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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63CE44 it is the complementary color #9C31BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63CE44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63CE44 shade: #68CE3F, #79E052, #8AF265, #9BFF78 and #ACFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63CE44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63CE44 shade: #63CE44, #52BC31, #41AA1E, #30980B and #1F8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63CE44 shade: #64CD45, #88CD45, #ADCD45, #CDC945 and #CDA445

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63CE44 shade: #64CD45, #45CD4B, #45CD70, #45CD95 and #45CDB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63CE44 shade matches the following richer shades: #64CD45, #59E032 and #4FF31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63CE44 shade: #64CD45, #6EBA58, #79A76B, #83947E and #8E8191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63CE44 shade: #ADCD45, #89CD45, #65CD45, #45CD4A and #45CD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63CE44 shade: #419828, #4FB831, #64CD45, #7FD666 and #9ADF86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63CE44 shade: #63CE44, #45CDC9 and #CD459B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63CE44 shade: #63CE44, #4565CD and #CD4565

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63CE44 shade: #63CE44, #45CDC9, #AD45CD and #CD454A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63CE44 shade: #63CE44, #45A9CD, #AD45CD and #CD6945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

Complementary color

CMYK 17 / 74 / 0 / 27

HEX #9C31BB

RGB 156 49 187

HSL 286.52, 0.58%, 0.46%

LAB 42.54, 62.73, -51.54

 

CMYK 50 / 0 / 69 / 19

HEX #68CE3F

RGB 104 206 63

HSL 102.8, 0.59%, 0.53%

LAB 74.47, -54.62, 59.18

 

CMYK 46 / 0 / 63 / 12

HEX #79E052

RGB 121 224 82

HSL 103.52, 0.7%, 0.6%

LAB 80.73, -54.97, 58.51

 

CMYK 43 / 0 / 58 / 5

HEX #8AF265

RGB 138 242 101

HSL 104.26, 0.84%, 0.67%

LAB 86.92, -55.14, 57.58

 

CMYK 39 / 0 / 53 / 0

HEX #9BFF78

RGB 155 255 120

HSL 104.44, 1%, 0.74%

LAB 91.62, -53.18, 54.82

 

CMYK 33 / 0 / 45 / 0

HEX #ACFF8B

RGB 172 255 139

HSL 102.93, 1%, 0.77%

LAB 92.64, -45.58, 47.43

 

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

CMYK 56 / 0 / 74 / 26

HEX #52BC31

RGB 82 188 49

HSL 105.76, 0.59%, 0.46%

LAB 68.01, -55.03, 57.47

 

CMYK 62 / 0 / 82 / 33

HEX #41AA1E

RGB 65 170 30

HSL 105, 0.7%, 0.39%

LAB 61.63, -54.05, 57.19

 

CMYK 68 / 0 / 93 / 40

HEX #30980B

RGB 48 152 11

HSL 104.26, 0.87%, 0.32%

LAB 55.18, -52.51, 55.6

 

CMYK 77 / 0 / 100 / 47

HEX #1F8600

RGB 31 134 0

HSL 106.12, 1%, 0.26%

LAB 48.69, -50.17, 52.02

 

CMYK 51 / 0 / 66 / 20

HEX #64CD45

RGB 100 205 69

HSL 106.32, 0.58%, 0.54%

LAB 74.06, -54.87, 56.35

 

CMYK 34 / 0 / 66 / 20

HEX #88CD45

RGB 136 205 69

HSL 90.44, 0.58%, 0.54%

LAB 75.65, -43.43, 58.52

 

CMYK 16 / 0 / 66 / 20

HEX #ADCD45

RGB 173 205 69

HSL 74.12, 0.58%, 0.54%

LAB 77.86, -29.45, 61.51

 

CMYK 0 / 2 / 66 / 20

HEX #CDC945

RGB 205 201 69

HSL 58.24, 0.58%, 0.54%

LAB 79.15, -14.34, 63.59

 

CMYK 0 / 20 / 66 / 20

HEX #CDA445

RGB 205 164 69

HSL 41.91, 0.58%, 0.54%

LAB 69.44, 4.93, 53.44

 

CMYK 51 / 0 / 66 / 20

HEX #64CD45

RGB 100 205 69

HSL 106.32, 0.58%, 0.54%

LAB 74.06, -54.87, 56.35

 

CMYK 66 / 0 / 63 / 20

HEX #45CD4B

RGB 69 205 75

HSL 122.65, 0.58%, 0.54%

LAB 73.18, -61.67, 52.62

 

CMYK 66 / 0 / 45 / 20

HEX #45CD70

RGB 69 205 112

HSL 138.97, 0.58%, 0.54%

LAB 73.61, -56.71, 35.75

 

CMYK 66 / 0 / 27 / 20

HEX #45CD95

RGB 69 205 149

HSL 155.29, 0.58%, 0.54%

LAB 74.25, -49.69, 17.36

 

CMYK 66 / 0 / 10 / 20

HEX #45CDB9

RGB 69 205 185

HSL 171.18, 0.58%, 0.54%

LAB 75.1, -41.08, -0.76

 

CMYK 51 / 0 / 66 / 20

HEX #64CD45

RGB 100 205 69

HSL 106.32, 0.58%, 0.54%

LAB 74.06, -54.87, 56.35

 

CMYK 60 / 0 / 78 / 12

HEX #59E032

RGB 89 224 50

HSL 106.55, 0.74%, 0.54%

LAB 79.42, -65.84, 68.34

 

CMYK 67 / 0 / 87 / 5

HEX #4FF31F

RGB 79 243 31

HSL 106.42, 0.9%, 0.54%

LAB 84.93, -74.87, 77.76

 

CMYK 51 / 0 / 66 / 20

HEX #64CD45

RGB 100 205 69

HSL 106.32, 0.58%, 0.54%

LAB 74.06, -54.87, 56.35

 

CMYK 41 / 0 / 53 / 27

HEX #6EBA58

RGB 110 186 88

HSL 106.53, 0.42%, 0.54%

LAB 68.85, -42.2, 42.02

 

CMYK 28 / 0 / 36 / 35

HEX #79A76B

RGB 121 167 107

HSL 106, 0.25%, 0.54%

LAB 63.97, -27.1, 26.21

 

CMYK 11 / 0 / 15 / 42

HEX #83947E

RGB 131 148 126

HSL 106.36, 0.09%, 0.54%

LAB 59.44, -10.42, 9.6

 

CMYK 2 / 11 / 0 / 43

HEX #8E8191

RGB 142 129 145

HSL 288.75, 0.07%, 0.54%

LAB 55.58, 8.01, -6.8

 

CMYK 16 / 0 / 66 / 20

HEX #ADCD45

RGB 173 205 69

HSL 74.12, 0.58%, 0.54%

LAB 77.86, -29.45, 61.51

 

CMYK 33 / 0 / 66 / 20

HEX #89CD45

RGB 137 205 69

HSL 90, 0.58%, 0.54%

LAB 75.71, -43.08, 58.59

 

CMYK 51 / 0 / 66 / 20

HEX #65CD45

RGB 101 205 69

HSL 105.88, 0.58%, 0.54%

LAB 74.1, -54.59, 56.4

 

CMYK 66 / 0 / 64 / 20

HEX #45CD4A

RGB 69 205 74

HSL 122.21, 0.58%, 0.54%

LAB 73.17, -61.78, 53.03

 

CMYK 66 / 0 / 46 / 20

HEX #45CD6E

RGB 69 205 110

HSL 138.09, 0.58%, 0.54%

LAB 73.58, -57.03, 36.71

 

CMYK 57 / 0 / 74 / 40

HEX #419828

RGB 65 152 40

HSL 106.61, 0.58%, 0.38%

LAB 55.82, -46.83, 48.31

 

CMYK 57 / 0 / 73 / 28

HEX #4FB831

RGB 79 184 49

HSL 106.67, 0.58%, 0.46%

LAB 66.65, -54.35, 56.08

 

CMYK 51 / 0 / 66 / 20

HEX #64CD45

RGB 100 205 69

HSL 106.32, 0.58%, 0.54%

LAB 74.06, -54.87, 56.35

 

CMYK 41 / 0 / 52 / 16

HEX #7FD666

RGB 127 214 102

HSL 106.61, 0.58%, 0.62%

LAB 78.21, -47.01, 46.77

 

CMYK 31 / 0 / 40 / 13

HEX #9ADF86

RGB 154 223 134

HSL 106.52, 0.58%, 0.7%

LAB 82.58, -38.05, 36.88

 

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

CMYK 66 / 0 / 2 / 20

HEX #45CDC9

RGB 69 205 201

HSL 178.24, 0.58%, 0.54%

LAB 75.54, -36.78, -8.75

 

CMYK 0 / 66 / 24 / 20

HEX #CD459B

RGB 205 69 155

HSL 322.06, 0.58%, 0.54%

LAB 51.38, 61.76, -18.22

 

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

CMYK 66 / 51 / 0 / 20

HEX #4565CD

RGB 69 101 205

HSL 225.88, 0.58%, 0.54%

LAB 45.61, 22.26, -57.47

 

CMYK 0 / 66 / 51 / 20

HEX #CD4565

RGB 205 69 101

HSL 345.88, 0.58%, 0.54%

LAB 49.71, 55.9, 11.73

 

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

CMYK 66 / 0 / 2 / 20

HEX #45CDC9

RGB 69 205 201

HSL 178.24, 0.58%, 0.54%

LAB 75.54, -36.78, -8.75

 

CMYK 16 / 66 / 0 / 20

HEX #AD45CD

RGB 173 69 205

HSL 285.88, 0.58%, 0.54%

LAB 48.94, 61.94, -51.58

 

CMYK 0 / 66 / 64 / 20

HEX #CD454A

RGB 205 69 74

HSL 357.79, 0.58%, 0.54%

LAB 49.17, 53.93, 27.23

 

CMYK 52 / 0 / 67 / 19

HEX #63CE44

RGB 99 206 68

HSL 106.52, 0.58%, 0.54%

LAB 74.33, -55.61, 57.02

 

CMYK 66 / 18 / 0 / 20

HEX #45A9CD

RGB 69 169 205

HSL 195.88, 0.58%, 0.54%

LAB 65, -17.8, -26.89

 

CMYK 16 / 66 / 0 / 20

HEX #AD45CD

RGB 173 69 205

HSL 285.88, 0.58%, 0.54%

LAB 48.94, 61.94, -51.58

 

CMYK 0 / 49 / 66 / 20

HEX #CD6945

RGB 205 105 69

HSL 15.88, 0.58%, 0.54%

LAB 55.6, 36.69, 37.9

 

Description

Color code: HEX #63CE44 | qconv.com Color code: HEX #63CE44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 206 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 206 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 67 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 67% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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