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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E2C3 it is the complementary color #9C1D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E2C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E2C3 shade: #68E2BE, #79F4D1, #8AFFE4, #9BFFF7 and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E2C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E2C3 shade: #63E2C3, #52D0B0, #41BE9D, #30AC8A and #1F9A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E2C3 shade: #63E2C3, #63E2A1, #63E27F, #6AE263 and #8CE263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E2C3 shade: #63E2C3, #63DFE2, #63BDE2, #639AE2 and #6378E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E2C3 shade matches the following richer shades: #63E2C3 and #55F1CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E2C3 shade: #63E2C3, #72D3BC, #81C4B4, #90B5AC and #9FA7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E2C3 shade: #63E27F, #63E2A1, #63E2C2, #63E0E2 and #63BEE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E2C3 shade: #25CEA4, #40DCB6, #63E2C3, #86E8D0 and #A9EFDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E2C3 shade: #63E2C3, #636AE2 and #E29063

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E2C3 shade: #63E2C3, #C263E2 and #E2C263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E2C3 shade: #63E2C3, #636AE2, #E26383 and #E2DC63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E2C3 shade: #63E2C3, #8363E2, #E26383 and #C2E263

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

Complementary color

CMYK 0 / 81 / 62 / 39

HEX #9C1D3C

RGB 156 29 60

HSL 345.35, 0.69%, 0.36%

LAB 34.54, 52.13, 15.13

 

CMYK 54 / 0 / 16 / 11

HEX #68E2BE

RGB 104 226 190

HSL 162.3, 0.68%, 0.65%

LAB 82.41, -42.73, 7.29

 

CMYK 50 / 0 / 14 / 4

HEX #79F4D1

RGB 121 244 209

HSL 162.93, 0.85%, 0.72%

LAB 88.62, -42.7, 6.34

 

CMYK 46 / 0 / 11 / 0

HEX #8AFFE4

RGB 138 255 228

HSL 166.15, 1%, 0.77%

LAB 92.81, -39.49, 2.61

 

CMYK 39 / 0 / 3 / 0

HEX #9BFFF7

RGB 155 255 247

HSL 175.2, 1%, 0.8%

LAB 93.97, -31.1, -5.42

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 61 / 0 / 15 / 18

HEX #52D0B0

RGB 82 208 176

HSL 164.76, 0.57%, 0.57%

LAB 76.09, -42.47, 5.57

 

CMYK 66 / 0 / 17 / 25

HEX #41BE9D

RGB 65 190 157

HSL 164.16, 0.49%, 0.5%

LAB 69.74, -42.2, 6.67

 

CMYK 72 / 0 / 20 / 33

HEX #30AC8A

RGB 48 172 138

HSL 163.55, 0.56%, 0.43%

LAB 63.32, -41.74, 7.88

 

CMYK 80 / 0 / 23 / 40

HEX #1F9A77

RGB 31 154 119

HSL 162.93, 0.66%, 0.36%

LAB 56.82, -40.98, 9.24

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 56 / 0 / 29 / 11

HEX #63E2A1

RGB 99 226 161

HSL 149.29, 0.69%, 0.64%

LAB 81.63, -49.99, 21.39

 

CMYK 56 / 0 / 44 / 11

HEX #63E27F

RGB 99 226 127

HSL 133.23, 0.69%, 0.64%

LAB 81.06, -56.02, 37.96

 

CMYK 53 / 0 / 56 / 11

HEX #6AE263

RGB 106 226 99

HSL 116.69, 0.69%, 0.64%

LAB 80.94, -58.12, 51.21

 

CMYK 38 / 0 / 56 / 11

HEX #8CE263

RGB 140 226 99

HSL 100.63, 0.69%, 0.64%

LAB 82.31, -48.23, 53.16

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 56 / 1 / 0 / 11

HEX #63DFE2

RGB 99 223 226

HSL 181.42, 0.69%, 0.64%

LAB 82.34, -33.41, -11.92

 

CMYK 56 / 16 / 0 / 11

HEX #63BDE2

RGB 99 189 226

HSL 197.48, 0.69%, 0.64%

LAB 72.59, -16.53, -26.67

 

CMYK 56 / 32 / 0 / 11

HEX #639AE2

RGB 99 154 226

HSL 214.02, 0.69%, 0.64%

LAB 62.72, 2.73, -41.98

 

CMYK 56 / 47 / 0 / 11

HEX #6378E2

RGB 99 120 226

HSL 230.08, 0.69%, 0.64%

LAB 53.57, 22.97, -56.49

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 65 / 0 / 16 / 5

HEX #55F1CB

RGB 85 241 203

HSL 165.38, 0.85%, 0.64%

LAB 86.58, -49.65, 6.39

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 46 / 0 / 11 / 17

HEX #72D3BC

RGB 114 211 188

HSL 165.77, 0.52%, 0.64%

LAB 78.34, -34.12, 2.53

 

CMYK 34 / 0 / 8 / 23

HEX #81C4B4

RGB 129 196 180

HSL 165.67, 0.36%, 0.64%

LAB 74.47, -24.78, 1.29

 

CMYK 20 / 0 / 5 / 29

HEX #90B5AC

RGB 144 181 172

HSL 165.41, 0.2%, 0.64%

LAB 70.84, -14.33, 0.46

 

CMYK 5 / 0 / 1 / 35

HEX #9FA7A5

RGB 159 167 165

HSL 165, 0.04%, 0.64%

LAB 67.82, -3.21, 0.04

 

CMYK 56 / 0 / 44 / 11

HEX #63E27F

RGB 99 226 127

HSL 133.23, 0.69%, 0.64%

LAB 81.06, -56.02, 37.96

 

CMYK 56 / 0 / 29 / 11

HEX #63E2A1

RGB 99 226 161

HSL 149.29, 0.69%, 0.64%

LAB 81.63, -49.99, 21.39

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C2

RGB 99 226 194

HSL 164.88, 0.69%, 0.64%

LAB 82.35, -42.83, 5.06

 

CMYK 56 / 1 / 0 / 11

HEX #63E0E2

RGB 99 224 226

HSL 180.94, 0.69%, 0.64%

LAB 82.62, -33.88, -11.49

 

CMYK 56 / 16 / 0 / 11

HEX #63BEE2

RGB 99 190 226

HSL 197.01, 0.69%, 0.64%

LAB 72.87, -17.05, -26.23

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA4

RGB 37 206 164

HSL 165.09, 0.7%, 0.48%

LAB 74.33, -50.68, 9.37

 

CMYK 71 / 0 / 17 / 14

HEX #40DCB6

RGB 64 220 182

HSL 165.38, 0.69%, 0.56%

LAB 79.42, -49.01, 7.09

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 42 / 0 / 10 / 9

HEX #86E8D0

RGB 134 232 208

HSL 165.31, 0.68%, 0.72%

LAB 85.67, -34.42, 2.66

 

CMYK 29 / 0 / 7 / 6

HEX #A9EFDE

RGB 169 239 222

HSL 165.43, 0.69%, 0.8%

LAB 89.6, -25.27, 1.23

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 56 / 53 / 0 / 11

HEX #636AE2

RGB 99 106 226

HSL 236.69, 0.69%, 0.64%

LAB 50.04, 31.5, -62.18

 

CMYK 0 / 36 / 56 / 11

HEX #E29063

RGB 226 144 99

HSL 21.26, 0.69%, 0.64%

LAB 67.29, 26.58, 36.65

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 14 / 56 / 0 / 11

HEX #C263E2

RGB 194 99 226

HSL 284.88, 0.69%, 0.64%

LAB 57.93, 57.41, -49.03

 

CMYK 0 / 14 / 56 / 11

HEX #E2C263

RGB 226 194 99

HSL 44.88, 0.69%, 0.64%

LAB 79.42, 0.03, 51.28

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 56 / 53 / 0 / 11

HEX #636AE2

RGB 99 106 226

HSL 236.69, 0.69%, 0.64%

LAB 50.04, 31.5, -62.18

 

CMYK 0 / 56 / 42 / 11

HEX #E26383

RGB 226 99 131

HSL 344.88, 0.69%, 0.64%

LAB 58.72, 52.36, 7.14

 

CMYK 0 / 3 / 56 / 11

HEX #E2DC63

RGB 226 220 99

HSL 57.17, 0.69%, 0.64%

LAB 86.13, -13.21, 58.99

 

CMYK 56 / 0 / 14 / 11

HEX #63E2C3

RGB 99 226 195

HSL 165.35, 0.69%, 0.64%

LAB 82.37, -42.59, 4.57

 

CMYK 42 / 56 / 0 / 11

HEX #8363E2

RGB 131 99 226

HSL 255.12, 0.69%, 0.64%

LAB 50.97, 42.25, -60.55

 

CMYK 0 / 56 / 42 / 11

HEX #E26383

RGB 226 99 131

HSL 344.88, 0.69%, 0.64%

LAB 58.72, 52.36, 7.14

 

CMYK 14 / 0 / 56 / 11

HEX #C2E263

RGB 194 226 99

HSL 75.12, 0.69%, 0.64%

LAB 85.38, -28.86, 57.5

 

Description

Color code: HEX #63E2C3 | qconv.com Color code: HEX #63E2C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 226 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 226 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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