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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63A3E8 it is the complementary color #9C5C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63A3E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63A3E8 shade: #68A3E3, #79B5F6, #8AC7FF, #9BD9FF and #ACEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63A3E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63A3E8 shade: #63A3E8, #5291D5, #417FC2, #306DAF and #1F5B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63A3E8 shade: #63A3E7, #637FE7, #6B63E7, #8F63E7 and #B263E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63A3E8 shade: #63A3E7, #637FE7 and #6363E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63A3E8 shade matches the following richer shades: #63A3E7 and #55A2F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63A3E8 shade: #63A3E7, #72A3D9, #80A4CA, #8FA4BC and #9DA5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63A3E8 shade: #63E7E5, #63C6E7, #63A3E7, #6380E7 and #6A63E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63A3E8 shade: #2079D8, #3F8EE2, #63A3E7, #87B8ED and #ABCDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63A3E8 shade: #63A3E8, #C263E7 and #D8E763

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63A3E8 shade: #63A3E8, #E763A3 and #A3E763

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63A3E8 shade: #63A3E8, #C263E7, #E7A763 and #89E763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63A3E8 shade: #63A3E8, #E763E5, #E7A763 and #63E765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

Complementary color

CMYK 0 / 41 / 85 / 39

HEX #9C5C17

RGB 156 92 23

HSL 31.13, 0.74%, 0.35%

LAB 45.34, 21.1, 47.2

 

CMYK 54 / 28 / 0 / 11

HEX #68A3E3

RGB 104 163 227

HSL 211.22, 0.69%, 0.65%

LAB 65.5, -1.05, -38.16

 

CMYK 51 / 26 / 0 / 4

HEX #79B5F6

RGB 121 181 246

HSL 211.2, 0.87%, 0.72%

LAB 72.07, -1.7, -38.23

 

CMYK 46 / 22 / 0 / 0

HEX #8AC7FF

RGB 138 199 255

HSL 208.72, 1%, 0.77%

LAB 78.15, -5.03, -33.59

 

CMYK 39 / 15 / 0 / 0

HEX #9BD9FF

RGB 155 217 255

HSL 202.8, 1%, 0.8%

LAB 83.87, -10.36, -24.75

 

CMYK 33 / 8 / 0 / 0

HEX #ACEBFF

RGB 172 235 255

HSL 194.46, 1%, 0.84%

LAB 89.58, -15.1, -16.02

 

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

CMYK 62 / 32 / 0 / 16

HEX #5291D5

RGB 82 145 213

HSL 211.15, 0.61%, 0.58%

LAB 58.83, 0.41, -40.9

 

CMYK 66 / 35 / 0 / 24

HEX #417FC2

RGB 65 127 194

HSL 211.16, 0.51%, 0.51%

LAB 52.06, 1.57, -40.88

 

CMYK 73 / 38 / 0 / 31

HEX #306DAF

RGB 48 109 175

HSL 211.18, 0.57%, 0.44%

LAB 45.17, 3.06, -40.85

 

CMYK 80 / 42 / 0 / 39

HEX #1F5B9C

RGB 31 91 156

HSL 211.2, 0.67%, 0.37%

LAB 38.15, 5.02, -40.8

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 57 / 45 / 0 / 9

HEX #637FE7

RGB 99 127 231

HSL 227.27, 0.73%, 0.65%

LAB 55.69, 20.34, -55.91

 

CMYK 54 / 57 / 0 / 9

HEX #6B63E7

RGB 107 99 231

HSL 243.64, 0.73%, 0.65%

LAB 49.28, 38.78, -66.2

 

CMYK 38 / 57 / 0 / 9

HEX #8F63E7

RGB 143 99 231

HSL 260, 0.73%, 0.65%

LAB 52.43, 46.26, -60.94

 

CMYK 23 / 57 / 0 / 9

HEX #B263E7

RGB 178 99 231

HSL 275.91, 0.73%, 0.65%

LAB 56.25, 54.48, -54.62

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 57 / 45 / 0 / 9

HEX #637FE7

RGB 99 127 231

HSL 227.27, 0.73%, 0.65%

LAB 55.69, 20.34, -55.91

 

CMYK 57 / 57 / 0 / 9

HEX #6363E7

RGB 99 99 231

HSL 240, 0.73%, 0.65%

LAB 48.69, 37.32, -67.17

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 65 / 34 / 0 / 4

HEX #55A2F6

RGB 85 162 246

HSL 211.3, 0.9%, 0.65%

LAB 65.3, 2.06, -48.96

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 47 / 25 / 0 / 15

HEX #72A3D9

RGB 114 163 217

HSL 211.46, 0.58%, 0.65%

LAB 65.58, -1.77, -32.49

 

CMYK 37 / 19 / 0 / 21

HEX #80A4CA

RGB 128 164 202

HSL 210.81, 0.41%, 0.65%

LAB 66.06, -2.87, -23.37

 

CMYK 24 / 13 / 0 / 26

HEX #8FA4BC

RGB 143 164 188

HSL 212, 0.25%, 0.65%

LAB 66.54, -1.94, -14.78

 

CMYK 10 / 5 / 0 / 32

HEX #9DA5AE

RGB 157 165 174

HSL 211.76, 0.09%, 0.65%

LAB 67.38, -1.01, -5.62

 

CMYK 57 / 0 / 1 / 9

HEX #63E7E5

RGB 99 231 229

HSL 179.09, 0.73%, 0.65%

LAB 84.72, -36.35, -9.95

 

CMYK 57 / 14 / 0 / 9

HEX #63C6E7

RGB 99 198 231

HSL 195, 0.73%, 0.65%

LAB 75.33, -19.72, -25.17

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 57 / 45 / 0 / 9

HEX #6380E7

RGB 99 128 231

HSL 226.82, 0.73%, 0.65%

LAB 55.95, 19.73, -55.49

 

CMYK 54 / 57 / 0 / 9

HEX #6A63E7

RGB 106 99 231

HSL 243.18, 0.73%, 0.65%

LAB 49.2, 38.59, -66.33

 

CMYK 85 / 44 / 0 / 15

HEX #2079D8

RGB 32 121 216

HSL 210.98, 0.74%, 0.49%

LAB 50.62, 9.4, -55.74

 

CMYK 72 / 37 / 0 / 11

HEX #3F8EE2

RGB 63 142 226

HSL 210.92, 0.74%, 0.57%

LAB 57.94, 3.58, -49.63

 

CMYK 57 / 29 / 0 / 9

HEX #63A3E7

RGB 99 163 231

HSL 210.91, 0.73%, 0.65%

LAB 65.45, -0.84, -40.46

 

CMYK 43 / 22 / 0 / 7

HEX #87B8ED

RGB 135 184 237

HSL 211.18, 0.74%, 0.73%

LAB 73.25, -2.6, -31.48

 

CMYK 29 / 15 / 0 / 5

HEX #ABCDF2

RGB 171 205 242

HSL 211.27, 0.73%, 0.81%

LAB 81.14, -2.94, -21.9

 

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

CMYK 16 / 57 / 0 / 9

HEX #C263E7

RGB 194 99 231

HSL 283.18, 0.73%, 0.65%

LAB 58.19, 58.41, -51.41

 

CMYK 6 / 0 / 57 / 9

HEX #D8E763

RGB 216 231 99

HSL 66.82, 0.73%, 0.65%

LAB 88.28, -22.61, 61.19

 

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

CMYK 0 / 57 / 29 / 9

HEX #E763A3

RGB 231 99 163

HSL 330.91, 0.73%, 0.65%

LAB 60.39, 57.61, -8.91

 

CMYK 29 / 0 / 57 / 9

HEX #A3E763

RGB 163 231 99

HSL 90.91, 0.73%, 0.65%

LAB 84.91, -42.6, 56.47

 

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

CMYK 16 / 57 / 0 / 9

HEX #C263E7

RGB 194 99 231

HSL 283.18, 0.73%, 0.65%

LAB 58.19, 58.41, -51.41

 

CMYK 0 / 28 / 57 / 9

HEX #E7A763

RGB 231 167 99

HSL 30.91, 0.73%, 0.65%

LAB 73.24, 16.34, 44.08

 

CMYK 41 / 0 / 57 / 9

HEX #89E763

RGB 137 231 99

HSL 102.73, 0.73%, 0.65%

LAB 83.64, -51.24, 54.66

 

CMYK 57 / 30 / 0 / 9

HEX #63A3E8

RGB 99 163 232

HSL 211.13, 0.74%, 0.65%

LAB 65.49, -0.53, -40.94

 

CMYK 0 / 57 / 1 / 9

HEX #E763E5

RGB 231 99 229

HSL 300.91, 0.73%, 0.65%

LAB 62.99, 67.33, -42.39

 

CMYK 0 / 28 / 57 / 9

HEX #E7A763

RGB 231 167 99

HSL 30.91, 0.73%, 0.65%

LAB 73.24, 16.34, 44.08

 

CMYK 57 / 0 / 56 / 9

HEX #63E765

RGB 99 231 101

HSL 120.91, 0.73%, 0.65%

LAB 82.24, -61.45, 51.78

 

Description

Color code: HEX #63A3E8 | qconv.com Color code: HEX #63A3E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 163 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 163 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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