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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606D06 it is the complementary color #9F92F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606D06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606D06 shade: #656D01, #767F14, #879127, #98A33A and #A9B54D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606D06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606D06 shade: #606D06, #4F5B00, #3E4900, #2D3700 and #1C2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606D06 shade: #626F05, #6F6005, #6F4305, #6F2705 and #6F0A05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606D06 shade: #626F05, #456F05, #296F05, #0C6F05 and #056F1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606D06 shade matches the following richer shades: #626F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606D06 shade: #626F05, #5B650F, #535C18, #4C5222 and #45492B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606D06 shade: #6F4305, #6F5F05, #636F05, #466F05 and #2A6F05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606D06 shade: #1D2101, #3F4803, #626F05, #849607 and #A7BD09

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606D06 shade: #606D06, #056F27 and #51056F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606D06 shade: #606D06, #05636F and #6F0563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606D06 shade: #606D06, #056F27, #12056F and #6F054E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606D06 shade: #606D06, #056F46, #12056F and #6F052E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

Complementary color

CMYK 36 / 41 / 0 / 2

HEX #9F92F9

RGB 159 146 249

HSL 247.57, 0.9%, 0.77%

LAB 65.57, 28.27, -49.9

 

CMYK 7 / 0 / 99 / 57

HEX #656D01

RGB 101 109 1

HSL 64.44, 0.98%, 0.22%

LAB 43.81, -15.31, 49.46

 

CMYK 7 / 0 / 84 / 50

HEX #767F14

RGB 118 127 20

HSL 65.05, 0.73%, 0.29%

LAB 50.78, -16.53, 51.28

 

CMYK 7 / 0 / 73 / 43

HEX #879127

RGB 135 145 39

HSL 65.66, 0.58%, 0.36%

LAB 57.61, -17.49, 51.78

 

CMYK 7 / 0 / 64 / 36

HEX #98A33A

RGB 152 163 58

HSL 66.29, 0.48%, 0.43%

LAB 64.3, -18.22, 51.35

 

CMYK 7 / 0 / 57 / 29

HEX #A9B54D

RGB 169 181 77

HSL 66.92, 0.41%, 0.51%

LAB 70.88, -18.78, 50.5

 

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

CMYK 13 / 0 / 100 / 64

HEX #4F5B00

RGB 79 91 0

HSL 67.91, 1%, 0.18%

LAB 36.26, -16.02, 43.27

 

CMYK 15 / 0 / 100 / 71

HEX #3E4900

RGB 62 73 0

HSL 69.04, 1%, 0.14%

LAB 28.87, -14.31, 37.09

 

CMYK 18 / 0 / 100 / 78

HEX #2D3700

RGB 45 55 0

HSL 70.91, 1%, 0.11%

LAB 21.17, -12.55, 29.26

 

CMYK 24 / 0 / 100 / 85

HEX #1C2500

RGB 28 37 0

HSL 74.59, 1%, 0.07%

LAB 13.05, -10.73, 19.02

 

CMYK 12 / 0 / 95 / 56

HEX #626F05

RGB 98 111 5

HSL 67.36, 0.91%, 0.23%

LAB 44.2, -17.69, 48.71

 

CMYK 0 / 14 / 95 / 56

HEX #6F6005

RGB 111 96 5

HSL 51.51, 0.91%, 0.23%

LAB 40.83, -3.02, 46.6

 

CMYK 0 / 40 / 95 / 56

HEX #6F4305

RGB 111 67 5

HSL 35.09, 0.91%, 0.23%

LAB 32.71, 14.42, 40.49

 

CMYK 0 / 65 / 95 / 56

HEX #6F2705

RGB 111 39 5

HSL 19.25, 0.91%, 0.23%

LAB 26.28, 30.38, 35.4

 

CMYK 0 / 91 / 95 / 56

HEX #6F0A05

RGB 111 10 5

HSL 2.83, 0.91%, 0.23%

LAB 22.33, 41.25, 31.53

 

CMYK 12 / 0 / 95 / 56

HEX #626F05

RGB 98 111 5

HSL 67.36, 0.91%, 0.23%

LAB 44.2, -17.69, 48.71

 

CMYK 38 / 0 / 95 / 56

HEX #456F05

RGB 69 111 5

HSL 83.77, 0.91%, 0.23%

LAB 42.22, -30.33, 46.29

 

CMYK 63 / 0 / 95 / 56

HEX #296F05

RGB 41 111 5

HSL 99.62, 0.91%, 0.23%

LAB 40.98, -39.81, 44.76

 

CMYK 89 / 0 / 95 / 56

HEX #0C6F05

RGB 12 111 5

HSL 116.04, 0.91%, 0.23%

LAB 40.34, -45.29, 43.97

 

CMYK 95 / 0 / 76 / 56

HEX #056F1B

RGB 5 111 27

HSL 132.45, 0.91%, 0.23%

LAB 40.38, -44.53, 37.21

 

CMYK 12 / 0 / 95 / 56

HEX #626F05

RGB 98 111 5

HSL 67.36, 0.91%, 0.23%

LAB 44.2, -17.69, 48.71

 

CMYK 12 / 0 / 95 / 56

HEX #626F05

RGB 98 111 5

HSL 67.36, 0.91%, 0.23%

LAB 44.2, -17.69, 48.71

 

CMYK 10 / 0 / 85 / 60

HEX #5B650F

RGB 91 101 15

HSL 66.98, 0.74%, 0.23%

LAB 40.52, -15.26, 42.91

 

CMYK 10 / 0 / 74 / 64

HEX #535C18

RGB 83 92 24

HSL 67.94, 0.59%, 0.23%

LAB 37.04, -13.6, 36.07

 

CMYK 7 / 0 / 59 / 68

HEX #4C5222

RGB 76 82 34

HSL 67.5, 0.41%, 0.23%

LAB 33.32, -10.39, 26.96

 

CMYK 5 / 0 / 41 / 71

HEX #45492B

RGB 69 73 43

HSL 68, 0.26%, 0.23%

LAB 29.92, -7.25, 17.42

 

CMYK 0 / 40 / 95 / 56

HEX #6F4305

RGB 111 67 5

HSL 35.09, 0.91%, 0.23%

LAB 32.71, 14.42, 40.49

 

CMYK 0 / 14 / 95 / 56

HEX #6F5F05

RGB 111 95 5

HSL 50.94, 0.91%, 0.23%

LAB 40.53, -2.43, 46.38

 

CMYK 11 / 0 / 95 / 56

HEX #636F05

RGB 99 111 5

HSL 66.79, 0.91%, 0.23%

LAB 44.28, -17.22, 48.81

 

CMYK 37 / 0 / 95 / 56

HEX #466F05

RGB 70 111 5

HSL 83.21, 0.91%, 0.23%

LAB 42.28, -29.94, 46.36

 

CMYK 62 / 0 / 95 / 56

HEX #2A6F05

RGB 42 111 5

HSL 99.06, 0.91%, 0.23%

LAB 41.01, -39.54, 44.8

 

CMYK 12 / 0 / 97 / 87

HEX #1D2101

RGB 29 33 1

HSL 67.5, 0.94%, 0.07%

LAB 11.63, -7.52, 16.7

 

CMYK 13 / 0 / 96 / 72

HEX #3F4803

RGB 63 72 3

HSL 67.83, 0.92%, 0.15%

LAB 28.64, -13.09, 35.72

 

CMYK 12 / 0 / 95 / 56

HEX #626F05

RGB 98 111 5

HSL 67.36, 0.91%, 0.23%

LAB 44.2, -17.69, 48.71

 

CMYK 12 / 0 / 95 / 41

HEX #849607

RGB 132 150 7

HSL 67.55, 0.91%, 0.31%

LAB 58.73, -22.44, 60.82

 

CMYK 12 / 0 / 95 / 26

HEX #A7BD09

RGB 167 189 9

HSL 67.33, 0.91%, 0.39%

LAB 72.65, -26.53, 72.45

 

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

CMYK 95 / 0 / 65 / 56

HEX #056F27

RGB 5 111 39

HSL 139.25, 0.91%, 0.23%

LAB 40.49, -43.15, 31.88

 

CMYK 27 / 95 / 0 / 56

HEX #51056F

RGB 81 5 111

HSL 283.02, 0.91%, 0.23%

LAB 20.07, 47.07, -41.76

 

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

CMYK 95 / 11 / 0 / 56

HEX #05636F

RGB 5 99 111

HSL 186.79, 0.91%, 0.23%

LAB 38.03, -19.44, -13.69

 

CMYK 0 / 95 / 11 / 56

HEX #6F0563

RGB 111 5 99

HSL 306.79, 0.91%, 0.23%

LAB 24.92, 50.36, -25.83

 

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

CMYK 95 / 0 / 65 / 56

HEX #056F27

RGB 5 111 39

HSL 139.25, 0.91%, 0.23%

LAB 40.49, -43.15, 31.88

 

CMYK 84 / 95 / 0 / 56

HEX #12056F

RGB 18 5 111

HSL 247.36, 0.91%, 0.23%

LAB 11.86, 40.92, -55.58

 

CMYK 0 / 95 / 30 / 56

HEX #6F054E

RGB 111 5 78

HSL 318.68, 0.91%, 0.23%

LAB 23.8, 47.45, -13.61

 

CMYK 12 / 0 / 94 / 57

HEX #606D06

RGB 96 109 6

HSL 67.57, 0.9%, 0.23%

LAB 43.41, -17.52, 47.79

 

CMYK 95 / 0 / 37 / 56

HEX #056F46

RGB 5 111 70

HSL 156.79, 0.91%, 0.23%

LAB 40.97, -37.44, 15.44

 

CMYK 84 / 95 / 0 / 56

HEX #12056F

RGB 18 5 111

HSL 247.36, 0.91%, 0.23%

LAB 11.86, 40.92, -55.58

 

CMYK 0 / 95 / 59 / 56

HEX #6F052E

RGB 111 5 46

HSL 336.79, 0.91%, 0.23%

LAB 22.6, 44.22, 6.68

 

Description

Color code: HEX #606D06 | qconv.com Color code: HEX #606D06 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 109 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 109 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 94 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 94% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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