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Color name
HEX #60502A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60502A it is the complementary color #9FAFD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60502A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60502A shade: #655025, #766238, #87744B, #98865E and #A99871

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60502A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60502A shade: #60502A, #4F3E17, #3E2C04, #2D1A00 and #1C0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60502A shade: #5F4F29, #5F4129, #5F3229 and #5F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60502A shade: #5F4F29, #5F5E29, #525F29, #445F29 and #355F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60502A shade matches the following richer shades: #5F4F29, #6A541E, #755813 and #815D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60502A shade: #5F4F29, #544B35, #494640, #3E424B and #333D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60502A shade: #5F3229, #5F4129, #5F4F29, #5F5D29 and #535F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60502A shade: #261F10, #43371D, #5F4F29, #7C6736 and #997F43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60502A shade: #60502A, #2F5F29 and #3A295F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60502A shade: #60502A, #295F4F and #4F295F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60502A shade: #60502A, #2F5F29, #293A5F and #5A295F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60502A shade: #60502A, #295F34, #293A5F and #5F2954

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

Complementary color

CMYK 25 / 18 / 0 / 16

HEX #9FAFD5

RGB 159 175 213

HSL 222.22, 0.39%, 0.73%

LAB 71.44, 2.83, -21.04

 

CMYK 0 / 21 / 63 / 60

HEX #655025

RGB 101 80 37

HSL 40.31, 0.46%, 0.27%

LAB 35.28, 3.18, 28.23

 

CMYK 0 / 17 / 53 / 54

HEX #766238

RGB 118 98 56

HSL 40.65, 0.36%, 0.34%

LAB 42.57, 2.17, 26.76

 

CMYK 0 / 14 / 44 / 47

HEX #87744B

RGB 135 116 75

HSL 41, 0.29%, 0.41%

LAB 49.68, 1.4, 25.36

 

CMYK 0 / 12 / 38 / 40

HEX #98865E

RGB 152 134 94

HSL 41.38, 0.24%, 0.48%

LAB 56.62, 0.78, 24.05

 

CMYK 0 / 10 / 33 / 34

HEX #A99871

RGB 169 152 113

HSL 41.79, 0.25%, 0.55%

LAB 63.41, 0.29, 22.84

 

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

CMYK 0 / 22 / 71 / 69

HEX #4F3E17

RGB 79 62 23

HSL 41.79, 0.55%, 0.2%

LAB 27.21, 2.35, 26.14

 

CMYK 0 / 29 / 94 / 76

HEX #3E2C04

RGB 62 44 4

HSL 41.38, 0.88%, 0.13%

LAB 19.37, 3.96, 26.12

 

CMYK 0 / 42 / 100 / 82

HEX #2D1A00

RGB 45 26 0

HSL 34.67, 1%, 0.09%

LAB 11.25, 6.59, 16.91

 

CMYK 0 / 71 / 100 / 89

HEX #1C0800

RGB 28 8 0

HSL 17.14, 1%, 0.05%

LAB 3.8, 6.8, 5.81

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 32 / 57 / 63

HEX #5F4129

RGB 95 65 41

HSL 26.67, 0.4%, 0.27%

LAB 30.34, 9.96, 19.76

 

CMYK 0 / 47 / 57 / 63

HEX #5F3229

RGB 95 50 41

HSL 10, 0.4%, 0.27%

LAB 26.37, 19.28, 14.67

 

CMYK 0 / 57 / 57 / 63

HEX #5F2929

RGB 95 41 41

HSL 0, 0.4%, 0.27%

LAB 24.25, 24.6, 11.86

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 1 / 57 / 63

HEX #5F5E29

RGB 95 94 41

HSL 58.89, 0.4%, 0.27%

LAB 38.9, -7.7, 30.09

 

CMYK 14 / 0 / 57 / 63

HEX #525F29

RGB 82 95 41

HSL 74.44, 0.4%, 0.27%

LAB 38.09, -14.28, 28.86

 

CMYK 28 / 0 / 57 / 63

HEX #445F29

RGB 68 95 41

HSL 90, 0.4%, 0.27%

LAB 37.07, -20.39, 27.4

 

CMYK 44 / 0 / 57 / 63

HEX #355F29

RGB 53 95 41

HSL 106.67, 0.4%, 0.27%

LAB 36.18, -26.26, 26.13

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 21 / 72 / 58

HEX #6A541E

RGB 106 84 30

HSL 42.63, 0.56%, 0.27%

LAB 36.93, 2.67, 33.89

 

CMYK 0 / 25 / 84 / 54

HEX #755813

RGB 117 88 19

HSL 42.24, 0.72%, 0.27%

LAB 39.26, 5.07, 41.42

 

CMYK 0 / 28 / 94 / 49

HEX #815D08

RGB 129 93 8

HSL 42.15, 0.88%, 0.27%

LAB 42.02, 7.6, 47.63

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 11 / 37 / 67

HEX #544B35

RGB 84 75 53

HSL 42.58, 0.23%, 0.27%

LAB 32.2, -0.04, 14.5

 

CMYK 0 / 4 / 12 / 71

HEX #494640

RGB 73 70 64

HSL 40, 0.07%, 0.27%

LAB 29.83, 0.02, 4.06

 

CMYK 17 / 12 / 0 / 71

HEX #3E424B

RGB 62 66 75

HSL 221.54, 0.09%, 0.27%

LAB 27.92, 0.55, -6

 

CMYK 41 / 29 / 0 / 66

HEX #333D56

RGB 51 61 86

HSL 222.86, 0.26%, 0.27%

LAB 25.9, 3.09, -16.35

 

CMYK 0 / 47 / 57 / 63

HEX #5F3229

RGB 95 50 41

HSL 10, 0.4%, 0.27%

LAB 26.37, 19.28, 14.67

 

CMYK 0 / 32 / 57 / 63

HEX #5F4129

RGB 95 65 41

HSL 26.67, 0.4%, 0.27%

LAB 30.34, 9.96, 19.76

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 2 / 57 / 63

HEX #5F5D29

RGB 95 93 41

HSL 57.78, 0.4%, 0.27%

LAB 38.59, -7.11, 29.73

 

CMYK 13 / 0 / 57 / 63

HEX #535F29

RGB 83 95 41

HSL 73.33, 0.4%, 0.27%

LAB 38.17, -13.82, 28.98

 

CMYK 0 / 18 / 58 / 85

HEX #261F10

RGB 38 31 16

HSL 40.91, 0.41%, 0.11%

LAB 12.15, 0.72, 11.04

 

CMYK 0 / 18 / 57 / 74

HEX #43371D

RGB 67 55 29

HSL 41.05, 0.4%, 0.19%

LAB 23.72, 1.29, 18.19

 

CMYK 0 / 17 / 57 / 63

HEX #5F4F29

RGB 95 79 41

HSL 42.22, 0.4%, 0.27%

LAB 34.37, 1.26, 24.73

 

CMYK 0 / 17 / 56 / 51

HEX #7C6736

RGB 124 103 54

HSL 42, 0.39%, 0.35%

LAB 44.59, 1.8, 30.48

 

CMYK 0 / 17 / 56 / 40

HEX #997F43

RGB 153 127 67

HSL 41.86, 0.39%, 0.43%

LAB 54.4, 2.32, 35.98

 

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

CMYK 51 / 0 / 57 / 63

HEX #2F5F29

RGB 47 95 41

HSL 113.33, 0.4%, 0.27%

LAB 35.89, -28.34, 25.71

 

CMYK 39 / 57 / 0 / 63

HEX #3A295F

RGB 58 41 95

HSL 258.89, 0.4%, 0.27%

LAB 21.25, 21.69, -29.55

 

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

CMYK 57 / 0 / 17 / 63

HEX #295F4F

RGB 41 95 79

HSL 162.22, 0.4%, 0.27%

LAB 36.41, -22.28, 3.76

 

CMYK 17 / 57 / 0 / 63

HEX #4F295F

RGB 79 41 95

HSL 282.22, 0.4%, 0.27%

LAB 23.92, 27.95, -25.15

 

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

CMYK 51 / 0 / 57 / 63

HEX #2F5F29

RGB 47 95 41

HSL 113.33, 0.4%, 0.27%

LAB 35.89, -28.34, 25.71

 

CMYK 57 / 39 / 0 / 63

HEX #293A5F

RGB 41 58 95

HSL 221.11, 0.4%, 0.27%

LAB 24.71, 5.3, -24.13

 

CMYK 5 / 57 / 0 / 63

HEX #5A295F

RGB 90 41 95

HSL 294.44, 0.4%, 0.27%

LAB 25.52, 31.36, -22.51

 

CMYK 0 / 17 / 56 / 62

HEX #60502A

RGB 96 80 42

HSL 42.22, 0.39%, 0.27%

LAB 34.78, 1.23, 24.69

 

CMYK 57 / 0 / 45 / 63

HEX #295F34

RGB 41 95 52

HSL 132.22, 0.4%, 0.27%

LAB 35.8, -28.4, 19.29

 

CMYK 57 / 39 / 0 / 63

HEX #293A5F

RGB 41 58 95

HSL 221.11, 0.4%, 0.27%

LAB 24.71, 5.3, -24.13

 

CMYK 0 / 57 / 12 / 63

HEX #5F2954

RGB 95 41 84

HSL 312.22, 0.4%, 0.27%

LAB 25.74, 30.79, -14.87

 

Description

Color code: HEX #60502A | qconv.com Color code: HEX #60502A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 80 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 80 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 56 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 56% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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