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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #602F92 it is the complementary color #9FD06D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #602F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #602F92 shade: #652F8D, #7641A0, #8753B3, #9865C6 and #A977D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #602F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #602F92 shade: #602F92, #4F1D7F, #3E0B6C, #2D0059 and #1C0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #602F92 shade: #602F92, #7B2F92, #922F8E, #922F74 and #922F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #602F92 shade: #602F92, #452F92 and #2F2F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #602F92 shade matches the following richer shades: #602F92, #601FA1, #6010B1 and #5F00C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #602F92 shade: #602F92, #603F82, #604E72, #605E63 and #616E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #602F92 shade: #2F3492, #442F92, #5F2F92, #792F92 and #922F90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #602F92 shade: #371B54, #4B2573, #602F92, #7439B1 and #894EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #602F92 shade: #602F92, #922F4E and #2F9237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #602F92 shade: #602F92, #925F2F and #2F925F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #602F92 shade: #602F92, #922F4E, #62922F and #2F9273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #602F92 shade: #602F92, #922F31, #62922F and #2F9290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

Complementary color

CMYK 24 / 0 / 48 / 18

HEX #9FD06D

RGB 159 208 109

HSL 89.7, 0.51%, 0.62%

LAB 78.22, -32.64, 43.82

 

CMYK 28 / 67 / 0 / 45

HEX #652F8D

RGB 101 47 141

HSL 274.47, 0.5%, 0.37%

LAB 31.17, 41.76, -42.61

 

CMYK 26 / 59 / 0 / 37

HEX #7641A0

RGB 118 65 160

HSL 273.47, 0.42%, 0.44%

LAB 38.15, 40.99, -42.85

 

CMYK 25 / 54 / 0 / 30

HEX #8753B3

RGB 135 83 179

HSL 272.5, 0.39%, 0.51%

LAB 45.07, 40.1, -42.96

 

CMYK 23 / 49 / 0 / 22

HEX #9865C6

RGB 152 101 198

HSL 271.55, 0.46%, 0.59%

LAB 51.9, 39.19, -43

 

CMYK 22 / 45 / 0 / 15

HEX #A977D9

RGB 169 119 217

HSL 270.61, 0.56%, 0.66%

LAB 58.64, 38.31, -43.03

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 38 / 77 / 0 / 50

HEX #4F1D7F

RGB 79 29 127

HSL 270.61, 0.63%, 0.31%

LAB 23.91, 42.37, -45.76

 

CMYK 43 / 90 / 0 / 58

HEX #3E0B6C

RGB 62 11 108

HSL 271.55, 0.82%, 0.23%

LAB 17.21, 41.84, -44.61

 

CMYK 49 / 100 / 0 / 65

HEX #2D0059

RGB 45 0 89

HSL 270.34, 1%, 0.17%

LAB 11.13, 39.04, -42.07

 

CMYK 60 / 100 / 0 / 73

HEX #1C0046

RGB 28 0 70

HSL 264, 1%, 0.14%

LAB 6.22, 31.93, -37.12

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 16 / 68 / 0 / 43

HEX #7B2F92

RGB 123 47 146

HSL 286.06, 0.51%, 0.38%

LAB 34.64, 48.11, -39.94

 

CMYK 0 / 68 / 3 / 43

HEX #922F8E

RGB 146 47 142

HSL 302.42, 0.51%, 0.38%

LAB 38.02, 52.99, -31.9

 

CMYK 0 / 68 / 21 / 43

HEX #922F74

RGB 146 47 116

HSL 318.18, 0.51%, 0.38%

LAB 36.75, 48.83, -17.77

 

CMYK 0 / 68 / 39 / 43

HEX #922F59

RGB 146 47 89

HSL 334.55, 0.51%, 0.38%

LAB 35.72, 45.28, -2.21

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 53 / 68 / 0 / 43

HEX #452F92

RGB 69 47 146

HSL 253.33, 0.51%, 0.38%

LAB 27.77, 36.3, -51.37

 

CMYK 68 / 68 / 0 / 43

HEX #2F2F92

RGB 47 47 146

HSL 240, 0.51%, 0.38%

LAB 25.9, 32.68, -54.51

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 40 / 81 / 0 / 37

HEX #601FA1

RGB 96 31 161

HSL 270, 0.68%, 0.38%

LAB 29.51, 52.88, -57.57

 

CMYK 46 / 91 / 0 / 31

HEX #6010B1

RGB 96 16 177

HSL 269.81, 0.83%, 0.38%

LAB 29.49, 61.16, -67.24

 

CMYK 51 / 100 / 0 / 24

HEX #5F00C1

RGB 95 0 193

HSL 269.53, 1%, 0.38%

LAB 30.12, 67.43, -75.72

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 26 / 52 / 0 / 49

HEX #603F82

RGB 96 63 130

HSL 269.55, 0.35%, 0.38%

LAB 33.25, 28.62, -32.51

 

CMYK 16 / 32 / 0 / 55

HEX #604E72

RGB 96 78 114

HSL 270, 0.19%, 0.38%

LAB 36.27, 15.25, -17.84

 

CMYK 3 / 5 / 0 / 61

HEX #605E63

RGB 96 94 99

HSL 264, 0.03%, 0.38%

LAB 40.23, 1.85, -2.57

HEX #605E63

CMYK 12 / 0 / 25 / 57

HEX #616E53

RGB 97 110 83

HSL 88.89, 0.14%, 0.38%

LAB 44.69, -10.28, 13.47

HEX #616E53

CMYK 68 / 64 / 0 / 43

HEX #2F3492

RGB 47 52 146

HSL 236.97, 0.51%, 0.38%

LAB 27.12, 29.45, -52.52

 

CMYK 53 / 68 / 0 / 43

HEX #442F92

RGB 68 47 146

HSL 252.73, 0.51%, 0.38%

LAB 27.67, 36.12, -51.53

 

CMYK 35 / 68 / 0 / 43

HEX #5F2F92

RGB 95 47 146

HSL 269.09, 0.51%, 0.38%

LAB 30.74, 41.64, -46.42

 

CMYK 17 / 68 / 0 / 43

HEX #792F92

RGB 121 47 146

HSL 284.85, 0.51%, 0.38%

LAB 34.34, 47.63, -40.43

 

CMYK 0 / 68 / 1 / 43

HEX #922F90

RGB 146 47 144

HSL 301.21, 0.51%, 0.38%

LAB 38.12, 53.33, -32.95

 

CMYK 35 / 68 / 0 / 67

HEX #371B54

RGB 55 27 84

HSL 269.47, 0.51%, 0.22%

LAB 16.68, 26.55, -29.57

 

CMYK 35 / 68 / 0 / 55

HEX #4B2573

RGB 75 37 115

HSL 269.23, 0.51%, 0.3%

LAB 23.86, 34.31, -38.23

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 34 / 68 / 0 / 31

HEX #7439B1

RGB 116 57 177

HSL 269.5, 0.51%, 0.46%

LAB 37.51, 48.87, -54.04

 

CMYK 30 / 60 / 0 / 23

HEX #894EC5

RGB 137 78 197

HSL 269.75, 0.51%, 0.54%

LAB 45.36, 47.65, -52.97

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 0 / 68 / 47 / 43

HEX #922F4E

RGB 146 47 78

HSL 341.21, 0.51%, 0.38%

LAB 35.39, 44.09, 4.37

 

CMYK 68 / 0 / 62 / 43

HEX #2F9237

RGB 47 146 55

HSL 124.85, 0.51%, 0.38%

LAB 53.43, -47.44, 39.15

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 0 / 35 / 68 / 43

HEX #925F2F

RGB 146 95 47

HSL 29.09, 0.51%, 0.38%

LAB 44.94, 16.01, 35.31

 

CMYK 68 / 0 / 35 / 43

HEX #2F925F

RGB 47 146 95

HSL 149.09, 0.51%, 0.38%

LAB 54.01, -40.8, 18.92

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 0 / 68 / 47 / 43

HEX #922F4E

RGB 146 47 78

HSL 341.21, 0.51%, 0.38%

LAB 35.39, 44.09, 4.37

 

CMYK 33 / 0 / 68 / 43

HEX #62922F

RGB 98 146 47

HSL 89.09, 0.51%, 0.38%

LAB 55.44, -32.84, 45.56

 

CMYK 68 / 0 / 21 / 43

HEX #2F9273

RGB 47 146 115

HSL 161.21, 0.51%, 0.38%

LAB 54.45, -36.21, 8.2

 

CMYK 34 / 68 / 0 / 43

HEX #602F92

RGB 96 47 146

HSL 269.7, 0.51%, 0.38%

LAB 30.87, 41.86, -46.2

 

CMYK 0 / 68 / 66 / 43

HEX #922F31

RGB 146 47 49

HSL 358.79, 0.51%, 0.38%

LAB 34.73, 41.71, 22.04

 

CMYK 33 / 0 / 68 / 43

HEX #62922F

RGB 98 146 47

HSL 89.09, 0.51%, 0.38%

LAB 55.44, -32.84, 45.56

 

CMYK 68 / 0 / 1 / 43

HEX #2F9290

RGB 47 146 144

HSL 178.79, 0.51%, 0.38%

LAB 55.25, -28.28, -7.28

 

Description

Color code: HEX #602F92 | qconv.com Color code: HEX #602F92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 47 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 47 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 68 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 68% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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