E

RGB 97 19 30

HSL 351.54, 0.67%, 0.23%

LAB 20.44, 35.1, 14.44

 

CMYK 0 / 80 / 80 / 62

HEX #611313

RGB 97 19 19

HSL 0, 0.67%, 0.23%

LAB 20.26, 34.49, 21.67

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 80 / 4 / 62

HEX #61135D

RGB 97 19 93

HSL 303.08, 0.67%, 0.23%

LAB 22.99, 42.89, -25.11

 

CMYK 18 / 80 / 0 / 62

HEX #501361

RGB 80 19 97

HSL 286.92, 0.67%, 0.23%

LAB 20.18, 39.75, -32.42

 

CMYK 39 / 80 / 0 / 62

HEX #3B1361

RGB 59 19 97

HSL 270.77, 0.67%, 0.23%

LAB 16.79, 35.35, -38.07

 

CMYK 61 / 80 / 0 / 62

HEX #261361

RGB 38 19 97

HSL 254.62, 0.67%, 0.23%

LAB 14.06, 31.69, -42.64

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 92 / 29 / 58

HEX #6B094C

RGB 107 9 76

HSL 318.98, 0.84%, 0.23%

LAB 23.15, 45.4, -13.33

 

CMYK 0 / 100 / 32 / 55

HEX #74004F

RGB 116 0 79

HSL 319.14, 1%, 0.23%

LAB 24.57, 49.72, -13.01

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 68 / 22 / 65

HEX #581C45

RGB 88 28 69

HSL 319, 0.52%, 0.23%

LAB 21.34, 32.62, -11.66

 

CMYK 0 / 51 / 17 / 69

HEX #4E2641

RGB 78 38 65

HSL 319.5, 0.34%, 0.23%

LAB 21.53, 22.89, -8.78

 

CMYK 0 / 32 / 10 / 73

HEX #452F3E

RGB 69 47 62

HSL 319.09, 0.19%, 0.23%

LAB 22.46, 12.92, -5.46

 

CMYK 0 / 3 / 0 / 77

HEX #3B393B

RGB 59 57 59

HSL 300, 0.02%, 0.23%

LAB 24.23, 1.32, -0.94

 

CMYK 18 / 80 / 0 / 62

HEX #501361

RGB 80 19 97

HSL 286.92, 0.67%, 0.23%

LAB 20.18, 39.75, -32.42

 

CMYK 0 / 80 / 3 / 62

HEX #61135E

RGB 97 19 94

HSL 302.31, 0.67%, 0.23%

LAB 23.05, 43.07, -25.67

 

CMYK 0 / 80 / 25 / 62

HEX #611349

RGB 97 19 73

HSL 318.46, 0.67%, 0.23%

LAB 21.9, 39.68, -13.38

 

CMYK 0 / 80 / 46 / 62

HEX #611334

RGB 97 19 52

HSL 334.62, 0.67%, 0.23%

LAB 21.04, 37.01, -0.17

 

CMYK 0 / 80 / 68 / 62

HEX #61131F

RGB 97 19 31

HSL 350.77, 0.67%, 0.23%

LAB 20.46, 35.16, 13.77

 

CMYK 0 / 83 / 28 / 89

HEX #1D0515

RGB 29 5 21

HSL 320, 0.71%, 0.07%

LAB 3.83, 12.02, -4.19

 

CMYK 0 / 81 / 25 / 75

HEX #3F0C2F

RGB 63 12 47

HSL 318.82, 0.68%, 0.15%

LAB 12.77, 28.47, -9.73

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 80 / 26 / 48

HEX #841A62

RGB 132 26 98

HSL 319.25, 0.67%, 0.31%

LAB 30.7, 50.15, -15.84

 

CMYK 0 / 81 / 26 / 35

HEX #A6207B

RGB 166 32 123

HSL 319.25, 0.68%, 0.39%

LAB 38.85, 60.08, -18.62

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 39 / 80 / 62

HEX #613B13

RGB 97 59 19

HSL 30.77, 0.67%, 0.23%

LAB 28.69, 13.02, 30.51

 

CMYK 80 / 0 / 6 / 62

HEX #13615B

RGB 19 97 91

HSL 175.38, 0.67%, 0.23%

LAB 36.82, -23.94, -3.14

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 25 / 0 / 80 / 62

HEX #496113

RGB 73 97 19

HSL 78.46, 0.67%, 0.23%

LAB 37.87, -21.21, 38.63

 

CMYK 80 / 25 / 0 / 62

HEX #134961

RGB 19 73 97

HSL 198.46, 0.67%, 0.23%

LAB 28.82, -8.24, -19.07

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 39 / 80 / 62

HEX #613B13

RGB 97 59 19

HSL 30.77, 0.67%, 0.23%

LAB 28.69, 13.02, 30.51

 

CMYK 80 / 0 / 55 / 62

HEX #13612C

RGB 19 97 44

HSL 139.23, 0.67%, 0.23%

LAB 35.73, -35.66, 23.65

 

CMYK 80 / 41 / 0 / 62

HEX #133961

RGB 19 57 97

HSL 210.77, 0.67%, 0.23%

LAB 23.43, 2.34, -27.54

 

CMYK 0 / 80 / 26 / 62

HEX #611348

RGB 97 19 72

HSL 319.23, 0.67%, 0.23%

LAB 21.85, 39.53, -12.77

 

CMYK 0 / 14 / 80 / 62

HEX #615313

RGB 97 83 19

HSL 49.23, 0.67%, 0.23%

LAB 35.55, -1.79, 37.17

 

CMYK 80 / 0 / 55 / 62

HEX #13612C

RGB 19 97 44

HSL 139.23, 0.67%, 0.23%

LAB 35.73, -35.66, 23.65

 

CMYK 80 / 66 / 0 / 62

HEX #132161

RGB 19 33 97

HSL 229.23, 0.67%, 0.23%

LAB 15.95, 19.78, -39.61

 

Description

Color code: HEX #611348 | qconv.com Color code: HEX #611348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 19 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 19 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 26 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 26% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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