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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61185C it is the complementary color #9EE7A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61185C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61185C shade: #661857, #772A6A, #883C7D, #994E90 and #AA60A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61185C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61185C shade: #61185C, #500649, #3F0036, #2E0023 and #1D0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61185C shade: #61185C, #611849, #611835, #611821 and #611818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61185C shade: #61185C, #531861, #3F1861, #2B1861 and #181861

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61185C shade matches the following richer shades: #61185C, #6B0E65 and #75046D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61185C shade: #61185C, #582254, #4E2C4B, #443643 and #3A403A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61185C shade: #3F1861, #531861, #61185D, #611849 and #611835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61185C shade: #1F071E, #40103D, #61185C, #82207C and #A3289B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61185C shade: #61185C, #612C18 and #186149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61185C shade: #61185C, #5D6118 and #185D61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61185C shade: #61185C, #612C18, #18611D and #184E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61185C shade: #61185C, #614218, #18611D and #183861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

Complementary color

CMYK 32 / 0 / 29 / 9

HEX #9EE7A3

RGB 158 231 163

HSL 124.11, 0.6%, 0.76%

LAB 85.54, -35.96, 26.09

 

CMYK 0 / 76 / 15 / 60

HEX #661857

RGB 102 24 87

HSL 311.54, 0.62%, 0.25%

LAB 24.21, 41.38, -19.14

 

CMYK 0 / 65 / 11 / 53

HEX #772A6A

RGB 119 42 106

HSL 310.13, 0.48%, 0.32%

LAB 30.92, 41.69, -20.84

 

CMYK 0 / 56 / 8 / 47

HEX #883C7D

RGB 136 60 125

HSL 308.68, 0.39%, 0.38%

LAB 37.75, 41.33, -21.97

 

CMYK 0 / 49 / 6 / 40

HEX #994E90

RGB 153 78 144

HSL 307.2, 0.32%, 0.45%

LAB 44.57, 40.7, -22.8

 

CMYK 0 / 44 / 4 / 33

HEX #AA60A3

RGB 170 96 163

HSL 305.68, 0.3%, 0.52%

LAB 51.33, 39.96, -23.45

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 93 / 9 / 69

HEX #500649

RGB 80 6 73

HSL 305.68, 0.86%, 0.17%

LAB 17.07, 39.36, -21.19

 

CMYK 0 / 100 / 14 / 75

HEX #3F0036

RGB 63 0 54

HSL 308.57, 1%, 0.12%

LAB 11.44, 34.6, -16.9

 

CMYK 0 / 100 / 24 / 82

HEX #2E0023

RGB 46 0 35

HSL 314.35, 1%, 0.09%

LAB 6.34, 27.13, -10.97

 

CMYK 0 / 100 / 45 / 89

HEX #1D0010

RGB 29 0 16

HSL 326.9, 1%, 0.06%

LAB 2.7, 12.96, -2.73

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 75 / 25 / 62

HEX #611849

RGB 97 24 73

HSL 319.73, 0.6%, 0.24%

LAB 22.57, 37.79, -12.35

 

CMYK 0 / 75 / 45 / 62

HEX #611835

RGB 97 24 53

HSL 336.16, 0.6%, 0.24%

LAB 21.77, 35.17, 0.2

 

CMYK 0 / 75 / 66 / 62

HEX #611821

RGB 97 24 33

HSL 352.6, 0.6%, 0.24%

LAB 21.22, 33.31, 13.37

 

CMYK 0 / 75 / 75 / 62

HEX #611818

RGB 97 24 24

HSL 0, 0.6%, 0.24%

LAB 21.06, 32.73, 19.29

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 14 / 75 / 0 / 62

HEX #531861

RGB 83 24 97

HSL 288.49, 0.6%, 0.24%

LAB 21.41, 38.39, -30.41

 

CMYK 35 / 75 / 0 / 62

HEX #3F1861

RGB 63 24 97

HSL 272.05, 0.6%, 0.24%

LAB 18.25, 33.73, -35.68

 

CMYK 56 / 75 / 0 / 62

HEX #2B1861

RGB 43 24 97

HSL 255.62, 0.6%, 0.24%

LAB 15.64, 29.64, -40.03

 

CMYK 75 / 75 / 0 / 62

HEX #181861

RGB 24 24 97

HSL 240, 0.6%, 0.24%

LAB 13.89, 26.71, -42.98

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 87 / 6 / 58

HEX #6B0E65

RGB 107 14 101

HSL 303.87, 0.77%, 0.24%

LAB 24.89, 47.96, -27.24

 

CMYK 0 / 97 / 7 / 54

HEX #75046D

RGB 117 4 109

HSL 304.25, 0.93%, 0.24%

LAB 26.66, 53.27, -29.5

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 61 / 5 / 65

HEX #582254

RGB 88 34 84

HSL 304.44, 0.44%, 0.24%

LAB 23.2, 32.28, -18.9

 

CMYK 0 / 44 / 4 / 69

HEX #4E2C4B

RGB 78 44 75

HSL 305.29, 0.28%, 0.24%

LAB 23.44, 21.19, -12.64

 

CMYK 0 / 21 / 1 / 73

HEX #443643

RGB 68 54 67

HSL 304.29, 0.11%, 0.24%

LAB 24.55, 8.94, -5.71

 

CMYK 9 / 0 / 9 / 75

HEX #3A403A

RGB 58 64 58

HSL 120, 0.05%, 0.24%

LAB 26.37, -3.87, 2.82

 

CMYK 35 / 75 / 0 / 62

HEX #3F1861

RGB 63 24 97

HSL 272.05, 0.6%, 0.24%

LAB 18.25, 33.73, -35.68

 

CMYK 14 / 75 / 0 / 62

HEX #531861

RGB 83 24 97

HSL 288.49, 0.6%, 0.24%

LAB 21.41, 38.39, -30.41

 

CMYK 0 / 75 / 4 / 62

HEX #61185D

RGB 97 24 93

HSL 303.29, 0.6%, 0.24%

LAB 23.62, 41.09, -24.11

 

CMYK 0 / 75 / 25 / 62

HEX #611849

RGB 97 24 73

HSL 319.73, 0.6%, 0.24%

LAB 22.57, 37.79, -12.35

 

CMYK 0 / 75 / 45 / 62

HEX #611835

RGB 97 24 53

HSL 336.16, 0.6%, 0.24%

LAB 21.77, 35.17, 0.2

 

CMYK 0 / 77 / 3 / 88

HEX #1F071E

RGB 31 7 30

HSL 302.5, 0.63%, 0.07%

LAB 4.85, 14.93, -9.59

 

CMYK 0 / 75 / 5 / 75

HEX #40103D

RGB 64 16 61

HSL 303.75, 0.6%, 0.16%

LAB 14.39, 29.49, -17.25

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 75 / 5 / 49

HEX #82207C

RGB 130 32 124

HSL 303.67, 0.6%, 0.32%

LAB 32.33, 51.64, -29.9

 

CMYK 0 / 75 / 5 / 36

HEX #A3289B

RGB 163 40 155

HSL 303.9, 0.61%, 0.4%

LAB 40.69, 61.62, -35.39

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 55 / 75 / 62

HEX #612C18

RGB 97 44 24

HSL 16.44, 0.6%, 0.24%

LAB 24.98, 22.4, 23.81

 

CMYK 75 / 0 / 25 / 62

HEX #186149

RGB 24 97 73

HSL 160.27, 0.6%, 0.24%

LAB 36.41, -28.46, 7.39

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 4 / 0 / 75 / 62

HEX #5D6118

RGB 93 97 24

HSL 63.29, 0.6%, 0.24%

LAB 39.48, -11.65, 38.78

 

CMYK 75 / 4 / 0 / 62

HEX #185D61

RGB 24 93 97

HSL 183.29, 0.6%, 0.24%

LAB 35.76, -19.19, -8.43

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 55 / 75 / 62

HEX #612C18

RGB 97 44 24

HSL 16.44, 0.6%, 0.24%

LAB 24.98, 22.4, 23.81

 

CMYK 75 / 0 / 70 / 62

HEX #18611D

RGB 24 97 29

HSL 124.11, 0.6%, 0.24%

LAB 35.66, -36.92, 31.4

 

CMYK 75 / 20 / 0 / 62

HEX #184E61

RGB 24 78 97

HSL 195.62, 0.6%, 0.24%

LAB 30.65, -10.57, -16.21

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 32 / 75 / 62

HEX #614218

RGB 97 66 24

HSL 34.52, 0.6%, 0.24%

LAB 30.65, 8.93, 29.97

 

CMYK 75 / 0 / 70 / 62

HEX #18611D

RGB 24 97 29

HSL 124.11, 0.6%, 0.24%

LAB 35.66, -36.92, 31.4

 

CMYK 75 / 42 / 0 / 62

HEX #183861

RGB 24 56 97

HSL 213.7, 0.6%, 0.24%

LAB 23.29, 3.82, -27.75

 

Description

Color code: HEX #61185C | qconv.com Color code: HEX #61185C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 24 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 24 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 5 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 5% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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