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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6001CA it is the complementary color #9FFE35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6001CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6001CA shade: #6501C5, #7613D8, #8725EB, #9837FE and #A949FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6001CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6001CA shade: #6001CA, #4F00B7, #3E00A4, #2D0091 and #1C007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6001CA shade: #6001CA, #9601CA, #CA01C8, #CA0192 and #CA015B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6001CA shade: #6001CA, #2A01CA and #0101CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6001CA shade matches the following richer shades: #6001CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6001CA shade: #6001CA, #6111BA, #6222A9, #633299 and #644388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6001CA shade: #010ECA, #2901CA, #5F01CA, #9501CA and #CA01CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6001CA shade: #390078, #4C00A1, #6001CA, #7301F4 and #8920FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6001CA shade: #6001CA, #CA0144 and #01CA0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6001CA shade: #6001CA, #CA5F01 and #01CA5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6001CA shade: #6001CA, #CA0144, #6CCA01 and #01CA87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6001CA shade: #6001CA, #CA0107, #6CCA01 and #01CAC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

Complementary color

CMYK 37 / 0 / 79 / 0

HEX #9FFE35

RGB 159 254 53

HSL 88.36, 0.99%, 0.6%

LAB 91.01, -56.61, 79.26

 

CMYK 49 / 99 / 0 / 23

HEX #6501C5

RGB 101 1 197

HSL 270.61, 0.99%, 0.39%

LAB 31.39, 68.63, -75.94

 

CMYK 45 / 91 / 0 / 15

HEX #7613D8

RGB 118 19 216

HSL 270.15, 0.84%, 0.46%

LAB 36.51, 71.55, -78.47

 

CMYK 43 / 84 / 0 / 8

HEX #8725EB

RGB 135 37 235

HSL 269.7, 0.83%, 0.53%

LAB 41.96, 73.29, -80.28

 

CMYK 40 / 78 / 0 / 0

HEX #9837FE

RGB 152 55 254

HSL 269.25, 0.99%, 0.61%

LAB 47.71, 73.98, -81.45

 

CMYK 34 / 71 / 0 / 0

HEX #A949FF

RGB 169 73 255

HSL 271.65, 1%, 0.64%

LAB 52.31, 69.97, -74.41

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 57 / 100 / 0 / 28

HEX #4F00B7

RGB 79 0 183

HSL 265.9, 1%, 0.36%

LAB 26.96, 64.04, -75.07

 

CMYK 62 / 100 / 0 / 36

HEX #3E00A4

RGB 62 0 164

HSL 262.68, 1%, 0.32%

LAB 22.67, 58.55, -70.83

 

CMYK 69 / 100 / 0 / 43

HEX #2D0091

RGB 45 0 145

HSL 258.62, 1%, 0.28%

LAB 18.37, 53.03, -66.33

 

CMYK 78 / 100 / 0 / 51

HEX #1C007E

RGB 28 0 126

HSL 253.33, 1%, 0.25%

LAB 14.14, 47.5, -61.45

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 26 / 100 / 0 / 21

HEX #9601CA

RGB 150 1 202

HSL 284.48, 0.99%, 0.4%

LAB 39.19, 74.81, -65.78

 

CMYK 0 / 100 / 1 / 21

HEX #CA01C8

RGB 202 1 200

HSL 300.6, 0.99%, 0.4%

LAB 47.94, 82.07, -50.04

 

CMYK 0 / 100 / 28 / 21

HEX #CA0192

RGB 202 1 146

HSL 316.72, 0.99%, 0.4%

LAB 45.16, 75.14, -22.44

 

CMYK 0 / 100 / 55 / 21

HEX #CA015B

RGB 202 1 91

HSL 333.13, 0.99%, 0.4%

LAB 43.26, 70.2, 8.78

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 79 / 100 / 0 / 21

HEX #2A01CA

RGB 42 1 202

HSL 252.24, 0.99%, 0.4%

LAB 26.09, 66.77, -87.84

 

CMYK 100 / 100 / 0 / 21

HEX #0101CA

RGB 1 1 202

HSL 240, 0.99%, 0.4%

LAB 24.62, 66.24, -90.35

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 48 / 91 / 0 / 27

HEX #6111BA

RGB 97 17 186

HSL 268.4, 0.83%, 0.4%

LAB 30.61, 63.11, -70.75

 

CMYK 42 / 80 / 0 / 34

HEX #6222A9

RGB 98 34 169

HSL 268.44, 0.67%, 0.4%

LAB 30.89, 53.97, -60.14

 

CMYK 35 / 67 / 0 / 40

HEX #633299

RGB 99 50 153

HSL 268.54, 0.51%, 0.4%

LAB 32.33, 42.75, -48.1

 

CMYK 26 / 51 / 0 / 47

HEX #644388

RGB 100 67 136

HSL 268.7, 0.34%, 0.4%

LAB 35.01, 28.92, -33.4

 

CMYK 100 / 93 / 0 / 21

HEX #010ECA

RGB 1 14 202

HSL 236.12, 0.99%, 0.4%

LAB 25.52, 63.45, -88.84

 

CMYK 80 / 100 / 0 / 21

HEX #2901CA

RGB 41 1 202

HSL 251.94, 0.99%, 0.4%

LAB 26.03, 66.74, -87.95

 

CMYK 53 / 100 / 0 / 21

HEX #5F01CA

RGB 95 1 202

HSL 268.06, 0.99%, 0.4%

LAB 31.16, 69.26, -79.28

 

CMYK 26 / 100 / 0 / 21

HEX #9501CA

RGB 149 1 202

HSL 284.18, 0.99%, 0.4%

LAB 39.03, 74.68, -66.05

 

CMYK 0 / 100 / 0 / 21

HEX #CA01CA

RGB 202 1 202

HSL 300, 0.99%, 0.4%

LAB 48.06, 82.35, -51

 

CMYK 53 / 100 / 0 / 53

HEX #390078

RGB 57 0 120

HSL 268.5, 1%, 0.24%

LAB 16.63, 47.66, -53.37

 

CMYK 53 / 100 / 0 / 37

HEX #4C00A1

RGB 76 0 161

HSL 268.32, 1%, 0.32%

LAB 24.03, 58.79, -66.69

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 53 / 100 / 0 / 4

HEX #7301F4

RGB 115 1 244

HSL 268.15, 0.99%, 0.48%

LAB 38.2, 79.82, -91.66

 

CMYK 46 / 87 / 0 / 1

HEX #8920FD

RGB 137 32 253

HSL 268.51, 0.98%, 0.56%

LAB 43.42, 78.77, -88

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 0 / 100 / 66 / 21

HEX #CA0144

RGB 202 1 68

HSL 340, 0.99%, 0.4%

LAB 42.76, 68.85, 22.59

 

CMYK 100 / 0 / 93 / 21

HEX #01CA0E

RGB 1 202 14

HSL 123.88, 0.99%, 0.4%

LAB 71.06, -71.98, 68.28

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 0 / 53 / 100 / 21

HEX #CA5F01

RGB 202 95 1

HSL 28.06, 0.99%, 0.4%

LAB 52.67, 38.5, 61.3

 

CMYK 100 / 0 / 53 / 21

HEX #01CA5F

RGB 1 202 95

HSL 148.06, 0.99%, 0.4%

LAB 71.6, -65.14, 41.44

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 0 / 100 / 66 / 21

HEX #CA0144

RGB 202 1 68

HSL 340, 0.99%, 0.4%

LAB 42.76, 68.85, 22.59

 

CMYK 47 / 0 / 100 / 21

HEX #6CCA01

RGB 108 202 1

HSL 88.06, 0.99%, 0.4%

LAB 73.18, -54.44, 72.28

 

CMYK 100 / 0 / 33 / 21

HEX #01CA87

RGB 1 202 135

HSL 160, 0.99%, 0.4%

LAB 72.23, -57.78, 21.87

 

CMYK 52 / 100 / 0 / 21

HEX #6001CA

RGB 96 1 202

HSL 268.36, 0.99%, 0.4%

LAB 31.28, 69.33, -79.07

 

CMYK 0 / 100 / 97 / 21

HEX #CA0107

RGB 202 1 7

HSL 358.21, 0.99%, 0.4%

LAB 42.14, 67.18, 54.01

 

CMYK 47 / 0 / 100 / 21

HEX #6CCA01

RGB 108 202 1

HSL 88.06, 0.99%, 0.4%

LAB 73.18, -54.44, 72.28

 

CMYK 100 / 0 / 3 / 21

HEX #01CAC4

RGB 1 202 196

HSL 178.21, 0.99%, 0.4%

LAB 73.7, -42.09, -8.87

 

Description

Color code: HEX #6001CA | qconv.com Color code: HEX #6001CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 1 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 1 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 100 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 100% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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