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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63DF58 it is the complementary color #9C20A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63DF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63DF58 shade: #68DF53, #79F166, #8AFF79, #9BFF8C and #ACFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63DF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63DF58 shade: #63DF58, #52CD45, #41BB32, #30A91F and #1F970C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63DF58 shade: #62DF57, #87DF57, #ABDF57, #D0DF57 and #DFC957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63DF58 shade: #62DF57, #57DF71, #57DF95, #57DFBA and #57DFDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63DF58 shade matches the following richer shades: #62DF57 and #55EF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63DF58 shade: #62DF57, #70CF68, #7DBE78, #8BAE88 and #989E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63DF58 shade: #ABDF57, #87DF57, #63DF57, #57DF70 and #57DF94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63DF58 shade: #31C024, #42D835, #62DF57, #83E57A and #A3EC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63DF58 shade: #63DF58, #57CFDF and #DF5799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63DF58 shade: #63DF58, #5763DF and #DF5763

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63DF58 shade: #63DF58, #57CFDF, #D357DF and #DF6757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63DF58 shade: #63DF58, #57A6DF, #D357DF and #DF9057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

Complementary color

CMYK 7 / 81 / 0 / 35

HEX #9C20A7

RGB 156 32 167

HSL 295.11, 0.68%, 0.39%

LAB 39.4, 64.46, -44.74

 

CMYK 53 / 0 / 63 / 13

HEX #68DF53

RGB 104 223 83

HSL 111, 0.69%, 0.6%

LAB 79.81, -59.23, 56.89

 

CMYK 50 / 0 / 58 / 5

HEX #79F166

RGB 121 241 102

HSL 111.8, 0.83%, 0.67%

LAB 85.97, -59.5, 55.88

 

CMYK 46 / 0 / 53 / 0

HEX #8AFF79

RGB 138 255 121

HSL 112.39, 1%, 0.74%

LAB 90.92, -58.06, 53.36

 

CMYK 39 / 0 / 45 / 0

HEX #9BFF8C

RGB 155 255 140

HSL 112.17, 1%, 0.77%

LAB 91.86, -50.75, 45.79

 

CMYK 33 / 0 / 38 / 0

HEX #ACFF9F

RGB 172 255 159

HSL 111.88, 1%, 0.81%

LAB 92.92, -42.9, 38.09

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 60 / 0 / 66 / 20

HEX #52CD45

RGB 82 205 69

HSL 114.26, 0.58%, 0.54%

LAB 73.47, -59.48, 55.54

 

CMYK 65 / 0 / 73 / 27

HEX #41BB32

RGB 65 187 50

HSL 113.43, 0.58%, 0.46%

LAB 67.2, -58.63, 56.14

 

CMYK 72 / 0 / 82 / 34

HEX #30A91F

RGB 48 169 31

HSL 112.61, 0.69%, 0.39%

LAB 60.87, -57.27, 56.06

 

CMYK 79 / 0 / 92 / 41

HEX #1F970C

RGB 31 151 12

HSL 111.8, 0.85%, 0.32%

LAB 54.5, -55.18, 54.71

 

CMYK 56 / 0 / 61 / 13

HEX #62DF57

RGB 98 223 87

HSL 115.15, 0.68%, 0.61%

LAB 79.65, -60.34, 54.96

 

CMYK 39 / 0 / 61 / 13

HEX #87DF57

RGB 135 223 87

HSL 98.82, 0.68%, 0.61%

LAB 81.08, -49.78, 56.96

 

CMYK 23 / 0 / 61 / 13

HEX #ABDF57

RGB 171 223 87

HSL 82.94, 0.68%, 0.61%

LAB 82.98, -37.21, 59.6

 

CMYK 7 / 0 / 61 / 13

HEX #D0DF57

RGB 208 223 87

HSL 66.62, 0.68%, 0.61%

LAB 85.44, -22.82, 62.99

 

CMYK 0 / 10 / 61 / 13

HEX #DFC957

RGB 223 201 87

HSL 50.29, 0.68%, 0.61%

LAB 80.82, -5.69, 58.31

 

CMYK 56 / 0 / 61 / 13

HEX #62DF57

RGB 98 223 87

HSL 115.15, 0.68%, 0.61%

LAB 79.65, -60.34, 54.96

 

CMYK 61 / 0 / 49 / 13

HEX #57DF71

RGB 87 223 113

HSL 131.47, 0.68%, 0.61%

LAB 79.61, -59.63, 42.91

 

CMYK 61 / 0 / 33 / 13

HEX #57DF95

RGB 87 223 149

HSL 147.35, 0.68%, 0.61%

LAB 80.16, -53.6, 25.55

 

CMYK 61 / 0 / 17 / 13

HEX #57DFBA

RGB 87 223 186

HSL 163.68, 0.68%, 0.61%

LAB 80.93, -45.69, 7.22

 

CMYK 61 / 0 / 0 / 13

HEX #57DFDE

RGB 87 223 222

HSL 179.56, 0.68%, 0.61%

LAB 81.88, -36.57, -10.51

 

CMYK 56 / 0 / 61 / 13

HEX #62DF57

RGB 98 223 87

HSL 115.15, 0.68%, 0.61%

LAB 79.65, -60.34, 54.96

 

CMYK 64 / 0 / 70 / 6

HEX #55EF47

RGB 85 239 71

HSL 115, 0.84%, 0.61%

LAB 84.03, -70.23, 65.93

 

CMYK 56 / 0 / 61 / 13

HEX #62DF57

RGB 98 223 87

HSL 115.15, 0.68%, 0.61%

LAB 79.65, -60.34, 54.96

 

CMYK 46 / 0 / 50 / 19

HEX #70CF68

RGB 112 207 104

HSL 115.34, 0.52%, 0.61%

LAB 75.49, -48.38, 42.36

 

CMYK 34 / 0 / 37 / 25

HEX #7DBE78

RGB 125 190 120

HSL 115.71, 0.35%, 0.61%

LAB 71.24, -34.63, 28.96

 

CMYK 20 / 0 / 22 / 32

HEX #8BAE88

RGB 139 174 136

HSL 115.26, 0.19%, 0.61%

LAB 67.68, -19.4, 15.68

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 23 / 0 / 61 / 13

HEX #ABDF57

RGB 171 223 87

HSL 82.94, 0.68%, 0.61%

LAB 82.98, -37.21, 59.6

 

CMYK 39 / 0 / 61 / 13

HEX #87DF57

RGB 135 223 87

HSL 98.82, 0.68%, 0.61%

LAB 81.08, -49.78, 56.96

 

CMYK 56 / 0 / 61 / 13

HEX #63DF57

RGB 99 223 87

HSL 114.71, 0.68%, 0.61%

LAB 79.68, -60.09, 55.01

 

CMYK 61 / 0 / 50 / 13

HEX #57DF70

RGB 87 223 112

HSL 131.03, 0.68%, 0.61%

LAB 79.6, -59.78, 43.37

 

CMYK 61 / 0 / 34 / 13

HEX #57DF94

RGB 87 223 148

HSL 146.91, 0.68%, 0.61%

LAB 80.15, -53.79, 26.04

 

CMYK 74 / 0 / 81 / 25

HEX #31C024

RGB 49 192 36

HSL 115, 0.68%, 0.45%

LAB 68.37, -64.14, 61.64

 

CMYK 69 / 0 / 75 / 15

HEX #42D835

RGB 66 216 53

HSL 115.21, 0.68%, 0.53%

LAB 76.39, -67.76, 64.28

 

CMYK 56 / 0 / 61 / 13

HEX #62DF57

RGB 98 223 87

HSL 115.15, 0.68%, 0.61%

LAB 79.65, -60.34, 54.96

 

CMYK 43 / 0 / 47 / 10

HEX #83E57A

RGB 131 229 122

HSL 114.95, 0.67%, 0.69%

LAB 83.06, -49.51, 43.19

 

CMYK 31 / 0 / 33 / 7

HEX #A3EC9D

RGB 163 236 157

HSL 115.44, 0.68%, 0.77%

LAB 87.1, -37.61, 31.31

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 61 / 7 / 0 / 13

HEX #57CFDF

RGB 87 207 223

HSL 187.06, 0.68%, 0.61%

LAB 77.27, -28.7, -17.96

 

CMYK 0 / 61 / 31 / 13

HEX #DF5799

RGB 223 87 153

HSL 330.88, 0.68%, 0.61%

LAB 56.88, 59.25, -8.46

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 61 / 56 / 0 / 13

HEX #5763DF

RGB 87 99 223

HSL 234.71, 0.68%, 0.61%

LAB 47.34, 32.64, -64.89

 

CMYK 0 / 61 / 56 / 13

HEX #DF5763

RGB 223 87 99

HSL 354.71, 0.68%, 0.61%

LAB 55.49, 53.94, 21.31

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 61 / 7 / 0 / 13

HEX #57CFDF

RGB 87 207 223

HSL 187.06, 0.68%, 0.61%

LAB 77.27, -28.7, -17.96

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 54 / 61 / 13

HEX #DF6757

RGB 223 103 87

HSL 7.06, 0.68%, 0.61%

LAB 58.11, 45.65, 31.62

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 61 / 26 / 0 / 13

HEX #57A6DF

RGB 87 166 223

HSL 205.15, 0.68%, 0.61%

LAB 65.46, -7.36, -36.08

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 35 / 61 / 13

HEX #DF9057

RGB 223 144 87

HSL 25.15, 0.68%, 0.61%

LAB 66.77, 24.47, 42.22

 

Description

Color code: HEX #63DF58 | qconv.com Color code: HEX #63DF58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 223 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 223 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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