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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63BCD3 it is the complementary color #9C432C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63BCD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63BCD3 shade: #68BCCE, #79CEE1, #8AE0F4, #9BF2FF and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63BCD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63BCD3 shade: #63BCD3, #52AAC0, #4198AD, #30869A and #1F7487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63BCD3 shade: #63BCD3, #639ED3, #6380D3, #6563D3 and #8363D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63BCD3 shade: #63BCD3, #639ED3, #6380D3 and #6363D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63BCD3 shade matches the following richer shades: #63BCD3, #53C5E3 and #43CFF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63BCD3 shade: #63BCD3, #73B2C3, #84A9B3, #949FA2 and #A49692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63BCD3 shade: #63D3AE, #63D3CB, #63BCD3, #639FD3 and #6381D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63BCD3 shade: #3298B2, #43AECA, #63BCD3, #84CADC and #A4D8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63BCD3 shade: #63BCD3, #9063D3 and #D3BC63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63BCD3 shade: #63BCD3, #D363BC and #BCD363

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63BCD3 shade: #63BCD3, #9063D3, #D37A63 and #A6D363

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63BCD3 shade: #63BCD3, #B163D3, #D37A63 and #85D363

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

Complementary color

CMYK 0 / 57 / 72 / 39

HEX #9C432C

RGB 156 67 44

HSL 12.32, 0.56%, 0.39%

LAB 40.02, 35.59, 31.78

 

CMYK 50 / 9 / 0 / 19

HEX #68BCCE

RGB 104 188 206

HSL 190.59, 0.51%, 0.61%

LAB 71.8, -20.65, -16.96

 

CMYK 46 / 8 / 0 / 12

HEX #79CEE1

RGB 121 206 225

HSL 190.96, 0.63%, 0.68%

LAB 78.25, -20.81, -17.43

 

CMYK 43 / 8 / 0 / 4

HEX #8AE0F4

RGB 138 224 244

HSL 191.32, 0.83%, 0.75%

LAB 84.61, -20.92, -17.89

 

CMYK 39 / 5 / 0 / 0

HEX #9BF2FF

RGB 155 242 255

HSL 187.8, 1%, 0.8%

LAB 90.64, -22.97, -14.52

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 57 / 11 / 0 / 25

HEX #52AAC0

RGB 82 170 192

HSL 192, 0.47%, 0.54%

LAB 65.24, -19.99, -19.27

 

CMYK 62 / 12 / 0 / 32

HEX #4198AD

RGB 65 152 173

HSL 191.67, 0.45%, 0.47%

LAB 58.6, -19.51, -18.75

 

CMYK 69 / 13 / 0 / 40

HEX #30869A

RGB 48 134 154

HSL 191.32, 0.52%, 0.4%

LAB 51.85, -18.84, -18.19

 

CMYK 77 / 14 / 0 / 47

HEX #1F7487

RGB 31 116 135

HSL 190.96, 0.63%, 0.33%

LAB 44.99, -17.86, -17.54

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 53 / 25 / 0 / 17

HEX #639ED3

RGB 99 158 211

HSL 208.39, 0.56%, 0.61%

LAB 63.19, -4.2, -32.93

 

CMYK 53 / 39 / 0 / 17

HEX #6380D3

RGB 99 128 211

HSL 224.46, 0.56%, 0.61%

LAB 54.86, 13.31, -46

 

CMYK 52 / 53 / 0 / 17

HEX #6563D3

RGB 101 99 211

HSL 241.07, 0.56%, 0.61%

LAB 47.49, 31.41, -57.77

 

CMYK 38 / 53 / 0 / 17

HEX #8363D3

RGB 131 99 211

HSL 257.14, 0.56%, 0.61%

LAB 50.04, 38.16, -53.53

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 53 / 25 / 0 / 17

HEX #639ED3

RGB 99 158 211

HSL 208.39, 0.56%, 0.61%

LAB 63.19, -4.2, -32.93

 

CMYK 53 / 39 / 0 / 17

HEX #6380D3

RGB 99 128 211

HSL 224.46, 0.56%, 0.61%

LAB 54.86, 13.31, -46

 

CMYK 53 / 53 / 0 / 17

HEX #6363D3

RGB 99 99 211

HSL 240, 0.56%, 0.61%

LAB 47.34, 31, -58.02

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 63 / 13 / 0 / 11

HEX #53C5E3

RGB 83 197 227

HSL 192.5, 0.72%, 0.61%

LAB 74.39, -23.23, -24.5

 

CMYK 72 / 15 / 0 / 5

HEX #43CFF3

RGB 67 207 243

HSL 192.27, 0.88%, 0.61%

LAB 77.45, -25.63, -28.45

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 41 / 9 / 0 / 24

HEX #73B2C3

RGB 115 178 195

HSL 192.75, 0.4%, 0.61%

LAB 69.06, -15.78, -15.01

 

CMYK 26 / 6 / 0 / 30

HEX #84A9B3

RGB 132 169 179

HSL 192.77, 0.24%, 0.61%

LAB 66.93, -10.19, -9.26

 

CMYK 9 / 2 / 0 / 36

HEX #949FA2

RGB 148 159 162

HSL 192.86, 0.07%, 0.61%

LAB 64.72, -3.29, -2.91

 

CMYK 0 / 9 / 11 / 36

HEX #A49692

RGB 164 150 146

HSL 13.33, 0.09%, 0.61%

LAB 63.16, 4.45, 3.97

 

CMYK 53 / 0 / 18 / 17

HEX #63D3AE

RGB 99 211 174

HSL 160.18, 0.56%, 0.61%

LAB 77.46, -40.81, 8.67

 

CMYK 53 / 0 / 4 / 17

HEX #63D3CB

RGB 99 211 203

HSL 175.71, 0.56%, 0.61%

LAB 78.2, -33.8, -5.79

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 53 / 25 / 0 / 17

HEX #639FD3

RGB 99 159 211

HSL 207.86, 0.56%, 0.61%

LAB 63.47, -4.77, -32.49

 

CMYK 53 / 39 / 0 / 17

HEX #6381D3

RGB 99 129 211

HSL 223.93, 0.56%, 0.61%

LAB 55.13, 12.71, -45.57

 

CMYK 72 / 15 / 0 / 30

HEX #3298B2

RGB 50 152 178

HSL 192.19, 0.56%, 0.45%

LAB 58.37, -20.31, -21.98

 

CMYK 67 / 14 / 0 / 21

HEX #43AECA

RGB 67 174 202

HSL 192.44, 0.56%, 0.53%

LAB 66.31, -21.66, -23.22

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 40 / 8 / 0 / 14

HEX #84CADC

RGB 132 202 220

HSL 192.27, 0.56%, 0.69%

LAB 77.47, -17.4, -15.88

 

CMYK 28 / 6 / 0 / 10

HEX #A4D8E5

RGB 164 216 229

HSL 192, 0.56%, 0.77%

LAB 83.26, -13.72, -11.83

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 32 / 53 / 0 / 17

HEX #9063D3

RGB 144 99 211

HSL 264.11, 0.56%, 0.61%

LAB 51.33, 41.36, -51.39

 

CMYK 0 / 11 / 53 / 17

HEX #D3BC63

RGB 211 188 99

HSL 47.68, 0.56%, 0.61%

LAB 76.51, -3.07, 47.51

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 0 / 53 / 11 / 17

HEX #D363BC

RGB 211 99 188

HSL 312.32, 0.56%, 0.61%

LAB 58.42, 55.18, -26.55

 

CMYK 11 / 0 / 53 / 17

HEX #BCD363

RGB 188 211 99

HSL 72.32, 0.56%, 0.61%

LAB 80.84, -24.04, 52.16

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 32 / 53 / 0 / 17

HEX #9063D3

RGB 144 99 211

HSL 264.11, 0.56%, 0.61%

LAB 51.33, 41.36, -51.39

 

CMYK 0 / 42 / 53 / 17

HEX #D37A63

RGB 211 122 99

HSL 12.32, 0.56%, 0.61%

LAB 60.49, 32.33, 27.59

 

CMYK 21 / 0 / 53 / 17

HEX #A6D363

RGB 166 211 99

HSL 84.11, 0.56%, 0.61%

LAB 79.38, -32.51, 50.09

 

CMYK 53 / 11 / 0 / 17

HEX #63BCD3

RGB 99 188 211

HSL 192.32, 0.56%, 0.61%

LAB 71.77, -20.34, -19.75

 

CMYK 16 / 53 / 0 / 17

HEX #B163D3

RGB 177 99 211

HSL 281.79, 0.56%, 0.61%

LAB 55.05, 49.92, -45.26

 

CMYK 0 / 42 / 53 / 17

HEX #D37A63

RGB 211 122 99

HSL 12.32, 0.56%, 0.61%

LAB 60.49, 32.33, 27.59

 

CMYK 37 / 0 / 53 / 17

HEX #85D363

RGB 133 211 99

HSL 101.79, 0.56%, 0.61%

LAB 77.56, -44.17, 47.48

 

Description

Color code: HEX #63BCD3 | qconv.com Color code: HEX #63BCD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 188 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 188 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 11 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 11% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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