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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60C48C it is the complementary color #9F3B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60C48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60C48C shade: #65C487, #76D69A, #87E8AD, #98FAC0 and #A9FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60C48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60C48C shade: #60C48C, #4FB279, #3EA066, #2D8E53 and #1C7C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60C48C shade: #5EC38B, #5EC370, #68C35E, #84C35E and #9FC35E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60C48C shade: #5EC38B, #5EC3A6, #5EC3C1, #5EAAC3 and #5E8FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60C48C shade matches the following richer shades: #5EC38B, #4DD589, #3BE787 and #29F984

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60C48C shade: #5EC38B, #70B28D, #82A08F, #948E91 and #A57C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60C48C shade: #68C35E, #5EC36F, #5EC38A, #5EC3A5 and #5EC3C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60C48C shade: #389762, #43B675, #5EC38B, #7DCEA1 and #9BDAB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60C48C shade: #60C48C, #5E83C3 and #C3625E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60C48C shade: #60C48C, #8A5EC3 and #C38A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60C48C shade: #60C48C, #5E83C3, #C35E98 and #C39E5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60C48C shade: #60C48C, #5E65C3, #C35E98 and #C3BD5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

Complementary color

CMYK 0 / 63 / 28 / 38

HEX #9F3B73

RGB 159 59 115

HSL 326.4, 0.46%, 0.43%

LAB 40.79, 47.33, -10.79

 

CMYK 48 / 0 / 31 / 23

HEX #65C487

RGB 101 196 135

HSL 141.47, 0.45%, 0.58%

LAB 72.23, -41.83, 22.17

 

CMYK 45 / 0 / 28 / 16

HEX #76D69A

RGB 118 214 154

HSL 142.5, 0.54%, 0.65%

LAB 78.62, -41.63, 21.01

 

CMYK 42 / 0 / 25 / 9

HEX #87E8AD

RGB 135 232 173

HSL 143.51, 0.68%, 0.72%

LAB 84.94, -41.4, 19.93

 

CMYK 39 / 0 / 23 / 2

HEX #98FAC0

RGB 152 250 192

HSL 144.49, 0.91%, 0.79%

LAB 91.17, -41.15, 18.91

 

CMYK 34 / 0 / 17 / 0

HEX #A9FFD3

RGB 169 255 211

HSL 149.3, 1%, 0.83%

LAB 93.74, -35.03, 12.88

 

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

CMYK 56 / 0 / 32 / 30

HEX #4FB279

RGB 79 178 121

HSL 145.45, 0.39%, 0.5%

LAB 65.66, -42.23, 20.6

 

CMYK 61 / 0 / 36 / 37

HEX #3EA066

RGB 62 160 102

HSL 144.49, 0.44%, 0.44%

LAB 59.09, -42.2, 21.96

 

CMYK 68 / 0 / 42 / 44

HEX #2D8E53

RGB 45 142 83

HSL 143.51, 0.52%, 0.37%

LAB 52.43, -41.94, 23.45

 

CMYK 77 / 0 / 48 / 51

HEX #1C7C40

RGB 28 124 64

HSL 142.5, 0.63%, 0.3%

LAB 45.68, -41.28, 25.1

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38B

RGB 94 195 139

HSL 146.73, 0.46%, 0.57%

LAB 71.74, -42.39, 19.34

 

CMYK 52 / 0 / 43 / 24

HEX #5EC370

RGB 94 195 112

HSL 130.69, 0.46%, 0.57%

LAB 71.27, -47.25, 32.89

 

CMYK 47 / 0 / 52 / 24

HEX #68C35E

RGB 104 195 94

HSL 114.06, 0.46%, 0.57%

LAB 71.41, -47.08, 42.14

 

CMYK 32 / 0 / 52 / 24

HEX #84C35E

RGB 132 195 94

HSL 97.43, 0.46%, 0.57%

LAB 72.72, -38.06, 44.05

 

CMYK 18 / 0 / 52 / 24

HEX #9FC35E

RGB 159 195 94

HSL 81.39, 0.46%, 0.57%

LAB 74.32, -28.12, 46.34

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38B

RGB 94 195 139

HSL 146.73, 0.46%, 0.57%

LAB 71.74, -42.39, 19.34

 

CMYK 52 / 0 / 15 / 24

HEX #5EC3A6

RGB 94 195 166

HSL 162.77, 0.46%, 0.57%

LAB 72.34, -36.54, 5.61

 

CMYK 52 / 0 / 1 / 24

HEX #5EC3C1

RGB 94 195 193

HSL 178.81, 0.46%, 0.57%

LAB 73.06, -29.8, -8.02

 

CMYK 52 / 13 / 0 / 24

HEX #5EAAC3

RGB 94 170 195

HSL 194.85, 0.46%, 0.57%

LAB 65.8, -16.61, -20.04

 

CMYK 52 / 27 / 0 / 24

HEX #5E8FC3

RGB 94 143 195

HSL 210.89, 0.46%, 0.57%

LAB 58, -1.69, -32.04

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38B

RGB 94 195 139

HSL 146.73, 0.46%, 0.57%

LAB 71.74, -42.39, 19.34

 

CMYK 64 / 0 / 36 / 16

HEX #4DD589

RGB 77 213 137

HSL 146.47, 0.62%, 0.57%

LAB 76.66, -53.87, 27

 

CMYK 74 / 0 / 42 / 9

HEX #3BE787

RGB 59 231 135

HSL 146.51, 0.78%, 0.57%

LAB 81.75, -63.78, 34.68

 

CMYK 84 / 0 / 47 / 2

HEX #29F984

RGB 41 249 132

HSL 146.25, 0.95%, 0.57%

LAB 86.94, -72.31, 42.78

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38B

RGB 94 195 139

HSL 146.73, 0.46%, 0.57%

LAB 71.74, -42.39, 19.34

 

CMYK 37 / 0 / 21 / 30

HEX #70B28D

RGB 112 178 141

HSL 146.36, 0.3%, 0.57%

LAB 67.43, -29.29, 12.37

 

CMYK 19 / 0 / 11 / 37

HEX #82A08F

RGB 130 160 143

HSL 146, 0.14%, 0.57%

LAB 63.24, -13.93, 5.43

 

CMYK 0 / 4 / 2 / 42

HEX #948E91

RGB 148 142 145

HSL 330, 0.03%, 0.57%

LAB 59.6, 2.79, -0.81

 

CMYK 0 / 25 / 11 / 35

HEX #A57C93

RGB 165 124 147

HSL 326.34, 0.19%, 0.57%

LAB 56.61, 19.7, -6.19

 

CMYK 47 / 0 / 52 / 24

HEX #68C35E

RGB 104 195 94

HSL 114.06, 0.46%, 0.57%

LAB 71.41, -47.08, 42.14

 

CMYK 52 / 0 / 43 / 24

HEX #5EC36F

RGB 94 195 111

HSL 130.1, 0.46%, 0.57%

LAB 71.25, -47.41, 33.38

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38A

RGB 94 195 138

HSL 146.14, 0.46%, 0.57%

LAB 71.72, -42.59, 19.84

 

CMYK 52 / 0 / 15 / 24

HEX #5EC3A5

RGB 94 195 165

HSL 162.18, 0.46%, 0.57%

LAB 72.31, -36.77, 6.12

 

CMYK 52 / 0 / 2 / 24

HEX #5EC3C0

RGB 94 195 192

HSL 178.22, 0.46%, 0.57%

LAB 73.03, -30.07, -7.52

 

CMYK 63 / 0 / 35 / 41

HEX #389762

RGB 56 151 98

HSL 146.53, 0.46%, 0.41%

LAB 55.94, -40.49, 19.89

 

CMYK 63 / 0 / 36 / 29

HEX #43B675

RGB 67 182 117

HSL 146.09, 0.46%, 0.49%

LAB 66.47, -47.3, 23.78

 

CMYK 52 / 0 / 29 / 24

HEX #5EC38B

RGB 94 195 139

HSL 146.73, 0.46%, 0.57%

LAB 71.74, -42.39, 19.34

 

CMYK 39 / 0 / 22 / 19

HEX #7DCEA1

RGB 125 206 161

HSL 146.67, 0.45%, 0.65%

LAB 76.72, -34.72, 14.71

 

CMYK 29 / 0 / 17 / 15

HEX #9BDAB6

RGB 155 218 182

HSL 145.71, 0.46%, 0.73%

LAB 82.1, -27.38, 11.37

 

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

CMYK 52 / 33 / 0 / 24

HEX #5E83C3

RGB 94 131 195

HSL 218.02, 0.46%, 0.57%

LAB 54.61, 5.34, -37.34

 

CMYK 0 / 50 / 52 / 24

HEX #C3625E

RGB 195 98 94

HSL 2.38, 0.46%, 0.57%

LAB 53.11, 38.31, 20.3

 

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

CMYK 29 / 52 / 0 / 24

HEX #8A5EC3

RGB 138 94 195

HSL 266.14, 0.46%, 0.57%

LAB 48.7, 38.63, -46.47

 

CMYK 0 / 29 / 52 / 24

HEX #C38A5E

RGB 195 138 94

HSL 26.14, 0.46%, 0.57%

LAB 62.16, 16.7, 32.1

 

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

CMYK 52 / 33 / 0 / 24

HEX #5E83C3

RGB 94 131 195

HSL 218.02, 0.46%, 0.57%

LAB 54.61, 5.34, -37.34

 

CMYK 0 / 52 / 22 / 24

HEX #C35E98

RGB 195 94 152

HSL 325.54, 0.46%, 0.57%

LAB 53.89, 47.21, -12.79

 

CMYK 0 / 19 / 52 / 24

HEX #C39E5E

RGB 195 158 94

HSL 38.02, 0.46%, 0.57%

LAB 67.17, 5.76, 38.38

 

CMYK 51 / 0 / 29 / 23

HEX #60C48C

RGB 96 196 140

HSL 146.4, 0.46%, 0.57%

LAB 72.13, -42.14, 19.36

 

CMYK 52 / 48 / 0 / 24

HEX #5E65C3

RGB 94 101 195

HSL 235.84, 0.46%, 0.57%

LAB 46.48, 23.65, -50.23

 

CMYK 0 / 52 / 22 / 24

HEX #C35E98

RGB 195 94 152

HSL 325.54, 0.46%, 0.57%

LAB 53.89, 47.21, -12.79

 

CMYK 0 / 3 / 52 / 24

HEX #C3BD5E

RGB 195 189 94

HSL 56.44, 0.46%, 0.57%

LAB 75.33, -10.65, 48.19

 

Description

Color code: HEX #60C48C | qconv.com Color code: HEX #60C48C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 196 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 196 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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