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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60F5E0 it is the complementary color #9F0A1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60F5E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60F5E0 shade: #65F5DB, #76FFEE, #87FFFF, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60F5E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60F5E0 shade: #60F5E0, #4FE3CD, #3ED1BA, #2DBFA7 and #1CAD94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60F5E0 shade: #60F4E0, #60F4B8, #60F490, #60F468 and #81F460

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60F5E0 shade: #60F4E0, #60E1F4, #60B9F4, #6091F4 and #606AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60F5E0 shade matches the following richer shades: #60F4E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60F5E0 shade: #60F4E0, #6EE7D6, #7CD9CC, #89CCC2 and #97BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60F5E0 shade: #60F48F, #60F4B7, #60F4DE, #60E3F4 and #60BCF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60F5E0 shade: #13EFD0, #3AF2D8, #60F4E0, #87F7E7 and #AEF9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60F5E0 shade: #60F5E0, #6860F4 and #F4A360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60F5E0 shade: #60F5E0, #DE60F4 and #F4DE60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60F5E0 shade: #60F5E0, #6860F4, #F46077 and #EDF460

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60F5E0 shade: #60F5E0, #9460F4, #F46077 and #C1F460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

Complementary color

CMYK 0 / 94 / 81 / 38

HEX #9F0A1F

RGB 159 10 31

HSL 351.54, 0.88%, 0.33%

LAB 33.32, 55.51, 32.2

 

CMYK 59 / 0 / 11 / 4

HEX #65F5DB

RGB 101 245 219

HSL 169.17, 0.88%, 0.68%

LAB 88.54, -44.8, 0.93

 

CMYK 54 / 0 / 7 / 0

HEX #76FFEE

RGB 118 255 238

HSL 172.55, 1%, 0.73%

LAB 92.37, -41.42, -3.27

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

CMYK 65 / 0 / 10 / 11

HEX #4FE3CD

RGB 79 227 205

HSL 171.08, 0.73%, 0.6%

LAB 82.38, -44.1, -0.77

 

CMYK 70 / 0 / 11 / 18

HEX #3ED1BA

RGB 62 209 186

HSL 170.61, 0.62%, 0.53%

LAB 76.17, -43.59, 0.25

 

CMYK 76 / 0 / 13 / 25

HEX #2DBFA7

RGB 45 191 167

HSL 170.14, 0.62%, 0.46%

LAB 69.9, -42.85, 1.38

 

CMYK 84 / 0 / 14 / 32

HEX #1CAD94

RGB 28 173 148

HSL 169.66, 0.72%, 0.39%

LAB 63.57, -41.81, 2.64

 

CMYK 61 / 0 / 8 / 4

HEX #60F4E0

RGB 96 244 224

HSL 171.89, 0.87%, 0.67%

LAB 88.24, -44.01, -2.13

 

CMYK 61 / 0 / 25 / 4

HEX #60F4B8

RGB 96 244 184

HSL 155.68, 0.87%, 0.67%

LAB 87.31, -53.25, 17.35

 

CMYK 61 / 0 / 41 / 4

HEX #60F490

RGB 96 244 144

HSL 139.46, 0.87%, 0.67%

LAB 86.6, -60.79, 36.69

 

CMYK 61 / 0 / 57 / 4

HEX #60F468

RGB 96 244 104

HSL 123.24, 0.87%, 0.67%

LAB 86.1, -66.42, 54.94

 

CMYK 47 / 0 / 61 / 4

HEX #81F460

RGB 129 244 96

HSL 106.62, 0.87%, 0.67%

LAB 87.1, -59.04, 59.83

 

CMYK 61 / 0 / 8 / 4

HEX #60F4E0

RGB 96 244 224

HSL 171.89, 0.87%, 0.67%

LAB 88.24, -44.01, -2.13

 

CMYK 61 / 8 / 0 / 4

HEX #60E1F4

RGB 96 225 244

HSL 187.7, 0.87%, 0.67%

LAB 83.37, -29.94, -19.9

 

CMYK 61 / 24 / 0 / 4

HEX #60B9F4

RGB 96 185 244

HSL 203.92, 0.87%, 0.67%

LAB 72.04, -9.52, -37.28

 

CMYK 61 / 41 / 0 / 4

HEX #6091F4

RGB 96 145 244

HSL 220.14, 0.87%, 0.67%

LAB 61.02, 13.22, -54.62

 

CMYK 61 / 57 / 0 / 4

HEX #606AF4

RGB 96 106 244

HSL 235.95, 0.87%, 0.67%

LAB 51.07, 36.77, -70.62

 

CMYK 61 / 0 / 8 / 4

HEX #60F4E0

RGB 96 244 224

HSL 171.89, 0.87%, 0.67%

LAB 88.24, -44.01, -2.13

 

CMYK 61 / 0 / 8 / 4

HEX #60F4E0

RGB 96 244 224

HSL 171.89, 0.87%, 0.67%

LAB 88.24, -44.01, -2.13

 

CMYK 52 / 0 / 7 / 9

HEX #6EE7D6

RGB 110 231 214

HSL 171.57, 0.72%, 0.67%

LAB 84.65, -38.04, -2.1

 

CMYK 43 / 0 / 6 / 15

HEX #7CD9CC

RGB 124 217 204

HSL 171.61, 0.55%, 0.67%

LAB 80.89, -30.76, -2.26

 

CMYK 33 / 0 / 5 / 20

HEX #89CCC2

RGB 137 204 194

HSL 171.04, 0.4%, 0.67%

LAB 77.52, -23.33, -1.77

 

CMYK 21 / 0 / 3 / 25

HEX #97BEB8

RGB 151 190 184

HSL 170.77, 0.23%, 0.67%

LAB 74.1, -14.23, -1.27

 

CMYK 61 / 0 / 41 / 4

HEX #60F48F

RGB 96 244 143

HSL 139.05, 0.87%, 0.67%

LAB 86.59, -60.96, 37.16

 

CMYK 61 / 0 / 25 / 4

HEX #60F4B7

RGB 96 244 183

HSL 155.27, 0.87%, 0.67%

LAB 87.29, -53.46, 17.83

 

CMYK 61 / 0 / 9 / 4

HEX #60F4DE

RGB 96 244 222

HSL 171.08, 0.87%, 0.67%

LAB 88.19, -44.51, -1.16

 

CMYK 61 / 7 / 0 / 4

HEX #60E3F4

RGB 96 227 244

HSL 186.89, 0.87%, 0.67%

LAB 83.94, -30.9, -19.04

 

CMYK 61 / 23 / 0 / 4

HEX #60BCF4

RGB 96 188 244

HSL 202.7, 0.87%, 0.67%

LAB 72.88, -11.13, -35.98

 

CMYK 92 / 0 / 13 / 6

HEX #13EFD0

RGB 19 239 208

HSL 171.55, 0.87%, 0.51%

LAB 85.21, -53.86, 1.68

 

CMYK 76 / 0 / 11 / 5

HEX #3AF2D8

RGB 58 242 216

HSL 171.52, 0.88%, 0.59%

LAB 86.68, -50.34, -0.32

 

CMYK 61 / 0 / 8 / 4

HEX #60F4E0

RGB 96 244 224

HSL 171.89, 0.87%, 0.67%

LAB 88.24, -44.01, -2.13

 

CMYK 45 / 0 / 6 / 3

HEX #87F7E7

RGB 135 247 231

HSL 171.43, 0.88%, 0.75%

LAB 90.52, -35.85, -2.29

 

CMYK 30 / 0 / 4 / 2

HEX #AEF9EF

RGB 174 249 239

HSL 172, 0.86%, 0.83%

LAB 93.01, -25.06, -2.6

 

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

CMYK 57 / 61 / 0 / 4

HEX #6860F4

RGB 104 96 244

HSL 243.24, 0.87%, 0.67%

LAB 49.3, 44.02, -73.46

 

CMYK 0 / 33 / 61 / 4

HEX #F4A360

RGB 244 163 96

HSL 27.16, 0.87%, 0.67%

LAB 73.72, 23.56, 46.52

 

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

CMYK 9 / 61 / 0 / 4

HEX #DE60F4

RGB 222 96 244

HSL 291.08, 0.87%, 0.67%

LAB 62.02, 69.04, -52.33

 

CMYK 0 / 9 / 61 / 4

HEX #F4DE60

RGB 244 222 96

HSL 51.08, 0.87%, 0.67%

LAB 88.12, -7.07, 62.93

 

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

CMYK 57 / 61 / 0 / 4

HEX #6860F4

RGB 104 96 244

HSL 243.24, 0.87%, 0.67%

LAB 49.3, 44.02, -73.46

 

CMYK 0 / 61 / 51 / 4

HEX #F46077

RGB 244 96 119

HSL 350.68, 0.87%, 0.67%

LAB 60.72, 58.49, 17.32

 

CMYK 3 / 0 / 61 / 4

HEX #EDF460

RGB 237 244 96

HSL 62.84, 0.87%, 0.67%

LAB 93.25, -20.71, 68.34

 

CMYK 61 / 0 / 9 / 4

HEX #60F5E0

RGB 96 245 224

HSL 171.54, 0.88%, 0.67%

LAB 88.53, -44.45, -1.71

 

CMYK 39 / 61 / 0 / 4

HEX #9460F4

RGB 148 96 244

HSL 261.08, 0.87%, 0.67%

LAB 53.16, 52.34, -67.02

 

CMYK 0 / 61 / 51 / 4

HEX #F46077

RGB 244 96 119

HSL 350.68, 0.87%, 0.67%

LAB 60.72, 58.49, 17.32

 

CMYK 21 / 0 / 61 / 4

HEX #C1F460

RGB 193 244 96

HSL 80.68, 0.87%, 0.67%

LAB 90.27, -37.75, 64.23

 

Description

Color code: HEX #60F5E0 | qconv.com Color code: HEX #60F5E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 245 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 245 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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