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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606CAF it is the complementary color #9F9350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606CAF shade: #656CAA, #767EBD, #8790D0, #98A2E3 and #A9B4F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606CAF shade: #606CAF, #4F5A9C, #3E4889, #2D3676 and #1C2463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606CAF shade: #5F6BAE, #685FAE, #7E5FAE, #935FAE and #A85FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606CAF shade: #5F6BAE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606CAF shade matches the following richer shades: #5F6BAE, #4C5EC2, #3850D5, #2543E8 and #1235FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606CAF shade: #5F6BAE, #72799B, #868687, #999474 and #ADA161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606CAF shade: #5F96AE, #5F81AE, #5F6CAE, #675FAE and #7C5FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606CAF shade: #3E487C, #4C5898, #5F6BAE, #7B84BC and #969ECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606CAF shade: #606CAF, #AE5FAC and #8CAE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606CAF shade: #606CAF, #AE5F6C and #6CAE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606CAF shade: #606CAF, #AE5FAC, #AEA15F and #5FAE62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606CAF shade: #606CAF, #AE5F94, #AEA15F and #5FAE79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

Complementary color

CMYK 0 / 8 / 50 / 38

HEX #9F9350

RGB 159 147 80

HSL 50.89, 0.33%, 0.47%

LAB 60.62, -4.94, 36.83

 

CMYK 41 / 36 / 0 / 33

HEX #656CAA

RGB 101 108 170

HSL 233.91, 0.29%, 0.53%

LAB 47.49, 13.4, -34.07

 

CMYK 38 / 33 / 0 / 26

HEX #767EBD

RGB 118 126 189

HSL 233.24, 0.35%, 0.6%

LAB 54.5, 12.67, -33.98

 

CMYK 35 / 31 / 0 / 18

HEX #8790D0

RGB 135 144 208

HSL 232.6, 0.44%, 0.67%

LAB 61.35, 12.05, -33.95

 

CMYK 33 / 29 / 0 / 11

HEX #98A2E3

RGB 152 162 227

HSL 232, 0.57%, 0.74%

LAB 68.07, 11.51, -33.96

 

CMYK 31 / 27 / 0 / 4

HEX #A9B4F6

RGB 169 180 246

HSL 231.43, 0.81%, 0.81%

LAB 74.66, 11.03, -34

 

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

CMYK 49 / 42 / 0 / 39

HEX #4F5A9C

RGB 79 90 156

HSL 231.43, 0.33%, 0.46%

LAB 40.2, 14.57, -37.4

 

CMYK 55 / 47 / 0 / 46

HEX #3E4889

RGB 62 72 137

HSL 232, 0.38%, 0.39%

LAB 32.84, 15.83, -37.67

 

CMYK 62 / 54 / 0 / 54

HEX #2D3676

RGB 45 54 118

HSL 232.6, 0.45%, 0.32%

LAB 25.27, 17.48, -38.01

 

CMYK 72 / 64 / 0 / 61

HEX #1C2463

RGB 28 36 99

HSL 233.24, 0.56%, 0.25%

LAB 17.5, 19.71, -38.37

 

CMYK 45 / 39 / 0 / 32

HEX #5F6BAE

RGB 95 107 174

HSL 230.89, 0.33%, 0.53%

LAB 46.98, 13.61, -37.24

 

CMYK 40 / 45 / 0 / 32

HEX #685FAE

RGB 104 95 174

HSL 246.84, 0.33%, 0.53%

LAB 44.49, 23.37, -41.13

 

CMYK 28 / 45 / 0 / 32

HEX #7E5FAE

RGB 126 95 174

HSL 263.54, 0.33%, 0.53%

LAB 46.55, 29.46, -37.75

 

CMYK 16 / 45 / 0 / 32

HEX #935FAE

RGB 147 95 174

HSL 279.49, 0.33%, 0.53%

LAB 48.81, 35.62, -34.02

 

CMYK 3 / 45 / 0 / 32

HEX #A85FAE

RGB 168 95 174

HSL 295.44, 0.33%, 0.53%

LAB 51.34, 41.95, -29.89

 

CMYK 45 / 39 / 0 / 32

HEX #5F6BAE

RGB 95 107 174

HSL 230.89, 0.33%, 0.53%

LAB 46.98, 13.61, -37.24

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 45 / 39 / 0 / 32

HEX #5F6BAE

RGB 95 107 174

HSL 230.89, 0.33%, 0.53%

LAB 46.98, 13.61, -37.24

 

CMYK 61 / 52 / 0 / 24

HEX #4C5EC2

RGB 76 94 194

HSL 230.85, 0.49%, 0.53%

LAB 43.41, 24.07, -54.64

 

CMYK 74 / 62 / 0 / 16

HEX #3850D5

RGB 56 80 213

HSL 230.83, 0.65%, 0.53%

LAB 40.22, 36.66, -70.85

 

CMYK 84 / 71 / 0 / 9

HEX #2543E8

RGB 37 67 232

HSL 230.77, 0.81%, 0.53%

LAB 38.26, 49.68, -84.95

 

CMYK 93 / 79 / 0 / 1

HEX #1235FC

RGB 18 53 252

HSL 231.03, 0.98%, 0.53%

LAB 37.3, 63.07, -97.83

 

CMYK 45 / 39 / 0 / 32

HEX #5F6BAE

RGB 95 107 174

HSL 230.89, 0.33%, 0.53%

LAB 46.98, 13.61, -37.24

 

CMYK 26 / 22 / 0 / 39

HEX #72799B

RGB 114 121 155

HSL 229.76, 0.17%, 0.53%

LAB 51.4, 5.33, -19.15

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 0 / 3 / 24 / 40

HEX #999474

RGB 153 148 116

HSL 51.89, 0.15%, 0.53%

LAB 60.97, -3.57, 17.62

 

CMYK 0 / 7 / 44 / 32

HEX #ADA161

RGB 173 161 97

HSL 50.53, 0.32%, 0.53%

LAB 65.93, -4.83, 34.81

 

CMYK 45 / 14 / 0 / 32

HEX #5F96AE

RGB 95 150 174

HSL 198.23, 0.33%, 0.53%

LAB 59.25, -11.59, -18.22

 

CMYK 45 / 26 / 0 / 32

HEX #5F81AE

RGB 95 129 174

HSL 214.18, 0.33%, 0.53%

LAB 53.16, 0.34, -27.58

 

CMYK 45 / 38 / 0 / 32

HEX #5F6CAE

RGB 95 108 174

HSL 230.13, 0.33%, 0.53%

LAB 47.25, 13, -36.81

 

CMYK 41 / 45 / 0 / 32

HEX #675FAE

RGB 103 95 174

HSL 246.08, 0.33%, 0.53%

LAB 44.41, 23.11, -41.27

 

CMYK 29 / 45 / 0 / 32

HEX #7C5FAE

RGB 124 95 174

HSL 262.03, 0.33%, 0.53%

LAB 46.35, 28.88, -38.08

 

CMYK 50 / 42 / 0 / 51

HEX #3E487C

RGB 62 72 124

HSL 230.32, 0.33%, 0.36%

LAB 32.07, 11.41, -30.86

 

CMYK 50 / 42 / 0 / 40

HEX #4C5898

RGB 76 88 152

HSL 230.53, 0.33%, 0.45%

LAB 39.21, 13.8, -36.59

 

CMYK 45 / 39 / 0 / 32

HEX #5F6BAE

RGB 95 107 174

HSL 230.89, 0.33%, 0.53%

LAB 46.98, 13.61, -37.24

 

CMYK 35 / 30 / 0 / 26

HEX #7B84BC

RGB 123 132 188

HSL 231.69, 0.33%, 0.61%

LAB 56.43, 10.26, -30.37

 

CMYK 26 / 22 / 0 / 21

HEX #969ECA

RGB 150 158 202

HSL 230.77, 0.33%, 0.69%

LAB 65.91, 6.92, -23.48

 

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

CMYK 0 / 45 / 1 / 32

HEX #AE5FAC

RGB 174 95 172

HSL 301.52, 0.33%, 0.53%

LAB 52.02, 43.4, -27.61

 

CMYK 20 / 0 / 45 / 32

HEX #8CAE5F

RGB 140 174 95

HSL 85.82, 0.33%, 0.53%

LAB 67.03, -25.14, 36.68

 

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

CMYK 0 / 45 / 38 / 32

HEX #AE5F6C

RGB 174 95 108

HSL 350.13, 0.33%, 0.53%

LAB 49.82, 33.45, 6.99

 

CMYK 38 / 0 / 45 / 32

HEX #6CAE5F

RGB 108 174 95

HSL 110.13, 0.33%, 0.53%

LAB 65.19, -36.64, 33.98

 

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

CMYK 0 / 45 / 1 / 32

HEX #AE5FAC

RGB 174 95 172

HSL 301.52, 0.33%, 0.53%

LAB 52.02, 43.4, -27.61

 

CMYK 0 / 7 / 45 / 32

HEX #AEA15F

RGB 174 161 95

HSL 50.13, 0.33%, 0.53%

LAB 65.99, -4.62, 35.95

 

CMYK 45 / 0 / 44 / 32

HEX #5FAE62

RGB 95 174 98

HSL 122.28, 0.33%, 0.53%

LAB 64.63, -40.28, 31.59

 

CMYK 45 / 38 / 0 / 31

HEX #606CAF

RGB 96 108 175

HSL 230.89, 0.33%, 0.53%

LAB 47.37, 13.56, -37.19

 

CMYK 0 / 45 / 15 / 32

HEX #AE5F94

RGB 174 95 148

HSL 319.75, 0.33%, 0.53%

LAB 51.06, 39.19, -14.99

 

CMYK 0 / 7 / 45 / 32

HEX #AEA15F

RGB 174 161 95

HSL 50.13, 0.33%, 0.53%

LAB 65.99, -4.62, 35.95

 

CMYK 45 / 0 / 30 / 32

HEX #5FAE79

RGB 95 174 121

HSL 139.75, 0.33%, 0.53%

LAB 65.03, -36.31, 19.84

 

Description

Color code: HEX #606CAF | qconv.com Color code: HEX #606CAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 108 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 108 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 38 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 38% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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