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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6119A3 it is the complementary color #9EE65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6119A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6119A3 shade: #66199E, #772BB1, #883DC4, #994FD7 and #AA61EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6119A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6119A3 shade: #6119A3, #500790, #3F007D, #2E006A and #1D0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6119A3 shade: #6119A3, #8619A3, #A3199A, #A31975 and #A31950

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6119A3 shade: #6119A3, #3C19A3 and #1919A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6119A3 shade matches the following richer shades: #6119A3 and #610AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6119A3 shade: #6119A3, #602893, #603884, #5F4775 and #5E5666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6119A3 shade: #191BA3, #3B19A3, #6019A3, #8519A3 and #A3199C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6119A3 shade: #360E5B, #4C137F, #6119A3, #761FC6 and #8B30DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6119A3 shade: #6119A3, #A31940 and #19A329

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6119A3 shade: #6119A3, #A36019 and #19A360

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6119A3 shade: #6119A3, #A31940, #5CA319 and #19A37C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6119A3 shade: #6119A3, #A31B19, #5CA319 and #19A0A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

Complementary color

CMYK 31 / 0 / 60 / 10

HEX #9EE65C

RGB 158 230 92

HSL 91.3, 0.73%, 0.63%

LAB 84.3, -44.56, 58.73

 

CMYK 35 / 84 / 0 / 38

HEX #66199E

RGB 102 25 158

HSL 274.74, 0.73%, 0.36%

LAB 29.38, 55.2, -55.92

 

CMYK 33 / 76 / 0 / 31

HEX #772BB1

RGB 119 43 177

HSL 274.03, 0.61%, 0.43%

LAB 35.64, 55.8, -57.05

 

CMYK 31 / 69 / 0 / 23

HEX #883DC4

RGB 136 61 196

HSL 273.33, 0.53%, 0.5%

LAB 42.09, 55.61, -57.67

 

CMYK 29 / 63 / 0 / 16

HEX #994FD7

RGB 153 79 215

HSL 272.65, 0.63%, 0.58%

LAB 48.6, 55.03, -58

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 44 / 95 / 0 / 44

HEX #500790

RGB 80 7 144

HSL 271.97, 0.91%, 0.3%

LAB 23.24, 53.74, -57.51

 

CMYK 50 / 100 / 0 / 51

HEX #3F007D

RGB 63 0 125

HSL 270.24, 1%, 0.25%

LAB 18.09, 49.37, -54.13

 

CMYK 57 / 100 / 0 / 58

HEX #2E006A

RGB 46 0 106

HSL 266.04, 1%, 0.21%

LAB 13.36, 43.33, -49.72

 

CMYK 67 / 100 / 0 / 66

HEX #1D0057

RGB 29 0 87

HSL 260, 1%, 0.17%

LAB 8.56, 37.2, -45.04

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 18 / 85 / 0 / 36

HEX #8619A3

RGB 134 25 163

HSL 287.39, 0.73%, 0.37%

LAB 34.82, 61.5, -49.89

 

CMYK 0 / 85 / 6 / 36

HEX #A3199A

RGB 163 25 154

HSL 303.91, 0.73%, 0.37%

LAB 39.27, 65.41, -37.04

 

CMYK 0 / 85 / 28 / 36

HEX #A31975

RGB 163 25 117

HSL 320, 0.73%, 0.37%

LAB 37.42, 60.36, -17.11

 

CMYK 0 / 85 / 51 / 36

HEX #A31950

RGB 163 25 80

HSL 336.09, 0.73%, 0.37%

LAB 36.1, 56.58, 4.53

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 63 / 85 / 0 / 36

HEX #3C19A3

RGB 60 25 163

HSL 255.22, 0.73%, 0.37%

LAB 24.64, 51.21, -66.95

 

CMYK 85 / 85 / 0 / 36

HEX #1919A3

RGB 25 25 163

HSL 240, 0.73%, 0.37%

LAB 22.11, 48.84, -71.23

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 46 / 94 / 0 / 30

HEX #610AB2

RGB 97 10 178

HSL 271.07, 0.89%, 0.37%

LAB 29.34, 62.66, -68.08

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 35 / 73 / 0 / 42

HEX #602893

RGB 96 40 147

HSL 271.4, 0.57%, 0.37%

LAB 29.69, 45.6, -48.73

 

CMYK 27 / 58 / 0 / 48

HEX #603884

RGB 96 56 132

HSL 271.58, 0.4%, 0.37%

LAB 31.76, 33.29, -36.12

 

CMYK 19 / 39 / 0 / 54

HEX #5F4775

RGB 95 71 117

HSL 271.3, 0.24%, 0.37%

LAB 34.44, 20.04, -22.55

 

CMYK 8 / 16 / 0 / 60

HEX #5E5666

RGB 94 86 102

HSL 270, 0.09%, 0.37%

LAB 37.83, 6.67, -8.02

 

CMYK 85 / 83 / 0 / 36

HEX #191BA3

RGB 25 27 163

HSL 239.13, 0.73%, 0.37%

LAB 22.43, 47.91, -70.7

 

CMYK 64 / 85 / 0 / 36

HEX #3B19A3

RGB 59 25 163

HSL 254.78, 0.73%, 0.37%

LAB 24.54, 51.12, -67.12

 

CMYK 41 / 85 / 0 / 36

HEX #6019A3

RGB 96 25 163

HSL 270.87, 0.73%, 0.37%

LAB 28.97, 55.47, -59.67

 

CMYK 18 / 85 / 0 / 36

HEX #8519A3

RGB 133 25 163

HSL 286.96, 0.73%, 0.37%

LAB 34.65, 61.33, -50.17

 

CMYK 0 / 85 / 4 / 36

HEX #A3199C

RGB 163 25 156

HSL 303.04, 0.73%, 0.37%

LAB 39.38, 65.72, -38.07

 

CMYK 41 / 85 / 0 / 64

HEX #360E5B

RGB 54 14 91

HSL 271.17, 0.73%, 0.21%

LAB 14.7, 35.07, -37.51

 

CMYK 40 / 85 / 0 / 50

HEX #4C137F

RGB 76 19 127

HSL 271.67, 0.74%, 0.29%

LAB 22.07, 45.93, -48.79

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 40 / 84 / 0 / 22

HEX #761FC6

RGB 118 31 198

HSL 271.26, 0.73%, 0.45%

LAB 35.81, 64.64, -69.17

 

CMYK 37 / 78 / 0 / 13

HEX #8B30DE

RGB 139 48 222

HSL 271.38, 0.73%, 0.53%

LAB 42.58, 67.4, -71.85

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 0 / 85 / 61 / 36

HEX #A31940

RGB 163 25 64

HSL 343.04, 0.73%, 0.37%

LAB 35.7, 55.4, 14.33

 

CMYK 85 / 0 / 75 / 36

HEX #19A329

RGB 25 163 41

HSL 126.96, 0.73%, 0.37%

LAB 58.57, -57.99, 50.43

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 0 / 41 / 85 / 36

HEX #A36019

RGB 163 96 25

HSL 30.87, 0.73%, 0.37%

LAB 47.27, 22.01, 48.5

 

CMYK 85 / 0 / 41 / 36

HEX #19A360

RGB 25 163 96

HSL 150.87, 0.73%, 0.37%

LAB 59.2, -50.33, 25.22

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 0 / 85 / 61 / 36

HEX #A31940

RGB 163 25 64

HSL 343.04, 0.73%, 0.37%

LAB 35.7, 55.4, 14.33

 

CMYK 44 / 0 / 85 / 36

HEX #5CA319

RGB 92 163 25

HSL 90.87, 0.73%, 0.37%

LAB 60.37, -43.74, 57.76

 

CMYK 85 / 0 / 24 / 36

HEX #19A37C

RGB 25 163 124

HSL 163.04, 0.73%, 0.37%

LAB 59.76, -44.08, 10.58

 

CMYK 40 / 85 / 0 / 36

HEX #6119A3

RGB 97 25 163

HSL 271.3, 0.73%, 0.37%

LAB 29.11, 55.61, -59.43

 

CMYK 0 / 83 / 85 / 36

HEX #A31B19

RGB 163 27 25

HSL 0.87, 0.73%, 0.37%

LAB 35.28, 53.13, 37.84

 

CMYK 44 / 0 / 85 / 36

HEX #5CA319

RGB 92 163 25

HSL 90.87, 0.73%, 0.37%

LAB 60.37, -43.74, 57.76

 

CMYK 85 / 2 / 0 / 36

HEX #19A0A3

RGB 25 160 163

HSL 181.3, 0.73%, 0.37%

LAB 59.88, -31.77, -11.23

 

Description

Color code: HEX #6119A3 | qconv.com Color code: HEX #6119A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 25 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 25 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 85 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 85% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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