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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63FD44 it is the complementary color #9C02BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63FD44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63FD44 shade: #68FD3F, #79FF52, #8AFF65, #9BFF78 and #ACFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63FD44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63FD44 shade: #63FD44, #52EB31, #41D91E, #30C70B and #1FB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63FD44 shade: #63FD44, #95FD44, #C6FD44, #F8FD44 and #FDCF44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63FD44 shade: #63FD44, #44FD57, #44FD88, #44FDBA and #44FDEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63FD44 shade matches the following richer shades: #63FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63FD44 shade: #63FD44, #6DED53, #77DE62, #81CF71 and #8BC081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63FD44 shade: #C8FD44, #97FD44, #66FD44, #44FD53 and #44FD84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63FD44 shade: #29EC02, #41FC1B, #63FD44, #85FD6D and #A7FD95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63FD44 shade: #63FD44, #44FAFD and #FD44B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63FD44 shade: #63FD44, #4466FD and #FD4466

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63FD44 shade: #63FD44, #44FAFD, #DB44FD and #FD4744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63FD44 shade: #63FD44, #44C2FD, #DB44FD and #FD7E44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

Complementary color

CMYK 17 / 99 / 0 / 27

HEX #9C02BB

RGB 156 2 187

HSL 289.95, 0.98%, 0.37%

LAB 39.07, 72.86, -57.14

 

CMYK 59 / 0 / 75 / 1

HEX #68FD3F

RGB 104 253 63

HSL 107.05, 0.98%, 0.62%

LAB 88.71, -71.31, 73.48

 

CMYK 53 / 0 / 68 / 0

HEX #79FF52

RGB 121 255 82

HSL 106.47, 1%, 0.66%

LAB 89.95, -66.5, 68.4

 

CMYK 46 / 0 / 60 / 0

HEX #8AFF65

RGB 138 255 101

HSL 105.58, 1%, 0.7%

LAB 90.72, -60.19, 61.89

 

CMYK 39 / 0 / 53 / 0

HEX #9BFF78

RGB 155 255 120

HSL 104.44, 1%, 0.74%

LAB 91.62, -53.18, 54.82

 

CMYK 33 / 0 / 45 / 0

HEX #ACFF8B

RGB 172 255 139

HSL 102.93, 1%, 0.77%

LAB 92.64, -45.58, 47.43

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 65 / 0 / 79 / 8

HEX #52EB31

RGB 82 235 49

HSL 109.35, 0.82%, 0.56%

LAB 82.61, -71.01, 71.57

 

CMYK 70 / 0 / 86 / 15

HEX #41D91E

RGB 65 217 30

HSL 108.77, 0.76%, 0.48%

LAB 76.58, -69.47, 70.59

 

CMYK 76 / 0 / 94 / 22

HEX #30C70B

RGB 48 199 11

HSL 108.19, 0.9%, 0.41%

LAB 70.52, -67.34, 68.37

 

CMYK 83 / 0 / 100 / 29

HEX #1FB500

RGB 31 181 0

HSL 109.72, 1%, 0.35%

LAB 64.43, -64.5, 64.59

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 41 / 0 / 73 / 1

HEX #95FD44

RGB 149 253 68

HSL 93.73, 0.98%, 0.63%

LAB 90.35, -58.67, 74.04

 

CMYK 22 / 0 / 73 / 1

HEX #C6FD44

RGB 198 253 68

HSL 77.84, 0.98%, 0.63%

LAB 92.87, -41.65, 77.35

 

CMYK 2 / 0 / 73 / 1

HEX #F8FD44

RGB 248 253 68

HSL 61.62, 0.98%, 0.63%

LAB 96.26, -22.07, 81.75

 

CMYK 0 / 18 / 73 / 1

HEX #FDCF44

RGB 253 207 68

HSL 45.08, 0.98%, 0.63%

LAB 84.96, 2.77, 71.17

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 73 / 0 / 66 / 1

HEX #44FD57

RGB 68 253 87

HSL 126.16, 0.98%, 0.63%

LAB 88.05, -76.22, 64.06

 

CMYK 73 / 0 / 46 / 1

HEX #44FD88

RGB 68 253 136

HSL 142.05, 0.98%, 0.63%

LAB 88.57, -70.04, 43

 

CMYK 73 / 0 / 26 / 1

HEX #44FDBA

RGB 68 253 186

HSL 158.27, 0.98%, 0.63%

LAB 89.4, -60.71, 19.15

 

CMYK 73 / 0 / 7 / 1

HEX #44FDEC

RGB 68 253 236

HSL 174.49, 0.98%, 0.63%

LAB 90.57, -48.71, -5.03

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 54 / 0 / 65 / 7

HEX #6DED53

RGB 109 237 83

HSL 109.87, 0.81%, 0.63%

LAB 84.2, -63.05, 61.76

 

CMYK 46 / 0 / 56 / 13

HEX #77DE62

RGB 119 222 98

HSL 109.84, 0.65%, 0.63%

LAB 80.21, -53.14, 50.92

 

CMYK 38 / 0 / 45 / 19

HEX #81CF71

RGB 129 207 113

HSL 109.79, 0.49%, 0.63%

LAB 76.37, -41.99, 39.19

 

CMYK 28 / 0 / 33 / 25

HEX #8BC081

RGB 139 192 129

HSL 110.48, 0.33%, 0.63%

LAB 72.74, -29.46, 26.36

 

CMYK 21 / 0 / 73 / 1

HEX #C8FD44

RGB 200 253 68

HSL 77.19, 0.98%, 0.63%

LAB 92.99, -40.9, 77.51

 

CMYK 40 / 0 / 73 / 1

HEX #97FD44

RGB 151 253 68

HSL 93.08, 0.98%, 0.63%

LAB 90.44, -58.04, 74.15

 

CMYK 60 / 0 / 73 / 1

HEX #66FD44

RGB 102 253 68

HSL 108.97, 0.98%, 0.63%

LAB 88.68, -71.44, 71.83

 

CMYK 73 / 0 / 67 / 1

HEX #44FD53

RGB 68 253 83

HSL 124.86, 0.98%, 0.63%

LAB 88.02, -76.59, 65.57

 

CMYK 73 / 0 / 48 / 1

HEX #44FD84

RGB 68 253 132

HSL 140.76, 0.98%, 0.63%

LAB 88.52, -70.65, 44.85

 

CMYK 83 / 0 / 99 / 7

HEX #29EC02

RGB 41 236 2

HSL 110, 0.98%, 0.47%

LAB 82.09, -78.93, 78.59

 

CMYK 74 / 0 / 89 / 1

HEX #41FC1B

RGB 65 252 27

HSL 109.87, 0.97%, 0.55%

LAB 87.4, -79.99, 80.43

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 47 / 0 / 57 / 1

HEX #85FD6D

RGB 133 253 109

HSL 110, 0.97%, 0.71%

LAB 90.02, -60.02, 57.61

 

CMYK 34 / 0 / 41 / 1

HEX #A7FD95

RGB 167 253 149

HSL 109.62, 0.96%, 0.79%

LAB 91.97, -45.01, 41.71

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 73 / 1 / 0 / 1

HEX #44FAFD

RGB 68 250 253

HSL 180.97, 0.98%, 0.63%

LAB 90.18, -42.79, -14.44

 

CMYK 0 / 73 / 30 / 1

HEX #FD44B0

RGB 253 68 176

HSL 324.97, 0.98%, 0.63%

LAB 60.03, 77.04, -16.62

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 73 / 60 / 0 / 1

HEX #4466FD

RGB 68 102 253

HSL 228.97, 0.98%, 0.63%

LAB 49.28, 38.4, -78.6

 

CMYK 0 / 73 / 60 / 1

HEX #FD4466

RGB 253 68 102

HSL 348.97, 0.98%, 0.63%

LAB 58.01, 70.59, 23.83

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 73 / 1 / 0 / 1

HEX #44FAFD

RGB 68 250 253

HSL 180.97, 0.98%, 0.63%

LAB 90.18, -42.79, -14.44

 

CMYK 13 / 73 / 0 / 1

HEX #DB44FD

RGB 219 68 253

HSL 288.97, 0.98%, 0.63%

LAB 58.31, 80.65, -63.27

 

CMYK 0 / 72 / 73 / 1

HEX #FD4744

RGB 253 71 68

HSL 0.97, 0.98%, 0.63%

LAB 57.85, 67.88, 43.08

 

CMYK 61 / 0 / 73 / 1

HEX #63FD44

RGB 99 253 68

HSL 109.95, 0.98%, 0.63%

LAB 88.6, -72.11, 71.72

 

CMYK 73 / 23 / 0 / 1

HEX #44C2FD

RGB 68 194 253

HSL 199.14, 0.98%, 0.63%

LAB 74.13, -15.66, -38.95

 

CMYK 13 / 73 / 0 / 1

HEX #DB44FD

RGB 219 68 253

HSL 288.97, 0.98%, 0.63%

LAB 58.31, 80.65, -63.27

 

CMYK 0 / 50 / 73 / 1

HEX #FD7E44

RGB 253 126 68

HSL 18.81, 0.98%, 0.63%

LAB 66.69, 44.53, 52.7

 

Description

Color code: HEX #63FD44 | qconv.com Color code: HEX #63FD44 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 253 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 253 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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