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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E8A0 it is the complementary color #9C175F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E8A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E8A0 shade: #68E89B, #79FAAE, #8AFFC1, #9BFFD4 and #ACFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E8A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E8A0 shade: #63E8A0, #52D68D, #41C47A, #30B267 and #1FA054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E8A0 shade: #63E7A0, #63E77C, #6EE763, #91E763 and #B5E763

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E8A0 shade: #63E7A0, #63E7C3, #63E7E7, #63C4E7 and #63A0E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E8A0 shade matches the following richer shades: #63E7A0 and #55F69F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E8A0 shade: #63E7A0, #72D9A1, #80CAA2, #8FBCA3 and #9DAEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E8A0 shade: #6EE763, #63E77B, #63E79F, #63E7C2 and #63E7E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E8A0 shade: #20D874, #3FE28A, #63E7A0, #87EDB6 and #ABF2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E8A0 shade: #63E8A0, #6391E7 and #E76A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E8A0 shade: #63E8A0, #9F63E7 and #E79F63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E8A0 shade: #63E8A0, #6391E7, #E763AC and #E7B963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E8A0 shade: #63E8A0, #636AE7, #E763AC and #E7E163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

Complementary color

CMYK 0 / 85 / 39 / 39

HEX #9C175F

RGB 156 23 95

HSL 327.52, 0.74%, 0.35%

LAB 35.02, 56.65, -6.91

 

CMYK 55 / 0 / 33 / 9

HEX #68E89B

RGB 104 232 155

HSL 143.91, 0.74%, 0.66%

LAB 83.45, -52.49, 27

 

CMYK 52 / 0 / 30 / 2

HEX #79FAAE

RGB 121 250 174

HSL 144.65, 0.93%, 0.73%

LAB 89.62, -52.42, 25.78

 

CMYK 46 / 0 / 24 / 0

HEX #8AFFC1

RGB 138 255 193

HSL 148.21, 1%, 0.77%

LAB 92.03, -46.82, 19.52

 

CMYK 39 / 0 / 17 / 0

HEX #9BFFD4

RGB 155 255 212

HSL 154.2, 1%, 0.8%

LAB 93.12, -38.68, 11.41

 

CMYK 33 / 0 / 9 / 0

HEX #ACFFE7

RGB 172 255 231

HSL 162.65, 1%, 0.84%

LAB 94.34, -30.17, 3.47

 

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

CMYK 62 / 0 / 34 / 16

HEX #52D68D

RGB 82 214 141

HSL 146.82, 0.62%, 0.58%

LAB 77.17, -52.54, 25.62

 

CMYK 67 / 0 / 38 / 23

HEX #41C47A

RGB 65 196 122

HSL 146.11, 0.53%, 0.51%

LAB 70.88, -52.27, 27.03

 

CMYK 73 / 0 / 42 / 30

HEX #30B267

RGB 48 178 103

HSL 145.38, 0.58%, 0.44%

LAB 64.52, -51.74, 28.55

 

CMYK 81 / 0 / 48 / 37

HEX #1FA054

RGB 31 160 84

HSL 144.65, 0.68%, 0.37%

LAB 58.11, -50.82, 30.2

 

CMYK 57 / 0 / 31 / 9

HEX #63E7A0

RGB 99 231 160

HSL 147.73, 0.73%, 0.65%

LAB 83.1, -52.23, 23.92

 

CMYK 57 / 0 / 46 / 9

HEX #63E77C

RGB 99 231 124

HSL 131.36, 0.73%, 0.65%

LAB 82.52, -58.39, 41.29

 

CMYK 52 / 0 / 57 / 9

HEX #6EE763

RGB 110 231 99

HSL 115, 0.73%, 0.65%

LAB 82.58, -58.97, 53.16

 

CMYK 37 / 0 / 57 / 9

HEX #91E763

RGB 145 231 99

HSL 99.09, 0.73%, 0.65%

LAB 84, -48.69, 55.18

 

CMYK 22 / 0 / 57 / 9

HEX #B5E763

RGB 181 231 99

HSL 82.73, 0.73%, 0.65%

LAB 85.94, -36.1, 57.92

 

CMYK 57 / 0 / 31 / 9

HEX #63E7A0

RGB 99 231 160

HSL 147.73, 0.73%, 0.65%

LAB 83.1, -52.23, 23.92

 

CMYK 57 / 0 / 16 / 9

HEX #63E7C3

RGB 99 231 195

HSL 163.64, 0.73%, 0.65%

LAB 83.83, -44.78, 6.68

 

CMYK 57 / 0 / 0 / 9

HEX #63E7E7

RGB 99 231 231

HSL 180, 0.73%, 0.65%

LAB 84.78, -35.82, -10.92

 

CMYK 57 / 15 / 0 / 9

HEX #63C4E7

RGB 99 196 231

HSL 195.91, 0.73%, 0.65%

LAB 74.76, -18.69, -26.05

 

CMYK 57 / 31 / 0 / 9

HEX #63A0E7

RGB 99 160 231

HSL 212.27, 0.73%, 0.65%

LAB 64.61, 0.86, -41.77

 

CMYK 57 / 0 / 31 / 9

HEX #63E7A0

RGB 99 231 160

HSL 147.73, 0.73%, 0.65%

LAB 83.1, -52.23, 23.92

 

CMYK 65 / 0 / 35 / 4

HEX #55F69F

RGB 85 246 159

HSL 147.58, 0.9%, 0.65%

LAB 87.17, -60.96, 29.88

 

CMYK 57 / 0 / 31 / 9

HEX #63E7A0

RGB 99 231 160

HSL 147.73, 0.73%, 0.65%

LAB 83.1, -52.23, 23.92

 

CMYK 47 / 0 / 26 / 15

HEX #72D9A1

RGB 114 217 161

HSL 147.38, 0.58%, 0.65%

LAB 79.49, -42.64, 18.5

 

CMYK 37 / 0 / 20 / 21

HEX #80CAA2

RGB 128 202 162

HSL 147.57, 0.41%, 0.65%

LAB 75.72, -31.78, 12.79

 

CMYK 24 / 0 / 13 / 26

HEX #8FBCA3

RGB 143 188 163

HSL 146.67, 0.25%, 0.65%

LAB 72.53, -20.09, 7.82

 

CMYK 10 / 0 / 5 / 32

HEX #9DAEA5

RGB 157 174 165

HSL 148.24, 0.09%, 0.65%

LAB 69.58, -7.68, 2.59

 

CMYK 52 / 0 / 57 / 9

HEX #6EE763

RGB 110 231 99

HSL 115, 0.73%, 0.65%

LAB 82.58, -58.97, 53.16

 

CMYK 57 / 0 / 47 / 9

HEX #63E77B

RGB 99 231 123

HSL 130.91, 0.73%, 0.65%

LAB 82.5, -58.53, 41.76

 

CMYK 57 / 0 / 31 / 9

HEX #63E79F

RGB 99 231 159

HSL 147.27, 0.73%, 0.65%

LAB 83.08, -52.42, 24.41

 

CMYK 57 / 0 / 16 / 9

HEX #63E7C2

RGB 99 231 194

HSL 163.18, 0.73%, 0.65%

LAB 83.81, -45.01, 7.17

 

CMYK 57 / 0 / 1 / 9

HEX #63E7E5

RGB 99 231 229

HSL 179.09, 0.73%, 0.65%

LAB 84.72, -36.35, -9.95

 

CMYK 85 / 0 / 46 / 15

HEX #20D874

RGB 32 216 116

HSL 147.39, 0.74%, 0.49%

LAB 76.48, -64.75, 37.29

 

CMYK 72 / 0 / 39 / 11

HEX #3FE28A

RGB 63 226 138

HSL 147.61, 0.74%, 0.57%

LAB 80.34, -60.9, 31.33

 

CMYK 57 / 0 / 31 / 9

HEX #63E7A0

RGB 99 231 160

HSL 147.73, 0.73%, 0.65%

LAB 83.1, -52.23, 23.92

 

CMYK 43 / 0 / 23 / 7

HEX #87EDB6

RGB 135 237 182

HSL 147.65, 0.74%, 0.73%

LAB 86.55, -41.88, 17.51

 

CMYK 29 / 0 / 16 / 5

HEX #ABF2CC

RGB 171 242 204

HSL 147.89, 0.73%, 0.81%

LAB 90.1, -29.74, 11.34

 

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

CMYK 57 / 37 / 0 / 9

HEX #6391E7

RGB 99 145 231

HSL 219.09, 0.73%, 0.65%

LAB 60.49, 9.57, -48.26

 

CMYK 0 / 54 / 57 / 9

HEX #E76A63

RGB 231 106 99

HSL 3.18, 0.73%, 0.65%

LAB 60.07, 47.94, 27.58

 

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

CMYK 31 / 57 / 0 / 9

HEX #9F63E7

RGB 159 99 231

HSL 267.27, 0.73%, 0.65%

LAB 54.09, 49.94, -58.19

 

CMYK 0 / 31 / 57 / 9

HEX #E79F63

RGB 231 159 99

HSL 27.27, 0.73%, 0.65%

LAB 71.34, 20.61, 41.78

 

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

CMYK 57 / 37 / 0 / 9

HEX #6391E7

RGB 99 145 231

HSL 219.09, 0.73%, 0.65%

LAB 60.49, 9.57, -48.26

 

CMYK 0 / 57 / 26 / 9

HEX #E763AC

RGB 231 99 172

HSL 326.82, 0.73%, 0.65%

LAB 60.69, 58.76, -13.65

 

CMYK 0 / 20 / 57 / 9

HEX #E7B963

RGB 231 185 99

HSL 39.09, 0.73%, 0.65%

LAB 77.63, 6.81, 49.31

 

CMYK 57 / 0 / 31 / 9

HEX #63E8A0

RGB 99 232 160

HSL 147.52, 0.74%, 0.65%

LAB 83.39, -52.64, 24.32

 

CMYK 57 / 54 / 0 / 9

HEX #636AE7

RGB 99 106 231

HSL 236.82, 0.73%, 0.65%

LAB 50.37, 33.1, -64.46

 

CMYK 0 / 57 / 26 / 9

HEX #E763AC

RGB 231 99 172

HSL 326.82, 0.73%, 0.65%

LAB 60.69, 58.76, -13.65

 

CMYK 0 / 3 / 57 / 9

HEX #E7E163

RGB 231 225 99

HSL 57.27, 0.73%, 0.65%

LAB 87.84, -13.66, 61.01

 

Description

Color code: HEX #63E8A0 | qconv.com Color code: HEX #63E8A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 232 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 232 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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