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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60E357 it is the complementary color #9F1CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60E357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60E357 shade: #65E352, #76F565, #87FF78, #98FF8B and #A9FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60E357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60E357 shade: #60E357, #4FD144, #3EBF31, #2DAD1E and #1C9B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60E357 shade: #62E259, #87E259, #ACE259, #D1E259 and #E2CF59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60E357 shade: #62E259, #59E275, #59E29A, #59E2BF and #59E0E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60E357 shade matches the following richer shades: #62E259 and #54F249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60E357 shade: #62E259, #6FD368, #7DC378, #8BB388 and #98A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60E357 shade: #ABE259, #87E259, #62E259, #59E274 and #59E299

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60E357 shade: #2CC721, #40DC36, #62E259, #83E87C and #A4EE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60E357 shade: #60E357, #59D0E2 and #E25999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60E357 shade: #60E357, #5962E2 and #E25962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60E357 shade: #60E357, #59D0E2, #D959E2 and #E26B59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60E357 shade: #60E357, #59A7E2, #D959E2 and #E29459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

Complementary color

CMYK 5 / 83 / 0 / 34

HEX #9F1CA8

RGB 159 28 168

HSL 296.14, 0.71%, 0.38%

LAB 39.63, 66.2, -44.93

 

CMYK 56 / 0 / 64 / 11

HEX #65E352

RGB 101 227 82

HSL 112.14, 0.72%, 0.61%

LAB 80.91, -61.55, 58.5

 

CMYK 52 / 0 / 59 / 4

HEX #76F565

RGB 118 245 101

HSL 112.92, 0.88%, 0.68%

LAB 87.04, -61.89, 57.52

 

CMYK 47 / 0 / 53 / 0

HEX #87FF78

RGB 135 255 120

HSL 113.33, 1%, 0.74%

LAB 90.79, -59.01, 53.64

 

CMYK 40 / 0 / 45 / 0

HEX #98FF8B

RGB 152 255 139

HSL 113.28, 1%, 0.77%

LAB 91.71, -51.78, 46.06

 

CMYK 34 / 0 / 38 / 0

HEX #A9FF9E

RGB 169 255 158

HSL 113.2, 1%, 0.81%

LAB 92.76, -43.99, 38.34

 

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

CMYK 62 / 0 / 67 / 18

HEX #4FD144

RGB 79 209 68

HSL 115.32, 0.61%, 0.54%

LAB 74.62, -61.66, 57.15

 

CMYK 68 / 0 / 74 / 25

HEX #3EBF31

RGB 62 191 49

HSL 114.51, 0.59%, 0.47%

LAB 68.39, -60.67, 57.67

 

CMYK 74 / 0 / 83 / 32

HEX #2DAD1E

RGB 45 173 30

HSL 113.71, 0.7%, 0.4%

LAB 62.12, -59.14, 57.47

 

CMYK 82 / 0 / 93 / 39

HEX #1C9B0B

RGB 28 155 11

HSL 112.92, 0.87%, 0.33%

LAB 55.8, -56.85, 55.96

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 40 / 0 / 61 / 11

HEX #87E259

RGB 135 226 89

HSL 99.85, 0.7%, 0.62%

LAB 81.98, -50.82, 57.12

 

CMYK 24 / 0 / 61 / 11

HEX #ACE259

RGB 172 226 89

HSL 83.65, 0.7%, 0.62%

LAB 83.91, -38.03, 59.79

 

CMYK 8 / 0 / 61 / 11

HEX #D1E259

RGB 209 226 89

HSL 67.45, 0.7%, 0.62%

LAB 86.34, -23.72, 63.16

 

CMYK 0 / 8 / 61 / 11

HEX #E2CF59

RGB 226 207 89

HSL 51.68, 0.7%, 0.62%

LAB 82.66, -7.37, 59.52

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 61 / 0 / 48 / 11

HEX #59E275

RGB 89 226 117

HSL 132.26, 0.7%, 0.62%

LAB 80.63, -59.74, 42.26

 

CMYK 61 / 0 / 32 / 11

HEX #59E29A

RGB 89 226 154

HSL 148.47, 0.7%, 0.62%

LAB 81.21, -53.43, 24.39

 

CMYK 61 / 0 / 15 / 11

HEX #59E2BF

RGB 89 226 191

HSL 164.67, 0.7%, 0.62%

LAB 81.99, -45.44, 6.1

 

CMYK 61 / 1 / 0 / 11

HEX #59E0E2

RGB 89 224 226

HSL 180.88, 0.7%, 0.62%

LAB 82.34, -35.62, -11.94

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 65 / 0 / 70 / 5

HEX #54F249

RGB 84 242 73

HSL 116.09, 0.87%, 0.62%

LAB 84.93, -71.25, 66.14

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 47 / 0 / 51 / 17

HEX #6FD368

RGB 111 211 104

HSL 116.07, 0.55%, 0.62%

LAB 76.66, -50.3, 43.78

 

CMYK 36 / 0 / 38 / 24

HEX #7DC378

RGB 125 195 120

HSL 116, 0.38%, 0.62%

LAB 72.72, -36.92, 30.91

 

CMYK 22 / 0 / 24 / 30

HEX #8BB388

RGB 139 179 136

HSL 115.81, 0.22%, 0.62%

LAB 69.12, -21.93, 17.67

 

CMYK 7 / 0 / 7 / 36

HEX #98A498

RGB 152 164 152

HSL 120, 0.06%, 0.62%

LAB 66.13, -6.57, 4.76

 

CMYK 24 / 0 / 61 / 11

HEX #ABE259

RGB 171 226 89

HSL 84.09, 0.7%, 0.62%

LAB 83.85, -38.4, 59.71

 

CMYK 40 / 0 / 61 / 11

HEX #87E259

RGB 135 226 89

HSL 99.85, 0.7%, 0.62%

LAB 81.98, -50.82, 57.12

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 61 / 0 / 32 / 11

HEX #59E299

RGB 89 226 153

HSL 148.03, 0.7%, 0.62%

LAB 81.19, -53.63, 24.89

 

CMYK 78 / 0 / 83 / 22

HEX #2CC721

RGB 44 199 33

HSL 116.02, 0.72%, 0.45%

LAB 70.52, -67.16, 64.36

 

CMYK 71 / 0 / 75 / 14

HEX #40DC36

RGB 64 220 54

HSL 116.39, 0.7%, 0.54%

LAB 77.6, -69.3, 65.14

 

CMYK 57 / 0 / 61 / 11

HEX #62E259

RGB 98 226 89

HSL 116.06, 0.7%, 0.62%

LAB 80.58, -61.22, 55.15

 

CMYK 44 / 0 / 47 / 9

HEX #83E87C

RGB 131 232 124

HSL 116.11, 0.7%, 0.7%

LAB 83.96, -50.47, 43.35

 

CMYK 31 / 0 / 33 / 7

HEX #A4EE9F

RGB 164 238 159

HSL 116.2, 0.7%, 0.78%

LAB 87.75, -37.88, 31.17

 

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

CMYK 61 / 8 / 0 / 11

HEX #59D0E2

RGB 89 208 226

HSL 187.88, 0.7%, 0.62%

LAB 77.71, -27.99, -18.9

 

CMYK 0 / 61 / 32 / 11

HEX #E25999

RGB 226 89 153

HSL 331.97, 0.7%, 0.62%

LAB 57.67, 59.29, -7.24

 

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

CMYK 61 / 57 / 0 / 11

HEX #5962E2

RGB 89 98 226

HSL 236.06, 0.7%, 0.62%

LAB 47.43, 34.58, -66.43

 

CMYK 0 / 61 / 57 / 11

HEX #E25962

RGB 226 89 98

HSL 356.06, 0.7%, 0.62%

LAB 56.28, 53.98, 23.04

 

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

CMYK 61 / 8 / 0 / 11

HEX #59D0E2

RGB 89 208 226

HSL 187.88, 0.7%, 0.62%

LAB 77.71, -27.99, -18.9

 

CMYK 4 / 61 / 0 / 11

HEX #D959E2

RGB 217 89 226

HSL 296.06, 0.7%, 0.62%

LAB 59.33, 67.62, -46.61

 

CMYK 0 / 53 / 61 / 11

HEX #E26B59

RGB 226 107 89

HSL 7.88, 0.7%, 0.62%

LAB 59.35, 44.94, 32.15

 

CMYK 58 / 0 / 62 / 11

HEX #60E357

RGB 96 227 87

HSL 116.14, 0.71%, 0.62%

LAB 80.8, -62.27, 56.24

 

CMYK 61 / 26 / 0 / 11

HEX #59A7E2

RGB 89 167 226

HSL 205.84, 0.7%, 0.62%

LAB 65.94, -6.59, -36.97

 

CMYK 4 / 61 / 0 / 11

HEX #D959E2

RGB 217 89 226

HSL 296.06, 0.7%, 0.62%

LAB 59.33, 67.62, -46.61

 

CMYK 0 / 35 / 61 / 11

HEX #E29459

RGB 226 148 89

HSL 25.84, 0.7%, 0.62%

LAB 68.07, 23.7, 42.83

 

Description

Color code: HEX #60E357 | qconv.com Color code: HEX #60E357 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 227 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 227 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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