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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63D539 it is the complementary color #9C2AC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63D539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63D539 shade: #68D534, #79E747, #8AF95A, #9BFF6D and #ACFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63D539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63D539 shade: #63D539, #52C326, #41B113, #309F00 and #1F8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63D539 shade: #63D539, #8DD539, #B7D539, #D5C839 and #D59E39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63D539 shade: #63D539, #39D539, #39D563, #39D58D and #39D5B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63D539 shade matches the following richer shades: #63D539, #5AE825 and #51FB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63D539 shade: #63D539, #6CC14C, #75AE60, #7E9A73 and #868786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63D539 shade: #B8D539, #8ED539, #65D539, #3BD539 and #39D560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63D539 shade: #419A20, #50BC28, #63D539, #7EDC5B and #98E37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63D539 shade: #63D539, #39D5C8 and #D539A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63D539 shade: #63D539, #3965D5 and #D53965

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63D539 shade: #63D539, #39D5C8, #A839D5 and #D53946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63D539 shade: #63D539, #39B3D5, #A839D5 and #D55B39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

Complementary color

CMYK 21 / 79 / 0 / 22

HEX #9C2AC6

RGB 156 42 198

HSL 283.85, 0.65%, 0.47%

LAB 42.46, 67.22, -58.09

 

CMYK 51 / 0 / 76 / 16

HEX #68D534

RGB 104 213 52

HSL 100.62, 0.66%, 0.52%

LAB 76.55, -58, 65.12

 

CMYK 48 / 0 / 69 / 9

HEX #79E747

RGB 121 231 71

HSL 101.25, 0.77%, 0.59%

LAB 82.74, -58.56, 64.96

 

CMYK 45 / 0 / 64 / 2

HEX #8AF95A

RGB 138 249 90

HSL 101.89, 0.93%, 0.66%

LAB 88.87, -58.9, 64.35

 

CMYK 39 / 0 / 57 / 0

HEX #9BFF6D

RGB 155 255 109

HSL 101.1, 1%, 0.71%

LAB 91.5, -54.33, 59.56

 

CMYK 33 / 0 / 50 / 0

HEX #ACFF80

RGB 172 255 128

HSL 99.21, 1%, 0.75%

LAB 92.51, -46.88, 52.42

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 58 / 0 / 81 / 24

HEX #52C326

RGB 82 195 38

HSL 103.18, 0.67%, 0.46%

LAB 70.15, -58.21, 63.02

 

CMYK 63 / 0 / 89 / 31

HEX #41B113

RGB 65 177 19

HSL 102.53, 0.81%, 0.38%

LAB 63.85, -56.94, 61.72

 

CMYK 70 / 0 / 100 / 38

HEX #309F00

RGB 48 159 0

HSL 101.89, 1%, 0.31%

LAB 57.49, -55.13, 59.18

 

CMYK 78 / 0 / 100 / 45

HEX #1F8D00

RGB 31 141 0

HSL 106.81, 1%, 0.28%

LAB 51.08, -52.41, 53.93

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 34 / 0 / 73 / 16

HEX #8DD539

RGB 141 213 57

HSL 87.69, 0.65%, 0.53%

LAB 78.2, -45.88, 65.64

 

CMYK 14 / 0 / 73 / 16

HEX #B7D539

RGB 183 213 57

HSL 71.54, 0.65%, 0.53%

LAB 80.71, -29.89, 68.94

 

CMYK 0 / 6 / 73 / 16

HEX #D5C839

RGB 213 200 57

HSL 55, 0.65%, 0.53%

LAB 79.47, -11.05, 68.56

 

CMYK 0 / 26 / 73 / 16

HEX #D59E39

RGB 213 158 57

HSL 38.85, 0.65%, 0.53%

LAB 68.68, 10.98, 58.08

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 73 / 0 / 73 / 16

HEX #39D539

RGB 57 213 57

HSL 120, 0.65%, 0.53%

LAB 75.3, -68.04, 61.79

 

CMYK 73 / 0 / 54 / 16

HEX #39D563

RGB 57 213 99

HSL 136.15, 0.65%, 0.53%

LAB 75.67, -63.51, 44.62

 

CMYK 73 / 0 / 34 / 16

HEX #39D58D

RGB 57 213 141

HSL 152.31, 0.65%, 0.53%

LAB 76.3, -56.33, 24.36

 

CMYK 73 / 0 / 14 / 16

HEX #39D5B7

RGB 57 213 183

HSL 168.46, 0.65%, 0.53%

LAB 77.21, -46.72, 3.36

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 61 / 0 / 84 / 9

HEX #5AE825

RGB 90 232 37

HSL 103.69, 0.81%, 0.53%

LAB 81.85, -68.9, 73.96

 

CMYK 68 / 0 / 93 / 2

HEX #51FB12

RGB 81 251 18

HSL 103.78, 0.97%, 0.53%

LAB 87.38, -77.27, 81.74

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 44 / 0 / 61 / 24

HEX #6CC14C

RGB 108 193 76

HSL 103.59, 0.49%, 0.53%

LAB 70.77, -47.11, 49.83

 

CMYK 33 / 0 / 45 / 32

HEX #75AE60

RGB 117 174 96

HSL 103.85, 0.33%, 0.53%

LAB 65.67, -33.45, 34.17

 

CMYK 18 / 0 / 25 / 40

HEX #7E9A73

RGB 126 154 115

HSL 103.08, 0.16%, 0.53%

LAB 60.59, -17.41, 17.33

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 14 / 0 / 73 / 16

HEX #B8D539

RGB 184 213 57

HSL 71.15, 0.65%, 0.53%

LAB 80.78, -29.49, 69.03

 

CMYK 33 / 0 / 73 / 16

HEX #8ED539

RGB 142 213 57

HSL 87.31, 0.65%, 0.53%

LAB 78.25, -45.53, 65.7

 

CMYK 53 / 0 / 73 / 16

HEX #65D539

RGB 101 213 57

HSL 103.08, 0.65%, 0.53%

LAB 76.47, -58.51, 63.35

 

CMYK 72 / 0 / 73 / 16

HEX #3BD539

RGB 59 213 57

HSL 119.23, 0.65%, 0.53%

LAB 75.34, -67.72, 61.84

 

CMYK 73 / 0 / 55 / 16

HEX #39D560

RGB 57 213 96

HSL 135, 0.65%, 0.53%

LAB 75.64, -63.92, 45.99

 

CMYK 58 / 0 / 79 / 40

HEX #419A20

RGB 65 154 32

HSL 103.77, 0.66%, 0.36%

LAB 56.43, -48.15, 51.73

 

CMYK 57 / 0 / 79 / 26

HEX #50BC28

RGB 80 188 40

HSL 103.78, 0.65%, 0.45%

LAB 67.89, -56.13, 60.3

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 43 / 0 / 59 / 14

HEX #7EDC5B

RGB 126 220 91

HSL 103.72, 0.65%, 0.61%

LAB 79.83, -51, 53.7

 

CMYK 33 / 0 / 45 / 11

HEX #98E37D

RGB 152 227 125

HSL 104.12, 0.65%, 0.69%

LAB 83.49, -41.7, 42.48

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 73 / 0 / 6 / 16

HEX #39D5C8

RGB 57 213 200

HSL 175, 0.65%, 0.53%

LAB 77.66, -42.23, -5.1

 

CMYK 0 / 73 / 23 / 16

HEX #D539A3

RGB 213 57 163

HSL 319.23, 0.65%, 0.53%

LAB 51.52, 69.12, -22.63

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 73 / 53 / 0 / 16

HEX #3965D5

RGB 57 101 213

HSL 223.08, 0.65%, 0.53%

LAB 45.61, 23.43, -62.07

 

CMYK 0 / 73 / 53 / 16

HEX #D53965

RGB 213 57 101

HSL 343.08, 0.65%, 0.53%

LAB 49.51, 62.73, 11.67

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 73 / 0 / 6 / 16

HEX #39D5C8

RGB 57 213 200

HSL 175, 0.65%, 0.53%

LAB 77.66, -42.23, -5.1

 

CMYK 21 / 73 / 0 / 16

HEX #A839D5

RGB 168 57 213

HSL 282.69, 0.65%, 0.53%

LAB 47.05, 67.24, -59.26

 

CMYK 0 / 73 / 67 / 16

HEX #D53946

RGB 213 57 70

HSL 355, 0.65%, 0.53%

LAB 48.9, 60.72, 29.58

 

CMYK 54 / 0 / 73 / 16

HEX #63D539

RGB 99 213 57

HSL 103.85, 0.65%, 0.53%

LAB 76.4, -59.05, 63.25

 

CMYK 73 / 16 / 0 / 16

HEX #39B3D5

RGB 57 179 213

HSL 193.08, 0.65%, 0.53%

LAB 67.96, -22.14, -26.78

 

CMYK 21 / 73 / 0 / 16

HEX #A839D5

RGB 168 57 213

HSL 282.69, 0.65%, 0.53%

LAB 47.05, 67.24, -59.26

 

CMYK 0 / 57 / 73 / 16

HEX #D55B39

RGB 213 91 57

HSL 13.08, 0.65%, 0.53%

LAB 53.95, 46.05, 42.75

 

Description

Color code: HEX #63D539 | qconv.com Color code: HEX #63D539 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 213 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 213 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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