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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63DDA7 it is the complementary color #9C2258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63DDA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63DDA7 shade: #68DDA2, #79EFB5, #8AFFC8, #9BFFDB and #ACFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63DDA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63DDA7 shade: #63DDA7, #52CB94, #41B981, #30A76E and #1F955B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63DDA7 shade: #64DDA7, #64DD87, #64DD66, #82DD64 and #A3DD64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63DDA7 shade: #64DDA7, #64DDC8, #64D1DD, #64B0DD and #6490DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63DDA7 shade matches the following richer shades: #64DDA7, #55ECA9 and #45FBAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63DDA7 shade: #64DDA7, #73CDA5, #82BEA4, #92AFA2 and #A19FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63DDA7 shade: #64DD66, #64DD86, #64DDA6, #64DDC6 and #64D2DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63DDA7 shade: #2AC380, #42D594, #64DDA7, #86E4BA and #A7EBCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63DDA7 shade: #63DDA7, #6482DD and #DD7664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63DDA7 shade: #63DDA7, #A664DD and #DDA664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63DDA7 shade: #63DDA7, #6482DD, #DD649A and #DDBE64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63DDA7 shade: #63DDA7, #6A64DD, #DD649A and #D6DD64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

Complementary color

CMYK 0 / 78 / 44 / 39

HEX #9C2258

RGB 156 34 88

HSL 333.44, 0.64%, 0.37%

LAB 35.82, 52.95, -1.21

 

CMYK 53 / 0 / 27 / 13

HEX #68DDA2

RGB 104 221 162

HSL 149.74, 0.63%, 0.64%

LAB 80.33, -46.58, 19.09

 

CMYK 49 / 0 / 24 / 6

HEX #79EFB5

RGB 121 239 181

HSL 150.51, 0.79%, 0.71%

LAB 86.57, -46.47, 17.97

 

CMYK 46 / 0 / 22 / 0

HEX #8AFFC8

RGB 138 255 200

HSL 151.79, 1%, 0.77%

LAB 92.17, -45.44, 16.13

 

CMYK 39 / 0 / 14 / 0

HEX #9BFFDB

RGB 155 255 219

HSL 158.4, 1%, 0.8%

LAB 93.28, -37.24, 8.03

 

CMYK 33 / 0 / 7 / 0

HEX #ACFFEE

RGB 172 255 238

HSL 167.71, 1%, 0.84%

LAB 94.51, -28.7, 0.11

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

CMYK 60 / 0 / 27 / 20

HEX #52CB94

RGB 82 203 148

HSL 152.73, 0.54%, 0.56%

LAB 73.96, -46.65, 17.54

 

CMYK 65 / 0 / 30 / 27

HEX #41B981

RGB 65 185 129

HSL 152, 0.48%, 0.49%

LAB 67.58, -46.48, 18.84

 

CMYK 71 / 0 / 34 / 35

HEX #30A76E

RGB 48 167 110

HSL 151.26, 0.55%, 0.42%

LAB 61.13, -46.09, 20.27

 

CMYK 79 / 0 / 39 / 42

HEX #1F955B

RGB 31 149 91

HSL 150.51, 0.66%, 0.35%

LAB 54.6, -45.36, 21.86

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA7

RGB 100 221 167

HSL 153.22, 0.64%, 0.63%

LAB 80.3, -46.46, 16.4

 

CMYK 55 / 0 / 39 / 13

HEX #64DD87

RGB 100 221 135

HSL 137.36, 0.64%, 0.63%

LAB 79.71, -52.52, 32.2

 

CMYK 55 / 0 / 54 / 13

HEX #64DD66

RGB 100 221 102

HSL 120.99, 0.64%, 0.63%

LAB 79.26, -57.38, 47.79

 

CMYK 41 / 0 / 55 / 13

HEX #82DD64

RGB 130 221 100

HSL 105.12, 0.64%, 0.63%

LAB 80.39, -49.21, 50.34

 

CMYK 26 / 0 / 55 / 13

HEX #A3DD64

RGB 163 221 100

HSL 88.76, 0.64%, 0.63%

LAB 82.07, -38.09, 52.73

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA7

RGB 100 221 167

HSL 153.22, 0.64%, 0.63%

LAB 80.3, -46.46, 16.4

 

CMYK 55 / 0 / 10 / 13

HEX #64DDC8

RGB 100 221 200

HSL 169.59, 0.64%, 0.63%

LAB 81.07, -38.96, 0.03

 

CMYK 55 / 5 / 0 / 13

HEX #64D1DD

RGB 100 209 221

HSL 185.95, 0.64%, 0.63%

LAB 78.19, -27.86, -15.46

 

CMYK 55 / 20 / 0 / 13

HEX #64B0DD

RGB 100 176 221

HSL 202.31, 0.64%, 0.63%

LAB 68.74, -10.9, -29.86

 

CMYK 55 / 35 / 0 / 13

HEX #6490DD

RGB 100 144 221

HSL 218.18, 0.64%, 0.63%

LAB 59.78, 7.17, -43.83

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA7

RGB 100 221 167

HSL 153.22, 0.64%, 0.63%

LAB 80.3, -46.46, 16.4

 

CMYK 64 / 0 / 28 / 7

HEX #55ECA9

RGB 85 236 169

HSL 153.38, 0.8%, 0.63%

LAB 84.37, -55.15, 20.96

 

CMYK 73 / 0 / 32 / 2

HEX #45FBAB

RGB 69 251 171

HSL 153.63, 0.96%, 0.63%

LAB 88.54, -62.94, 25.62

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA7

RGB 100 221 167

HSL 153.22, 0.64%, 0.63%

LAB 80.3, -46.46, 16.4

 

CMYK 44 / 0 / 20 / 20

HEX #73CDA5

RGB 115 205 165

HSL 153.33, 0.47%, 0.63%

LAB 76.08, -36.18, 11.61

 

CMYK 32 / 0 / 14 / 25

HEX #82BEA4

RGB 130 190 164

HSL 154, 0.32%, 0.63%

LAB 72.4, -24.98, 6.99

 

CMYK 17 / 0 / 7 / 31

HEX #92AFA2

RGB 146 175 162

HSL 153.1, 0.15%, 0.63%

LAB 69.03, -12.58, 3.35

 

CMYK 0 / 1 / 1 / 37

HEX #A19FA0

RGB 161 159 160

HSL 330, 0.01%, 0.63%

LAB 65.68, 0.91, -0.27

 

CMYK 55 / 0 / 54 / 13

HEX #64DD66

RGB 100 221 102

HSL 120.99, 0.64%, 0.63%

LAB 79.26, -57.38, 47.79

 

CMYK 55 / 0 / 39 / 13

HEX #64DD86

RGB 100 221 134

HSL 136.86, 0.64%, 0.63%

LAB 79.7, -52.69, 32.68

 

CMYK 55 / 0 / 25 / 13

HEX #64DDA6

RGB 100 221 166

HSL 152.73, 0.64%, 0.63%

LAB 80.28, -46.67, 16.9

 

CMYK 55 / 0 / 10 / 13

HEX #64DDC6

RGB 100 221 198

HSL 168.6, 0.64%, 0.63%

LAB 81.02, -39.45, 1.02

 

CMYK 55 / 5 / 0 / 13

HEX #64D2DD

RGB 100 210 221

HSL 185.45, 0.64%, 0.63%

LAB 78.48, -28.35, -15.03

 

CMYK 78 / 0 / 34 / 24

HEX #2AC380

RGB 42 195 128

HSL 153.73, 0.65%, 0.46%

LAB 70.23, -54.06, 22.92

 

CMYK 69 / 0 / 31 / 16

HEX #42D594

RGB 66 213 148

HSL 153.47, 0.64%, 0.55%

LAB 76.61, -53.58, 21.14

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA7

RGB 100 221 167

HSL 153.22, 0.64%, 0.63%

LAB 80.3, -46.46, 16.4

 

CMYK 41 / 0 / 18 / 11

HEX #86E4BA

RGB 134 228 186

HSL 153.19, 0.64%, 0.71%

LAB 84.02, -37.31, 11.84

 

CMYK 29 / 0 / 13 / 8

HEX #A7EBCD

RGB 167 235 205

HSL 153.53, 0.63%, 0.79%

LAB 87.99, -27.41, 7.77

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 0 / 47 / 55 / 13

HEX #DD7664

RGB 221 118 100

HSL 8.93, 0.64%, 0.63%

LAB 61, 38.36, 27.96

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

CMYK 25 / 55 / 0 / 13

HEX #A664DD

RGB 166 100 221

HSL 272.73, 0.64%, 0.63%

LAB 54.49, 48.76, -51.88

 

CMYK 0 / 25 / 55 / 13

HEX #DDA664

RGB 221 166 100

HSL 32.73, 0.64%, 0.63%

LAB 71.94, 12.83, 41.74

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 0 / 55 / 30 / 13

HEX #DD649A

RGB 221 100 154

HSL 333.22, 0.64%, 0.63%

LAB 58.81, 52.9, -6.21

 

CMYK 0 / 14 / 55 / 13

HEX #DDBE64

RGB 221 190 100

HSL 44.63, 0.64%, 0.63%

LAB 77.95, 0.12, 48.96

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA7

RGB 99 221 167

HSL 153.44, 0.64%, 0.63%

LAB 80.27, -46.68, 16.35

 

CMYK 52 / 55 / 0 / 13

HEX #6A64DD

RGB 106 100 221

HSL 242.98, 0.64%, 0.63%

LAB 48.76, 34.92, -61.39

 

CMYK 0 / 55 / 30 / 13

HEX #DD649A

RGB 221 100 154

HSL 333.22, 0.64%, 0.63%

LAB 58.81, 52.9, -6.21

 

CMYK 3 / 0 / 55 / 13

HEX #D6DD64

RGB 214 221 100

HSL 63.47, 0.64%, 0.63%

LAB 85.47, -18.48, 57.53

 

Description

Color code: HEX #63DDA7 | qconv.com Color code: HEX #63DDA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 221 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 221 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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