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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE238 it is the complementary color #A01DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE238 shade: #64E233, #75F446, #86FF59, #97FF6C and #A8FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE238 shade: #5FE238, #4ED025, #3DBE12, #2CAC00 and #1B9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE238 shade: #5DE236, #8CE236, #BAE236, #E2DB36 and #E2AD36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE238 shade: #5DE236, #36E23D, #36E26B, #36E299 and #36E2C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE238 shade matches the following richer shades: #5DE236 and #53F423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE238 shade: #5DE236, #67CF48, #71BD5B, #7BAA6D and #859880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE238 shade: #BAE236, #8CE236, #5EE236, #36E23B and #36E269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE238 shade: #3AAD18, #47D11D, #5DE236, #7AE75A and #97EC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE238 shade: #5FE238, #36E2DC and #E236A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE238 shade: #5FE238, #365EE2 and #E2365E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE238 shade: #5FE238, #36E2DC, #BA36E2 and #E2363B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE238 shade: #5FE238, #36B4E2, #BA36E2 and #E26436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

Complementary color

CMYK 20 / 85 / 0 / 22

HEX #A01DC7

RGB 160 29 199

HSL 286.24, 0.75%, 0.45%

LAB 41.96, 71.57, -59.45

 

CMYK 56 / 0 / 77 / 11

HEX #64E233

RGB 100 226 51

HSL 103.2, 0.75%, 0.54%

LAB 80.37, -63.8, 69.06

 

CMYK 52 / 0 / 71 / 4

HEX #75F446

RGB 117 244 70

HSL 103.79, 0.89%, 0.62%

LAB 86.47, -64.52, 69.08

 

CMYK 47 / 0 / 65 / 0

HEX #86FF59

RGB 134 255 89

HSL 103.73, 1%, 0.67%

LAB 90.46, -62.4, 66.42

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6C

RGB 151 255 108

HSL 102.45, 1%, 0.71%

LAB 91.32, -55.66, 59.73

 

CMYK 34 / 0 / 50 / 0

HEX #A8FF7F

RGB 168 255 127

HSL 100.78, 1%, 0.75%

LAB 92.3, -48.29, 52.59

 

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

CMYK 63 / 0 / 82 / 18

HEX #4ED025

RGB 78 208 37

HSL 105.61, 0.7%, 0.48%

LAB 74.1, -63.67, 66.88

 

CMYK 68 / 0 / 91 / 25

HEX #3DBE12

RGB 61 190 18

HSL 105, 0.83%, 0.41%

LAB 67.92, -62.13, 65.33

 

CMYK 74 / 0 / 100 / 33

HEX #2CAC00

RGB 44 172 0

HSL 104.65, 1%, 0.34%

LAB 61.69, -60, 62.49

 

CMYK 82 / 0 / 100 / 40

HEX #1B9A00

RGB 27 154 0

HSL 109.48, 1%, 0.3%

LAB 55.43, -56.98, 57.37

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 38 / 0 / 76 / 11

HEX #8CE236

RGB 140 226 54

HSL 90, 0.75%, 0.55%

LAB 81.97, -51.75, 70.23

 

CMYK 18 / 0 / 76 / 11

HEX #BAE236

RGB 186 226 54

HSL 73.95, 0.75%, 0.55%

LAB 84.53, -34.86, 73.56

 

CMYK 0 / 3 / 76 / 11

HEX #E2DB36

RGB 226 219 54

HSL 57.56, 0.75%, 0.55%

LAB 85.55, -15.19, 75.57

 

CMYK 0 / 23 / 76 / 11

HEX #E2AD36

RGB 226 173 54

HSL 41.51, 0.75%, 0.55%

LAB 73.75, 8.44, 64.65

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 76 / 0 / 73 / 11

HEX #36E23D

RGB 54 226 61

HSL 122.44, 0.75%, 0.55%

LAB 79.34, -72.17, 64.47

 

CMYK 76 / 0 / 53 / 11

HEX #36E26B

RGB 54 226 107

HSL 138.49, 0.75%, 0.55%

LAB 79.75, -67.17, 45.78

 

CMYK 76 / 0 / 32 / 11

HEX #36E299

RGB 54 226 153

HSL 154.53, 0.75%, 0.55%

LAB 80.45, -59.16, 23.75

 

CMYK 76 / 0 / 12 / 11

HEX #36E2C8

RGB 54 226 200

HSL 170.93, 0.75%, 0.55%

LAB 81.48, -48.18, 0.51

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 66 / 0 / 86 / 4

HEX #53F423

RGB 83 244 35

HSL 106.22, 0.9%, 0.55%

LAB 85.33, -74.28, 77.38

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 50 / 0 / 65 / 19

HEX #67CF48

RGB 103 207 72

HSL 106.22, 0.58%, 0.55%

LAB 74.81, -54.52, 55.96

 

CMYK 40 / 0 / 52 / 26

HEX #71BD5B

RGB 113 189 91

HSL 106.53, 0.43%, 0.55%

LAB 69.94, -42.16, 41.91

 

CMYK 28 / 0 / 36 / 33

HEX #7BAA6D

RGB 123 170 109

HSL 106.23, 0.26%, 0.55%

LAB 65.01, -27.55, 26.54

 

CMYK 13 / 0 / 16 / 40

HEX #859880

RGB 133 152 128

HSL 107.5, 0.1%, 0.55%

LAB 60.78, -11.47, 10.39

 

CMYK 18 / 0 / 76 / 11

HEX #BAE236

RGB 186 226 54

HSL 73.95, 0.75%, 0.55%

LAB 84.53, -34.86, 73.56

 

CMYK 38 / 0 / 76 / 11

HEX #8CE236

RGB 140 226 54

HSL 90, 0.75%, 0.55%

LAB 81.97, -51.75, 70.23

 

CMYK 58 / 0 / 76 / 11

HEX #5EE236

RGB 94 226 54

HSL 106.05, 0.75%, 0.55%

LAB 80.2, -65.1, 67.92

 

CMYK 76 / 0 / 74 / 11

HEX #36E23B

RGB 54 226 59

HSL 121.74, 0.75%, 0.55%

LAB 79.32, -72.32, 65.13

 

CMYK 76 / 0 / 54 / 11

HEX #36E269

RGB 54 226 105

HSL 137.79, 0.75%, 0.55%

LAB 79.73, -67.45, 46.69

 

CMYK 66 / 0 / 86 / 32

HEX #3AAD18

RGB 58 173 24

HSL 106.31, 0.76%, 0.39%

LAB 62.38, -56.96, 59.33

 

CMYK 66 / 0 / 86 / 18

HEX #47D11D

RGB 71 209 29

HSL 106, 0.76%, 0.47%

LAB 74.21, -65.84, 68.77

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 47 / 0 / 61 / 9

HEX #7AE75A

RGB 122 231 90

HSL 106.38, 0.75%, 0.63%

LAB 82.93, -56.63, 57.6

 

CMYK 36 / 0 / 47 / 7

HEX #97EC7E

RGB 151 236 126

HSL 106.36, 0.74%, 0.71%

LAB 86.04, -45.8, 45.18

 

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

CMYK 76 / 0 / 3 / 11

HEX #36E2DC

RGB 54 226 220

HSL 177.91, 0.75%, 0.55%

LAB 82.02, -42.79, -9.3

 

CMYK 0 / 76 / 28 / 11

HEX #E236A3

RGB 226 54 163

HSL 321.98, 0.75%, 0.55%

LAB 53.44, 73.17, -19.49

 

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

CMYK 76 / 58 / 0 / 11

HEX #365EE2

RGB 54 94 226

HSL 226.05, 0.75%, 0.55%

LAB 44.63, 32.29, -71.06

 

CMYK 0 / 76 / 58 / 11

HEX #E2365E

RGB 226 54 94

HSL 346.05, 0.75%, 0.55%

LAB 51.4, 66.85, 18.88

 

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

CMYK 76 / 0 / 3 / 11

HEX #36E2DC

RGB 54 226 220

HSL 177.91, 0.75%, 0.55%

LAB 82.02, -42.79, -9.3

 

CMYK 18 / 76 / 0 / 11

HEX #BA36E2

RGB 186 54 226

HSL 286.05, 0.75%, 0.55%

LAB 50.18, 74.14, -61.48

 

CMYK 0 / 76 / 74 / 11

HEX #E2363B

RGB 226 54 59

HSL 358.26, 0.75%, 0.55%

LAB 50.83, 65.03, 38.85

 

CMYK 58 / 0 / 75 / 11

HEX #5FE238

RGB 95 226 56

HSL 106.24, 0.75%, 0.55%

LAB 80.24, -64.74, 67.34

 

CMYK 76 / 20 / 0 / 11

HEX #36B4E2

RGB 54 180 226

HSL 196.05, 0.75%, 0.55%

LAB 68.69, -18.78, -32.78

 

CMYK 18 / 76 / 0 / 11

HEX #BA36E2

RGB 186 54 226

HSL 286.05, 0.75%, 0.55%

LAB 50.18, 74.14, -61.48

 

CMYK 0 / 56 / 76 / 11

HEX #E26436

RGB 226 100 54

HSL 16.05, 0.75%, 0.55%

LAB 57.61, 46.45, 48.77

 

Description

Color code: HEX #5FE238 | qconv.com Color code: HEX #5FE238 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 226 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 226 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 75 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 75% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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