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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #601FD4 it is the complementary color #9FE02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #601FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #601FD4 shade: #651FCF, #7631E2, #8743F5, #9855FF and #A967FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #601FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #601FD4 shade: #601FD4, #4F0DC1, #3E00AE, #2D009B and #1C0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #601FD4 shade: #601FD4, #911FD4, #C21FD4, #D41FB6 and #D41F85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #601FD4 shade: #601FD4, #301FD4 and #1F1FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #601FD4 shade matches the following richer shades: #601FD4 and #5B0CE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #601FD4 shade: #601FD4, #6633C1, #6C47AD, #715B99 and #776F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #601FD4 shade: #1F41D4, #2E1FD4, #5F1FD4, #8F1FD4 and #BF1FD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #601FD4 shade: #40158D, #501AB1, #601FD4, #773CE1 and #9060E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #601FD4 shade: #601FD4, #D41F71 and #28D41F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #601FD4 shade: #601FD4, #D45F1F and #1FD45F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #601FD4 shade: #601FD4, #D41F71, #95D41F and #1FD483

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #601FD4 shade: #601FD4, #D41F3A, #95D41F and #1FD4B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

Complementary color

CMYK 29 / 0 / 81 / 12

HEX #9FE02B

RGB 159 224 43

HSL 81.55, 0.74%, 0.52%

LAB 82.3, -44.73, 74

 

CMYK 51 / 85 / 0 / 19

HEX #651FCF

RGB 101 31 207

HSL 263.86, 0.74%, 0.47%

LAB 34.5, 64.69, -76.64

 

CMYK 48 / 78 / 0 / 11

HEX #7631E2

RGB 118 49 226

HSL 263.39, 0.75%, 0.54%

LAB 40.47, 64.95, -77.68

 

CMYK 45 / 73 / 0 / 4

HEX #8743F5

RGB 135 67 245

HSL 262.92, 0.9%, 0.61%

LAB 46.66, 64.52, -78.22

 

CMYK 40 / 67 / 0 / 0

HEX #9855FF

RGB 152 85 255

HSL 263.65, 1%, 0.67%

LAB 52.28, 61.49, -74.55

 

CMYK 34 / 60 / 0 / 0

HEX #A967FF

RGB 169 103 255

HSL 266.05, 1%, 0.7%

LAB 57.42, 55.91, -66.14

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 59 / 93 / 0 / 24

HEX #4F0DC1

RGB 79 13 193

HSL 262, 0.87%, 0.4%

LAB 28.9, 64.03, -77.79

 

CMYK 64 / 100 / 0 / 32

HEX #3E00AE

RGB 62 0 174

HSL 261.38, 1%, 0.34%

LAB 23.93, 60.94, -74.77

 

CMYK 71 / 100 / 0 / 39

HEX #2D009B

RGB 45 0 155

HSL 257.42, 1%, 0.3%

LAB 19.74, 55.52, -70.24

 

CMYK 79 / 100 / 0 / 47

HEX #1C0088

RGB 28 0 136

HSL 252.35, 1%, 0.27%

LAB 15.62, 50.11, -65.33

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 32 / 85 / 0 / 17

HEX #911FD4

RGB 145 31 212

HSL 277.79, 0.74%, 0.48%

LAB 40.82, 71.33, -68.94

 

CMYK 8 / 85 / 0 / 17

HEX #C21FD4

RGB 194 31 212

HSL 294.03, 0.74%, 0.48%

LAB 48.51, 79.01, -56.11

 

CMYK 0 / 85 / 14 / 17

HEX #D41FB6

RGB 212 31 182

HSL 309.94, 0.74%, 0.48%

LAB 49.92, 77.9, -36.3

 

CMYK 0 / 85 / 37 / 17

HEX #D41F85

RGB 212 31 133

HSL 326.19, 0.74%, 0.48%

LAB 47.84, 72.2, -10.28

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 77 / 85 / 0 / 17

HEX #301FD4

RGB 48 31 212

HSL 245.64, 0.74%, 0.48%

LAB 30.31, 61.87, -86.64

 

CMYK 85 / 85 / 0 / 17

HEX #1F1FD4

RGB 31 31 212

HSL 240, 0.74%, 0.48%

LAB 29.47, 61.2, -88.05

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 61 / 95 / 0 / 9

HEX #5B0CE8

RGB 91 12 232

HSL 261.55, 0.9%, 0.48%

LAB 34.63, 74.19, -90.86

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 47 / 74 / 0 / 24

HEX #6633C1

RGB 102 51 193

HSL 261.55, 0.58%, 0.48%

LAB 36.07, 53.31, -65.9

 

CMYK 38 / 59 / 0 / 32

HEX #6C47AD

RGB 108 71 173

HSL 261.76, 0.42%, 0.48%

LAB 39.09, 38.5, -49.16

 

CMYK 26 / 41 / 0 / 40

HEX #715B99

RGB 113 91 153

HSL 261.29, 0.25%, 0.48%

LAB 43.2, 22.62, -30.68

 

CMYK 11 / 17 / 0 / 48

HEX #776F85

RGB 119 111 133

HSL 261.82, 0.09%, 0.48%

LAB 48.24, 7.69, -10.96

 

CMYK 85 / 69 / 0 / 17

HEX #1F41D4

RGB 31 65 212

HSL 228.73, 0.74%, 0.48%

LAB 35.65, 43.56, -77.82

 

CMYK 78 / 85 / 0 / 17

HEX #2E1FD4

RGB 46 31 212

HSL 244.97, 0.74%, 0.48%

LAB 30.19, 61.78, -86.83

 

CMYK 55 / 85 / 0 / 17

HEX #5F1FD4

RGB 95 31 212

HSL 261.22, 0.74%, 0.48%

LAB 34.33, 65.3, -79.85

 

CMYK 33 / 85 / 0 / 17

HEX #8F1FD4

RGB 143 31 212

HSL 277.13, 0.74%, 0.48%

LAB 40.53, 71.05, -69.43

 

CMYK 10 / 85 / 0 / 17

HEX #BF1FD4

RGB 191 31 212

HSL 293.04, 0.74%, 0.48%

LAB 48.02, 78.5, -56.93

 

CMYK 55 / 85 / 0 / 45

HEX #40158D

RGB 64 21 141

HSL 261.5, 0.74%, 0.32%

LAB 22.12, 47.15, -57.56

 

CMYK 55 / 85 / 0 / 31

HEX #501AB1

RGB 80 26 177

HSL 261.46, 0.74%, 0.4%

LAB 28.43, 56.61, -69.06

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 47 / 73 / 0 / 12

HEX #773CE1

RGB 119 60 225

HSL 261.45, 0.73%, 0.56%

LAB 42.14, 60.14, -74.38

 

CMYK 38 / 58 / 0 / 9

HEX #9060E7

RGB 144 96 231

HSL 261.33, 0.74%, 0.64%

LAB 51.91, 48.13, -61.78

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 0 / 85 / 47 / 17

HEX #D41F71

RGB 212 31 113

HSL 332.82, 0.74%, 0.48%

LAB 47.2, 70.37, 0.99

 

CMYK 81 / 0 / 85 / 17

HEX #28D41F

RGB 40 212 31

HSL 117.02, 0.74%, 0.48%

LAB 74.6, -71.57, 68.47

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 0 / 55 / 85 / 17

HEX #D45F1F

RGB 212 95 31

HSL 21.22, 0.74%, 0.48%

LAB 54.32, 42.86, 55.11

 

CMYK 85 / 0 / 55 / 17

HEX #1FD45F

RGB 31 212 95

HSL 141.22, 0.74%, 0.48%

LAB 74.95, -66.74, 45.54

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 0 / 85 / 47 / 17

HEX #D41F71

RGB 212 31 113

HSL 332.82, 0.74%, 0.48%

LAB 47.2, 70.37, 0.99

 

CMYK 30 / 0 / 85 / 17

HEX #95D41F

RGB 149 212 31

HSL 80.88, 0.74%, 0.48%

LAB 78.21, -43.71, 73.02

 

CMYK 85 / 0 / 38 / 17

HEX #1FD483

RGB 31 212 131

HSL 153.15, 0.74%, 0.48%

LAB 75.46, -60.73, 28.36

 

CMYK 55 / 85 / 0 / 17

HEX #601FD4

RGB 96 31 212

HSL 261.55, 0.74%, 0.48%

LAB 34.44, 65.4, -79.67

 

CMYK 0 / 85 / 73 / 17

HEX #D41F3A

RGB 212 31 58

HSL 351.05, 0.74%, 0.48%

LAB 46.02, 66.97, 33.2

 

CMYK 30 / 0 / 85 / 17

HEX #95D41F

RGB 149 212 31

HSL 80.88, 0.74%, 0.48%

LAB 78.21, -43.71, 73.02

 

CMYK 85 / 0 / 13 / 17

HEX #1FD4B9

RGB 31 212 185

HSL 171.05, 0.74%, 0.48%

LAB 76.61, -48.22, 1.37

 

Description

Color code: HEX #601FD4 | qconv.com Color code: HEX #601FD4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 31 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 31 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 85 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 85% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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