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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60E159 it is the complementary color #9F1EA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60E159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60E159 shade: #65E154, #76F367, #87FF7A, #98FF8D and #A9FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60E159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60E159 shade: #60E159, #4FCF46, #3EBD33, #2DAB20 and #1C990D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60E159 shade: #62E05B, #86E05B, #AAE05B, #CEE05B and #E0CF5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60E159 shade: #62E05B, #5BE078, #5BE09C, #5BE0C0 and #5BDDE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60E159 shade matches the following richer shades: #62E05B and #54F04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60E159 shade: #62E05B, #70D16A, #7EC17A, #8CB18A and #9AA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60E159 shade: #ABE05B, #87E05B, #64E05B, #5BE075 and #5BE099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60E159 shade: #2CC524, #40DA38, #62E05B, #83E77E and #A4EDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60E159 shade: #60E159, #5BCFE0 and #E05B99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60E159 shade: #60E159, #5B64E0 and #E05B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60E159 shade: #60E159, #5BCFE0, #D85BE0 and #E06D5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60E159 shade: #60E159, #5BA7E0, #D85BE0 and #E0955B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

Complementary color

CMYK 4 / 82 / 0 / 35

HEX #9F1EA6

RGB 159 30 166

HSL 296.91, 0.69%, 0.38%

LAB 39.67, 65.38, -43.67

 

CMYK 55 / 0 / 63 / 12

HEX #65E154

RGB 101 225 84

HSL 112.77, 0.7%, 0.61%

LAB 80.32, -60.63, 57.02

 

CMYK 51 / 0 / 58 / 5

HEX #76F367

RGB 118 243 103

HSL 113.57, 0.85%, 0.68%

LAB 86.47, -60.94, 55.99

 

CMYK 47 / 0 / 52 / 0

HEX #87FF7A

RGB 135 255 122

HSL 114.14, 1%, 0.74%

LAB 90.81, -58.77, 52.75

 

CMYK 40 / 0 / 45 / 0

HEX #98FF8D

RGB 152 255 141

HSL 114.21, 1%, 0.78%

LAB 91.74, -51.51, 45.14

 

CMYK 34 / 0 / 37 / 0

HEX #A9FFA0

RGB 169 255 160

HSL 114.32, 1%, 0.81%

LAB 92.79, -43.7, 37.39

 

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

CMYK 62 / 0 / 66 / 19

HEX #4FCF46

RGB 79 207 70

HSL 116.06, 0.59%, 0.54%

LAB 74.02, -60.78, 55.69

 

CMYK 67 / 0 / 73 / 26

HEX #3EBD33

RGB 62 189 51

HSL 115.22, 0.58%, 0.47%

LAB 67.77, -59.85, 56.33

 

CMYK 74 / 0 / 81 / 33

HEX #2DAB20

RGB 45 171 32

HSL 114.39, 0.68%, 0.4%

LAB 61.47, -58.39, 56.31

 

CMYK 82 / 0 / 92 / 40

HEX #1C990D

RGB 28 153 13

HSL 113.57, 0.84%, 0.33%

LAB 55.13, -56.17, 55.06

 

CMYK 56 / 0 / 59 / 12

HEX #62E05B

RGB 98 224 91

HSL 116.84, 0.68%, 0.62%

LAB 79.99, -60.28, 53.61

 

CMYK 40 / 0 / 59 / 12

HEX #86E05B

RGB 134 224 91

HSL 100.6, 0.68%, 0.62%

LAB 81.37, -50.13, 55.55

 

CMYK 24 / 0 / 59 / 12

HEX #AAE05B

RGB 170 224 91

HSL 84.36, 0.68%, 0.62%

LAB 83.24, -37.7, 58.16

 

CMYK 8 / 0 / 59 / 12

HEX #CEE05B

RGB 206 224 91

HSL 68.12, 0.68%, 0.62%

LAB 85.6, -23.82, 61.44

 

CMYK 0 / 8 / 59 / 12

HEX #E0CF5B

RGB 224 207 91

HSL 52.33, 0.68%, 0.62%

LAB 82.5, -8.07, 58.42

 

CMYK 56 / 0 / 59 / 12

HEX #62E05B

RGB 98 224 91

HSL 116.84, 0.68%, 0.62%

LAB 79.99, -60.28, 53.61

 

CMYK 59 / 0 / 46 / 12

HEX #5BE078

RGB 91 224 120

HSL 133.08, 0.68%, 0.62%

LAB 80.12, -58.12, 40.16

 

CMYK 59 / 0 / 30 / 12

HEX #5BE09C

RGB 91 224 156

HSL 149.32, 0.68%, 0.62%

LAB 80.7, -51.84, 22.67

 

CMYK 59 / 0 / 14 / 12

HEX #5BE0C0

RGB 91 224 192

HSL 165.56, 0.68%, 0.62%

LAB 81.48, -43.97, 4.84

 

CMYK 59 / 1 / 0 / 12

HEX #5BDDE0

RGB 91 221 224

HSL 181.35, 0.68%, 0.62%

LAB 81.47, -34.43, -12.18

 

CMYK 56 / 0 / 59 / 12

HEX #62E05B

RGB 98 224 91

HSL 116.84, 0.68%, 0.62%

LAB 79.99, -60.28, 53.61

 

CMYK 65 / 0 / 69 / 6

HEX #54F04B

RGB 84 240 75

HSL 116.73, 0.85%, 0.62%

LAB 84.34, -70.43, 64.78

 

CMYK 56 / 0 / 59 / 12

HEX #62E05B

RGB 98 224 91

HSL 116.84, 0.68%, 0.62%

LAB 79.99, -60.28, 53.61

 

CMYK 46 / 0 / 49 / 18

HEX #70D16A

RGB 112 209 106

HSL 116.5, 0.53%, 0.62%

LAB 76.12, -48.94, 42.17

 

CMYK 35 / 0 / 37 / 24

HEX #7EC17A

RGB 126 193 122

HSL 116.62, 0.36%, 0.62%

LAB 72.22, -35.38, 29.21

 

CMYK 21 / 0 / 22 / 31

HEX #8CB18A

RGB 140 177 138

HSL 116.92, 0.2%, 0.62%

LAB 68.65, -20.22, 15.94

 

CMYK 5 / 0 / 6 / 36

HEX #9AA299

RGB 154 162 153

HSL 113.33, 0.05%, 0.62%

LAB 65.76, -4.58, 3.69

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 40 / 0 / 59 / 12

HEX #87E05B

RGB 135 224 91

HSL 100.15, 0.68%, 0.62%

LAB 81.41, -49.81, 55.61

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 59 / 0 / 48 / 12

HEX #5BE075

RGB 91 224 117

HSL 131.73, 0.68%, 0.62%

LAB 80.08, -58.57, 41.58

 

CMYK 59 / 0 / 32 / 12

HEX #5BE099

RGB 91 224 153

HSL 147.97, 0.68%, 0.62%

LAB 80.65, -52.42, 24.16

 

CMYK 78 / 0 / 82 / 23

HEX #2CC524

RGB 44 197 36

HSL 117.02, 0.69%, 0.46%

LAB 69.89, -66.41, 63.01

 

CMYK 71 / 0 / 74 / 15

HEX #40DA38

RGB 64 218 56

HSL 117.04, 0.69%, 0.54%

LAB 76.99, -68.53, 63.87

 

CMYK 56 / 0 / 59 / 12

HEX #62E05B

RGB 98 224 91

HSL 116.84, 0.68%, 0.62%

LAB 79.99, -60.28, 53.61

 

CMYK 43 / 0 / 45 / 9

HEX #83E77E

RGB 131 231 126

HSL 117.14, 0.69%, 0.7%

LAB 83.7, -49.79, 42.05

 

CMYK 31 / 0 / 32 / 7

HEX #A4EDA0

RGB 164 237 160

HSL 116.88, 0.68%, 0.78%

LAB 87.48, -37.27, 30.31

 

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

CMYK 59 / 8 / 0 / 12

HEX #5BCFE0

RGB 91 207 224

HSL 187.67, 0.68%, 0.62%

LAB 77.42, -27.72, -18.26

 

CMYK 0 / 59 / 32 / 12

HEX #E05B99

RGB 224 91 153

HSL 332.03, 0.68%, 0.62%

LAB 57.68, 57.81, -7.25

 

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

CMYK 59 / 55 / 0 / 12

HEX #5B64E0

RGB 91 100 224

HSL 235.94, 0.68%, 0.62%

LAB 47.91, 33.05, -64.52

 

CMYK 0 / 59 / 55 / 12

HEX #E05B64

RGB 224 91 100

HSL 355.94, 0.68%, 0.62%

LAB 56.34, 52.57, 21.89

 

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

CMYK 59 / 8 / 0 / 12

HEX #5BCFE0

RGB 91 207 224

HSL 187.67, 0.68%, 0.62%

LAB 77.42, -27.72, -18.26

 

CMYK 4 / 59 / 0 / 12

HEX #D85BE0

RGB 216 91 224

HSL 296.39, 0.68%, 0.62%

LAB 59.4, 66.18, -45.38

 

CMYK 0 / 51 / 59 / 12

HEX #E06D5B

RGB 224 109 91

HSL 8.12, 0.68%, 0.62%

LAB 59.47, 43.35, 31.12

 

CMYK 57 / 0 / 60 / 12

HEX #60E159

RGB 96 225 89

HSL 116.91, 0.69%, 0.62%

LAB 80.21, -61.34, 54.72

 

CMYK 59 / 25 / 0 / 12

HEX #5BA7E0

RGB 91 167 224

HSL 205.71, 0.68%, 0.62%

LAB 65.94, -6.84, -35.87

 

CMYK 4 / 59 / 0 / 12

HEX #D85BE0

RGB 216 91 224

HSL 296.39, 0.68%, 0.62%

LAB 59.4, 66.18, -45.38

 

CMYK 0 / 33 / 59 / 12

HEX #E0955B

RGB 224 149 91

HSL 26.17, 0.68%, 0.62%

LAB 68.09, 22.49, 41.77

 

Description

Color code: HEX #60E159 | qconv.com Color code: HEX #60E159 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 225 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 225 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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