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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63DD59 it is the complementary color #9C22A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63DD59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63DD59 shade: #68DD54, #79EF67, #8AFF7A, #9BFF8D and #ACFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63DD59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63DD59 shade: #63DD59, #52CB46, #41B933, #30A720 and #1F950D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63DD59 shade: #63DD59, #87DD59, #AADD59, #CEDD59 and #DDC859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63DD59 shade: #63DD59, #59DD73, #59DD96, #59DDBA and #59DCDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63DD59 shade matches the following richer shades: #63DD59, #56ED49 and #48FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63DD59 shade: #63DD59, #71CD6A, #7FBD7A, #8CAC8A and #9A9C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63DD59 shade: #AADD59, #87DD59, #64DD59, #59DD71 and #59DD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63DD59 shade: #32BD26, #43D637, #63DD59, #84E47C and #A4EB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63DD59 shade: #63DD59, #59CDDD and #DD5999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63DD59 shade: #63DD59, #5964DD and #DD5964

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63DD59 shade: #63DD59, #59CDDD, #D259DD and #DD6959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63DD59 shade: #63DD59, #59A6DD, #D259DD and #DD9059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

Complementary color

CMYK 6 / 80 / 0 / 35

HEX #9C22A6

RGB 156 34 166

HSL 295.45, 0.66%, 0.39%

LAB 39.52, 63.74, -43.94

 

CMYK 53 / 0 / 62 / 13

HEX #68DD54

RGB 104 221 84

HSL 111.24, 0.67%, 0.6%

LAB 79.21, -58.39, 55.81

 

CMYK 49 / 0 / 57 / 6

HEX #79EF67

RGB 121 239 103

HSL 112.06, 0.81%, 0.67%

LAB 85.39, -58.63, 54.76

 

CMYK 46 / 0 / 52 / 0

HEX #8AFF7A

RGB 138 255 122

HSL 112.78, 1%, 0.74%

LAB 90.93, -57.94, 52.92

 

CMYK 39 / 0 / 45 / 0

HEX #9BFF8D

RGB 155 255 141

HSL 112.63, 1%, 0.78%

LAB 91.87, -50.62, 45.33

 

CMYK 33 / 0 / 37 / 0

HEX #ACFFA0

RGB 172 255 160

HSL 112.42, 1%, 0.81%

LAB 92.94, -42.76, 37.62

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 0 / 66 / 20

HEX #52CB46

RGB 82 203 70

HSL 114.59, 0.56%, 0.54%

LAB 72.86, -58.68, 54.46

 

CMYK 65 / 0 / 72 / 27

HEX #41B933

RGB 65 185 51

HSL 113.73, 0.57%, 0.46%

LAB 66.57, -57.87, 55.13

 

CMYK 71 / 0 / 81 / 35

HEX #30A720

RGB 48 167 32

HSL 112.89, 0.68%, 0.39%

LAB 60.22, -56.56, 55.16

 

CMYK 79 / 0 / 91 / 42

HEX #1F950D

RGB 31 149 13

HSL 112.06, 0.84%, 0.32%

LAB 53.83, -54.52, 53.96

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 39 / 0 / 60 / 13

HEX #87DD59

RGB 135 221 89

HSL 99.09, 0.66%, 0.61%

LAB 80.51, -48.77, 55.46

 

CMYK 23 / 0 / 60 / 13

HEX #AADD59

RGB 170 221 89

HSL 83.18, 0.66%, 0.61%

LAB 82.37, -36.52, 58.05

 

CMYK 7 / 0 / 60 / 13

HEX #CEDD59

RGB 206 221 89

HSL 66.82, 0.66%, 0.61%

LAB 84.77, -22.51, 61.38

 

CMYK 0 / 10 / 60 / 13

HEX #DDC859

RGB 221 200 89

HSL 50.45, 0.66%, 0.61%

LAB 80.41, -5.88, 56.91

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 0 / 48 / 13

HEX #59DD73

RGB 89 221 115

HSL 131.82, 0.66%, 0.61%

LAB 79.08, -58.17, 41.3

 

CMYK 60 / 0 / 32 / 13

HEX #59DD96

RGB 89 221 150

HSL 147.73, 0.66%, 0.61%

LAB 79.64, -52.21, 24.32

 

CMYK 60 / 0 / 16 / 13

HEX #59DDBA

RGB 89 221 186

HSL 164.09, 0.66%, 0.61%

LAB 80.39, -44.46, 6.45

 

CMYK 60 / 0 / 0 / 13

HEX #59DCDD

RGB 89 220 221

HSL 180.45, 0.66%, 0.61%

LAB 81.03, -35.11, -11.23

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 64 / 0 / 69 / 7

HEX #56ED49

RGB 86 237 73

HSL 115.24, 0.82%, 0.61%

LAB 83.46, -69.21, 64.62

 

CMYK 72 / 0 / 77 / 1

HEX #48FD39

RGB 72 253 57

HSL 115.41, 0.98%, 0.61%

LAB 87.93, -77.91, 74.27

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 45 / 0 / 48 / 20

HEX #71CD6A

RGB 113 205 106

HSL 115.76, 0.5%, 0.61%

LAB 74.96, -47, 40.73

 

CMYK 33 / 0 / 35 / 26

HEX #7FBD7A

RGB 127 189 122

HSL 115.52, 0.34%, 0.61%

LAB 71.09, -33.2, 27.72

 

CMYK 19 / 0 / 20 / 33

HEX #8CAC8A

RGB 140 172 138

HSL 116.47, 0.17%, 0.61%

LAB 67.21, -17.66, 13.94

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9A

RGB 154 156 154

HSL 120, 0.01%, 0.61%

LAB 64.14, -1.1, 0.78

 

CMYK 23 / 0 / 60 / 13

HEX #AADD59

RGB 170 221 89

HSL 83.18, 0.66%, 0.61%

LAB 82.37, -36.52, 58.05

 

CMYK 39 / 0 / 60 / 13

HEX #87DD59

RGB 135 221 89

HSL 99.09, 0.66%, 0.61%

LAB 80.51, -48.77, 55.46

 

CMYK 55 / 0 / 60 / 13

HEX #64DD59

RGB 100 221 89

HSL 115, 0.66%, 0.61%

LAB 79.12, -58.9, 53.51

 

CMYK 60 / 0 / 49 / 13

HEX #59DD71

RGB 89 221 113

HSL 130.91, 0.66%, 0.61%

LAB 79.06, -58.46, 42.23

 

CMYK 60 / 0 / 33 / 13

HEX #59DD94

RGB 89 221 148

HSL 146.82, 0.66%, 0.61%

LAB 79.6, -52.59, 25.31

 

CMYK 74 / 0 / 80 / 26

HEX #32BD26

RGB 50 189 38

HSL 115.23, 0.67%, 0.45%

LAB 67.44, -62.93, 60.2

 

CMYK 69 / 0 / 74 / 16

HEX #43D637

RGB 67 214 55

HSL 115.47, 0.66%, 0.53%

LAB 75.8, -66.8, 63.04

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 42 / 0 / 46 / 11

HEX #84E47C

RGB 132 228 124

HSL 115.38, 0.66%, 0.69%

LAB 82.83, -48.53, 41.94

 

CMYK 30 / 0 / 33 / 8

HEX #A4EB9E

RGB 164 235 158

HSL 115.32, 0.66%, 0.77%

LAB 86.89, -36.68, 30.52

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 7 / 0 / 13

HEX #59CDDD

RGB 89 205 221

HSL 187.27, 0.66%, 0.61%

LAB 76.68, -27.94, -17.77

 

CMYK 0 / 60 / 31 / 13

HEX #DD5999

RGB 221 89 153

HSL 330.91, 0.66%, 0.61%

LAB 56.9, 57.78, -8.47

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 55 / 0 / 13

HEX #5964DD

RGB 89 100 221

HSL 235, 0.66%, 0.61%

LAB 47.57, 31.71, -63.37

 

CMYK 0 / 60 / 55 / 13

HEX #DD5964

RGB 221 89 100

HSL 355, 0.66%, 0.61%

LAB 55.52, 52.45, 20.71

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 7 / 0 / 13

HEX #59CDDD

RGB 89 205 221

HSL 187.27, 0.66%, 0.61%

LAB 76.68, -27.94, -17.77

 

CMYK 5 / 60 / 0 / 13

HEX #D259DD

RGB 210 89 221

HSL 295, 0.66%, 0.61%

LAB 58.1, 65.04, -45.8

 

CMYK 0 / 52 / 60 / 13

HEX #DD6959

RGB 221 105 89

HSL 7.27, 0.66%, 0.61%

LAB 58.22, 44.08, 30.57

 

CMYK 55 / 0 / 60 / 13

HEX #63DD59

RGB 99 221 89

HSL 115.45, 0.66%, 0.61%

LAB 79.09, -59.15, 53.47

 

CMYK 60 / 25 / 0 / 13

HEX #59A6DD

RGB 89 166 221

HSL 205, 0.66%, 0.61%

LAB 65.45, -7.62, -34.99

 

CMYK 5 / 60 / 0 / 13

HEX #D259DD

RGB 210 89 221

HSL 295, 0.66%, 0.61%

LAB 58.1, 65.04, -45.8

 

CMYK 0 / 35 / 60 / 13

HEX #DD9059

RGB 221 144 89

HSL 25, 0.66%, 0.61%

LAB 66.55, 23.79, 40.87

 

Description

Color code: HEX #63DD59 | qconv.com Color code: HEX #63DD59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 221 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 221 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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