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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6008A9 it is the complementary color #9FF756. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6008A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6008A9 shade: #6508A4, #761AB7, #872CCA, #983EDD and #A950F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6008A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6008A9 shade: #6008A9, #4F0096, #3E0083, #2D0070 and #1C005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6008A9 shade: #6008AA, #8C08AA, #AA089C, #AA0870 and #AA0844

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6008A9 shade: #6008AA, #3508AA, #0908AA and #0808AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6008A9 shade matches the following richer shades: #6008AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6008A9 shade: #6008AA, #5F169C, #5E248D, #5C337F and #5B4170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6008A9 shade: #0808AA, #3308AA, #5E08AA, #8908AA and #AA089F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6008A9 shade: #34045B, #4A0683, #6008AA, #7709D1 and #8D11F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6008A9 shade: #6008A9, #AA0833 and #08AA1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6008A9 shade: #6008A9, #AA5E08 and #08AA5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6008A9 shade: #6008A9, #AA0833, #53AA08 and #08AA7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6008A9 shade: #6008A9, #AA0D08, #53AA08 and #08A5AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

Complementary color

CMYK 36 / 0 / 65 / 3

HEX #9FF756

RGB 159 247 86

HSL 92.8, 0.91%, 0.65%

LAB 89.19, -51.83, 66.54

 

CMYK 38 / 95 / 0 / 36

HEX #6508A4

RGB 101 8 164

HSL 275.77, 0.91%, 0.34%

LAB 28.43, 60.38, -61.13

 

CMYK 36 / 86 / 0 / 28

HEX #761AB7

RGB 118 26 183

HSL 275.16, 0.75%, 0.41%

LAB 34, 62.76, -63.29

 

CMYK 33 / 78 / 0 / 21

HEX #872CCA

RGB 135 44 202

HSL 274.56, 0.64%, 0.48%

LAB 39.94, 63.77, -64.65

 

CMYK 31 / 72 / 0 / 13

HEX #983EDD

RGB 152 62 221

HSL 273.96, 0.7%, 0.55%

LAB 46.1, 63.93, -65.47

 

CMYK 30 / 67 / 0 / 6

HEX #A950F0

RGB 169 80 240

HSL 273.38, 0.84%, 0.63%

LAB 52.36, 63.6, -65.97

 

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

CMYK 47 / 100 / 0 / 41

HEX #4F0096

RGB 79 0 150

HSL 271.6, 1%, 0.29%

LAB 23.22, 56.55, -61.27

 

CMYK 53 / 100 / 0 / 49

HEX #3E0083

RGB 62 0 131

HSL 268.4, 1%, 0.26%

LAB 18.64, 50.7, -57.04

 

CMYK 60 / 100 / 0 / 56

HEX #2D0070

RGB 45 0 112

HSL 264.11, 1%, 0.22%

LAB 13.99, 44.76, -52.62

 

CMYK 70 / 100 / 0 / 64

HEX #1C005D

RGB 28 0 93

HSL 258.06, 1%, 0.18%

LAB 9.3, 38.75, -47.88

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 18 / 95 / 0 / 33

HEX #8C08AA

RGB 140 8 170

HSL 288.89, 0.91%, 0.35%

LAB 35.3, 66.83, -53.27

 

CMYK 0 / 95 / 8 / 33

HEX #AA089C

RGB 170 8 156

HSL 305.19, 0.91%, 0.35%

LAB 39.78, 69.62, -37.35

 

CMYK 0 / 95 / 34 / 33

HEX #AA0870

RGB 170 8 112

HSL 321.48, 0.91%, 0.35%

LAB 37.64, 64.12, -13.5

 

CMYK 0 / 95 / 60 / 33

HEX #AA0844

RGB 170 8 68

HSL 337.78, 0.91%, 0.35%

LAB 36.25, 60.37, 12.73

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 69 / 95 / 0 / 33

HEX #3508AA

RGB 53 8 170

HSL 256.67, 0.91%, 0.35%

LAB 23.11, 57.71, -73.76

 

CMYK 95 / 95 / 0 / 33

HEX #0908AA

RGB 9 8 170

HSL 240.37, 0.91%, 0.35%

LAB 20.57, 56.39, -78.05

 

CMYK 95 / 95 / 0 / 33

HEX #0808AA

RGB 8 8 170

HSL 240, 0.91%, 0.35%

LAB 20.55, 56.38, -78.1

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 39 / 86 / 0 / 39

HEX #5F169C

RGB 95 22 156

HSL 272.69, 0.75%, 0.35%

LAB 27.86, 54.64, -57.23

 

CMYK 33 / 74 / 0 / 45

HEX #5E248D

RGB 94 36 141

HSL 273.14, 0.59%, 0.35%

LAB 28.29, 45.58, -47.31

 

CMYK 28 / 60 / 0 / 50

HEX #5C337F

RGB 92 51 127

HSL 272.37, 0.43%, 0.35%

LAB 29.85, 33.82, -36.08

 

CMYK 19 / 42 / 0 / 56

HEX #5B4170

RGB 91 65 112

HSL 273.19, 0.27%, 0.35%

LAB 32.2, 21.22, -22.94

 

CMYK 95 / 95 / 0 / 33

HEX #0808AA

RGB 8 8 170

HSL 240, 0.91%, 0.35%

LAB 20.55, 56.38, -78.1

 

CMYK 70 / 95 / 0 / 33

HEX #3308AA

RGB 51 8 170

HSL 255.93, 0.91%, 0.35%

LAB 22.93, 57.6, -74.06

 

CMYK 45 / 95 / 0 / 33

HEX #5E08AA

RGB 94 8 170

HSL 271.85, 0.91%, 0.35%

LAB 28, 60.91, -65.51

 

CMYK 19 / 95 / 0 / 33

HEX #8908AA

RGB 137 8 170

HSL 287.78, 0.91%, 0.35%

LAB 34.79, 66.38, -54.12

 

CMYK 0 / 95 / 6 / 33

HEX #AA089F

RGB 170 8 159

HSL 304.07, 0.91%, 0.35%

LAB 39.95, 70.05, -38.89

 

CMYK 43 / 96 / 0 / 64

HEX #34045B

RGB 52 4 91

HSL 273.1, 0.92%, 0.19%

LAB 13.06, 38.64, -40.21

 

CMYK 44 / 95 / 0 / 49

HEX #4A0683

RGB 74 6 131

HSL 272.64, 0.91%, 0.27%

LAB 20.92, 50.29, -53.21

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 43 / 96 / 0 / 18

HEX #7709D1

RGB 119 9 209

HSL 273, 0.92%, 0.43%

LAB 35.44, 71.72, -76.18

 

CMYK 42 / 93 / 0 / 5

HEX #8D11F3

RGB 141 17 243

HSL 272.92, 0.9%, 0.51%

LAB 42.05, 79.92, -84.62

 

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

CMYK 0 / 95 / 70 / 33

HEX #AA0833

RGB 170 8 51

HSL 344.07, 0.91%, 0.35%

LAB 35.9, 59.43, 23.28

 

CMYK 95 / 0 / 83 / 33

HEX #08AA1D

RGB 8 170 29

HSL 127.78, 0.91%, 0.35%

LAB 60.68, -62.17, 56.26

 

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 95 / 0 / 45 / 33

HEX #08AA5E

RGB 8 170 94

HSL 151.85, 0.91%, 0.35%

LAB 61.32, -54.36, 29.02

 

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

CMYK 0 / 95 / 70 / 33

HEX #AA0833

RGB 170 8 51

HSL 344.07, 0.91%, 0.35%

LAB 35.9, 59.43, 23.28

 

CMYK 51 / 0 / 95 / 33

HEX #53AA08

RGB 83 170 8

HSL 92.22, 0.91%, 0.35%

LAB 62.17, -49.9, 62.27

 

CMYK 95 / 0 / 25 / 33

HEX #08AA7F

RGB 8 170 127

HSL 164.07, 0.91%, 0.35%

LAB 61.94, -47.2, 11.96

 

CMYK 43 / 95 / 0 / 34

HEX #6008A9

RGB 96 8 169

HSL 272.8, 0.91%, 0.35%

LAB 28.18, 60.9, -64.6

 

CMYK 0 / 92 / 95 / 33

HEX #AA0D08

RGB 170 13 8

HSL 1.85, 0.91%, 0.35%

LAB 35.7, 57.58, 46.5

 

CMYK 51 / 0 / 95 / 33

HEX #53AA08

RGB 83 170 8

HSL 92.22, 0.91%, 0.35%

LAB 62.17, -49.9, 62.27

 

CMYK 95 / 3 / 0 / 33

HEX #08A5AA

RGB 8 165 170

HSL 181.85, 0.91%, 0.35%

LAB 61.54, -32.85, -12.71

 

Description

Color code: HEX #6008A9 | qconv.com Color code: HEX #6008A9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 8 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 8 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 95 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 95% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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