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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60D5D6 it is the complementary color #9F2A29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60D5D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60D5D6 shade: #65D5D1, #76E7E4, #87F9F7, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60D5D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60D5D6 shade: #60D5D6, #4FC3C3, #3EB1B0, #2D9F9D and #1C8D8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60D5D6 shade: #60D5D6, #60B5D6, #6095D6, #6076D6 and #6B60D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60D5D6 shade: #60D5D6, #60B5D6, #6095D6, #6076D6 and #6060D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60D5D6 shade matches the following richer shades: #60D5D6, #50E5E6 and #40F4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60D5D6 shade: #60D5D6, #70C5C6, #81B5B6, #91A5A5 and #A19595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60D5D6 shade: #60D697, #60D6B6, #60D6D6, #60B6D6 and #6097D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60D5D6 shade: #2EB4B5, #40CCCD, #60D5D6, #81DDDE and #A2E6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60D5D6 shade: #60D5D6, #7860D6 and #D6A760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60D5D6 shade: #60D5D6, #D660D6 and #D6D660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60D5D6 shade: #60D5D6, #7860D6, #D66060 and #BED660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60D5D6 shade: #60D5D6, #9B60D6, #D66060 and #9BD660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

Complementary color

CMYK 0 / 74 / 74 / 38

HEX #9F2A29

RGB 159 42 41

HSL 0.51, 0.59%, 0.39%

LAB 36.34, 47.71, 29.49

 

CMYK 53 / 0 / 2 / 16

HEX #65D5D1

RGB 101 213 209

HSL 177.86, 0.57%, 0.62%

LAB 79.02, -32.78, -7.79

 

CMYK 49 / 0 / 1 / 9

HEX #76E7E4

RGB 118 231 228

HSL 178.41, 0.7%, 0.68%

LAB 85.3, -32.89, -8.49

 

CMYK 46 / 0 / 1 / 2

HEX #87F9F7

RGB 135 249 247

HSL 178.95, 0.9%, 0.75%

LAB 91.51, -32.94, -9.15

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 59 / 0 / 0 / 24

HEX #4FC3C3

RGB 79 195 195

HSL 180, 0.49%, 0.54%

LAB 72.65, -32.15, -9.77

 

CMYK 65 / 0 / 1 / 31

HEX #3EB1B0

RGB 62 177 176

HSL 179.48, 0.48%, 0.47%

LAB 66.22, -31.71, -8.97

 

CMYK 72 / 0 / 1 / 38

HEX #2D9F9D

RGB 45 159 157

HSL 178.95, 0.56%, 0.4%

LAB 59.7, -31.05, -8.08

 

CMYK 80 / 0 / 2 / 45

HEX #1C8D8A

RGB 28 141 138

HSL 178.41, 0.67%, 0.33%

LAB 53.09, -30.09, -7.07

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 55 / 15 / 0 / 16

HEX #60B5D6

RGB 96 181 214

HSL 196.78, 0.59%, 0.61%

LAB 69.75, -16.46, -24.49

 

CMYK 55 / 30 / 0 / 16

HEX #6095D6

RGB 96 149 214

HSL 213.05, 0.59%, 0.61%

LAB 60.64, 1.2, -38.59

 

CMYK 55 / 45 / 0 / 16

HEX #6076D6

RGB 96 118 214

HSL 228.81, 0.59%, 0.61%

LAB 52.17, 19.7, -51.98

 

CMYK 50 / 55 / 0 / 16

HEX #6B60D6

RGB 107 96 214

HSL 245.59, 0.59%, 0.61%

LAB 47.43, 35.38, -59.56

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 55 / 15 / 0 / 16

HEX #60B5D6

RGB 96 181 214

HSL 196.78, 0.59%, 0.61%

LAB 69.75, -16.46, -24.49

 

CMYK 55 / 30 / 0 / 16

HEX #6095D6

RGB 96 149 214

HSL 213.05, 0.59%, 0.61%

LAB 60.64, 1.2, -38.59

 

CMYK 55 / 45 / 0 / 16

HEX #6076D6

RGB 96 118 214

HSL 228.81, 0.59%, 0.61%

LAB 52.17, 19.7, -51.98

 

CMYK 55 / 55 / 0 / 16

HEX #6060D6

RGB 96 96 214

HSL 240, 0.59%, 0.61%

LAB 46.59, 33.18, -60.95

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 65 / 0 / 0 / 10

HEX #50E5E6

RGB 80 229 230

HSL 180.4, 0.75%, 0.61%

LAB 83.68, -38.21, -12.08

 

CMYK 74 / 1 / 0 / 4

HEX #40F4F6

RGB 64 244 246

HSL 180.66, 0.91%, 0.61%

LAB 88.18, -42.5, -13.79

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 43 / 1 / 0 / 22

HEX #70C5C6

RGB 112 197 198

HSL 180.7, 0.43%, 0.61%

LAB 74.48, -25.44, -8.55

 

CMYK 29 / 1 / 0 / 29

HEX #81B5B6

RGB 129 181 182

HSL 181.13, 0.27%, 0.61%

LAB 70.24, -16.72, -6.01

 

CMYK 12 / 0 / 0 / 35

HEX #91A5A5

RGB 145 165 165

HSL 180, 0.1%, 0.61%

LAB 66.25, -6.96, -2.37

 

CMYK 0 / 7 / 7 / 37

HEX #A19595

RGB 161 149 149

HSL 0, 0.06%, 0.61%

LAB 62.71, 4.42, 1.59

 

CMYK 55 / 0 / 29 / 16

HEX #60D697

RGB 96 214 151

HSL 147.97, 0.59%, 0.61%

LAB 77.77, -47.64, 21.28

 

CMYK 55 / 0 / 15 / 16

HEX #60D6B6

RGB 96 214 182

HSL 163.73, 0.59%, 0.61%

LAB 78.44, -40.94, 5.79

 

CMYK 55 / 0 / 0 / 16

HEX #60D6D6

RGB 96 214 214

HSL 180, 0.59%, 0.61%

LAB 79.29, -32.92, -10.07

 

CMYK 55 / 15 / 0 / 16

HEX #60B6D6

RGB 96 182 214

HSL 196.27, 0.59%, 0.61%

LAB 70.03, -16.98, -24.05

 

CMYK 55 / 29 / 0 / 16

HEX #6097D6

RGB 96 151 214

HSL 212.03, 0.59%, 0.61%

LAB 61.2, 0.05, -37.71

 

CMYK 75 / 1 / 0 / 29

HEX #2EB4B5

RGB 46 180 181

HSL 180.44, 0.59%, 0.45%

LAB 66.95, -33.83, -10.69

 

CMYK 69 / 0 / 0 / 20

HEX #40CCCD

RGB 64 204 205

HSL 180.43, 0.59%, 0.53%

LAB 75.25, -35.89, -11.35

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 42 / 0 / 0 / 13

HEX #81DDDE

RGB 129 221 222

HSL 180.65, 0.58%, 0.69%

LAB 82.73, -27.12, -9.09

 

CMYK 30 / 0 / 0 / 9

HEX #A2E6E7

RGB 162 230 231

HSL 180.87, 0.59%, 0.77%

LAB 87.02, -20.87, -7.32

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 44 / 55 / 0 / 16

HEX #7860D6

RGB 120 96 214

HSL 252.2, 0.59%, 0.61%

LAB 48.53, 38.18, -57.73

 

CMYK 0 / 22 / 55 / 16

HEX #D6A760

RGB 214 167 96

HSL 36.1, 0.59%, 0.61%

LAB 71.4, 9.05, 42.96

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 0 / 55 / 0 / 16

HEX #D660D6

RGB 214 96 214

HSL 300, 0.59%, 0.61%

LAB 59.45, 61.73, -39.69

 

CMYK 0 / 0 / 55 / 16

HEX #D6D660

RGB 214 214 96

HSL 60, 0.59%, 0.61%

LAB 83.57, -15.33, 57.16

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 44 / 55 / 0 / 16

HEX #7860D6

RGB 120 96 214

HSL 252.2, 0.59%, 0.61%

LAB 48.53, 38.18, -57.73

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 11 / 0 / 55 / 16

HEX #BED660

RGB 190 214 96

HSL 72.2, 0.59%, 0.61%

LAB 81.78, -24.96, 54.65

 

CMYK 55 / 0 / 0 / 16

HEX #60D5D6

RGB 96 213 214

HSL 180.51, 0.59%, 0.61%

LAB 79, -32.45, -10.51

 

CMYK 28 / 55 / 0 / 16

HEX #9B60D6

RGB 155 96 214

HSL 270, 0.59%, 0.61%

LAB 52.05, 46.5, -51.88

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 28 / 0 / 55 / 16

HEX #9BD660

RGB 155 214 96

HSL 90, 0.59%, 0.61%

LAB 79.56, -38.22, 51.51

 

Description

Color code: HEX #60D5D6 | qconv.com Color code: HEX #60D5D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 213 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 213 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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