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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE093 it is the complementary color #A01F6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE093 shade: #64E08E, #75F2A1, #86FFB4, #97FFC7 and #A8FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE093 shade: #5FE093, #4ECE80, #3DBC6D, #2CAA5A and #1B9847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE093 shade: #60E094, #60E071, #71E060, #94E060 and #B7E060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE093 shade: #60E094, #60E0B6, #60E0D9, #60C5E0 and #60A2E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE093 shade matches the following richer shades: #60E094 and #51F091

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE093 shade: #60E094, #6FD197, #7FC29A, #8EB39D and #9DA3A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE093 shade: #71E060, #60E071, #60E093, #60E0B6 and #60E0D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE093 shade: #26C867, #3DDA7C, #60E094, #83E7AB and #A5EEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE093 shade: #5FE093, #6093E0 and #E06060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE093 shade: #5FE093, #9360E0 and #E09360

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE093 shade: #5FE093, #6093E0, #E060AD and #E0AD60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE093 shade: #5FE093, #606DE0, #E060AD and #E0D360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

Complementary color

CMYK 0 / 81 / 33 / 37

HEX #A01F6C

RGB 160 31 108

HSL 324.19, 0.68%, 0.37%

LAB 37, 57.06, -12.14

 

CMYK 55 / 0 / 37 / 12

HEX #64E08E

RGB 100 224 142

HSL 140.32, 0.67%, 0.64%

LAB 80.72, -52.51, 29.97

 

CMYK 52 / 0 / 33 / 5

HEX #75F2A1

RGB 117 242 161

HSL 141.12, 0.83%, 0.7%

LAB 86.93, -52.46, 28.7

 

CMYK 47 / 0 / 29 / 0

HEX #86FFB4

RGB 134 255 180

HSL 142.81, 1%, 0.76%

LAB 91.63, -50.25, 25.56

 

CMYK 41 / 0 / 22 / 0

HEX #97FFC7

RGB 151 255 199

HSL 147.69, 1%, 0.8%

LAB 92.67, -42.3, 17.42

 

CMYK 34 / 0 / 15 / 0

HEX #A8FFDA

RGB 168 255 218

HSL 154.48, 1%, 0.83%

LAB 93.84, -33.93, 9.43

 

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

CMYK 62 / 0 / 38 / 19

HEX #4ECE80

RGB 78 206 128

HSL 143.44, 0.57%, 0.56%

LAB 74.39, -52.6, 28.64

 

CMYK 68 / 0 / 42 / 26

HEX #3DBC6D

RGB 61 188 109

HSL 142.68, 0.51%, 0.49%

LAB 68.07, -52.29, 30.09

 

CMYK 74 / 0 / 47 / 33

HEX #2CAA5A

RGB 44 170 90

HSL 141.9, 0.59%, 0.42%

LAB 61.67, -51.67, 31.65

 

CMYK 82 / 0 / 53 / 40

HEX #1B9847

RGB 27 152 71

HSL 141.12, 0.7%, 0.35%

LAB 55.22, -50.58, 33.31

 

CMYK 57 / 0 / 34 / 12

HEX #60E094

RGB 96 224 148

HSL 144.38, 0.67%, 0.63%

LAB 80.7, -52.32, 26.84

 

CMYK 57 / 0 / 50 / 12

HEX #60E071

RGB 96 224 113

HSL 127.97, 0.67%, 0.63%

LAB 80.17, -58.01, 43.67

 

CMYK 50 / 0 / 57 / 12

HEX #71E060

RGB 113 224 96

HSL 112.03, 0.67%, 0.63%

LAB 80.55, -55.84, 52.17

 

CMYK 34 / 0 / 57 / 12

HEX #94E060

RGB 148 224 96

HSL 95.63, 0.67%, 0.63%

LAB 82.08, -45.04, 54.34

 

CMYK 18 / 0 / 57 / 12

HEX #B7E060

RGB 183 224 96

HSL 79.22, 0.67%, 0.63%

LAB 84.08, -32.4, 57.15

 

CMYK 57 / 0 / 34 / 12

HEX #60E094

RGB 96 224 148

HSL 144.38, 0.67%, 0.63%

LAB 80.7, -52.32, 26.84

 

CMYK 57 / 0 / 19 / 12

HEX #60E0B6

RGB 96 224 182

HSL 160.31, 0.67%, 0.63%

LAB 81.39, -45.32, 10.02

 

CMYK 57 / 0 / 3 / 12

HEX #60E0D9

RGB 96 224 217

HSL 176.72, 0.67%, 0.63%

LAB 82.28, -36.8, -7.24

 

CMYK 57 / 12 / 0 / 12

HEX #60C5E0

RGB 96 197 224

HSL 192.66, 0.67%, 0.63%

LAB 74.7, -21.81, -22.37

 

CMYK 57 / 28 / 0 / 12

HEX #60A2E0

RGB 96 162 224

HSL 209.06, 0.67%, 0.63%

LAB 64.73, -3.07, -37.74

 

CMYK 57 / 0 / 34 / 12

HEX #60E094

RGB 96 224 148

HSL 144.38, 0.67%, 0.63%

LAB 80.7, -52.32, 26.84

 

CMYK 66 / 0 / 40 / 6

HEX #51F091

RGB 81 240 145

HSL 144.15, 0.84%, 0.63%

LAB 85.05, -61.94, 34.09

 

CMYK 57 / 0 / 34 / 12

HEX #60E094

RGB 96 224 148

HSL 144.38, 0.67%, 0.63%

LAB 80.7, -52.32, 26.84

 

CMYK 47 / 0 / 28 / 18

HEX #6FD197

RGB 111 209 151

HSL 144.49, 0.52%, 0.63%

LAB 76.81, -41.85, 20.05

 

CMYK 35 / 0 / 21 / 24

HEX #7FC29A

RGB 127 194 154

HSL 144.18, 0.35%, 0.63%

LAB 73.17, -29.86, 13.49

 

CMYK 21 / 0 / 12 / 30

HEX #8EB39D

RGB 142 179 157

HSL 144.32, 0.2%, 0.63%

LAB 69.77, -17, 7.14

 

CMYK 4 / 0 / 2 / 36

HEX #9DA3A0

RGB 157 163 160

HSL 150, 0.03%, 0.63%

LAB 66.44, -2.71, 0.8

 

CMYK 50 / 0 / 57 / 12

HEX #71E060

RGB 113 224 96

HSL 112.03, 0.67%, 0.63%

LAB 80.55, -55.84, 52.17

 

CMYK 57 / 0 / 50 / 12

HEX #60E071

RGB 96 224 113

HSL 127.97, 0.67%, 0.63%

LAB 80.17, -58.01, 43.67

 

CMYK 57 / 0 / 34 / 12

HEX #60E093

RGB 96 224 147

HSL 143.91, 0.67%, 0.63%

LAB 80.69, -52.5, 27.33

 

CMYK 57 / 0 / 19 / 12

HEX #60E0B6

RGB 96 224 182

HSL 160.31, 0.67%, 0.63%

LAB 81.39, -45.32, 10.02

 

CMYK 57 / 0 / 4 / 12

HEX #60E0D8

RGB 96 224 216

HSL 176.25, 0.67%, 0.63%

LAB 82.25, -37.06, -6.75

 

CMYK 81 / 0 / 49 / 22

HEX #26C867

RGB 38 200 103

HSL 144.07, 0.68%, 0.47%

LAB 71.35, -60.91, 37.27

 

CMYK 72 / 0 / 43 / 15

HEX #3DDA7C

RGB 61 218 124

HSL 144.08, 0.68%, 0.55%

LAB 77.63, -60.77, 34.85

 

CMYK 57 / 0 / 34 / 12

HEX #60E094

RGB 96 224 148

HSL 144.38, 0.67%, 0.63%

LAB 80.7, -52.32, 26.84

 

CMYK 43 / 0 / 26 / 9

HEX #83E7AB

RGB 131 231 171

HSL 144, 0.68%, 0.71%

LAB 84.44, -42.41, 20.25

 

CMYK 31 / 0 / 18 / 7

HEX #A5EEC2

RGB 165 238 194

HSL 143.84, 0.68%, 0.79%

LAB 88.47, -31.56, 14.17

 

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

CMYK 57 / 34 / 0 / 12

HEX #6093E0

RGB 96 147 224

HSL 216.09, 0.67%, 0.63%

LAB 60.55, 5.54, -44.3

 

CMYK 0 / 57 / 57 / 12

HEX #E06060

RGB 224 96 96

HSL 0, 0.67%, 0.63%

LAB 57.13, 49.97, 25.26

 

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

CMYK 34 / 57 / 0 / 12

HEX #9360E0

RGB 147 96 224

HSL 263.91, 0.67%, 0.63%

LAB 51.78, 47.02, -58.03

 

CMYK 0 / 34 / 57 / 12

HEX #E09360

RGB 224 147 96

HSL 23.91, 0.67%, 0.63%

LAB 67.69, 23.93, 38.68

 

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

CMYK 57 / 34 / 0 / 12

HEX #6093E0

RGB 96 147 224

HSL 216.09, 0.67%, 0.63%

LAB 60.55, 5.54, -44.3

 

CMYK 0 / 57 / 23 / 12

HEX #E060AD

RGB 224 96 173

HSL 323.91, 0.67%, 0.63%

LAB 59.19, 58.16, -16.59

 

CMYK 0 / 23 / 57 / 12

HEX #E0AD60

RGB 224 173 96

HSL 36.09, 0.67%, 0.63%

LAB 73.92, 10.02, 46.22

 

CMYK 58 / 0 / 34 / 12

HEX #5FE093

RGB 95 224 147

HSL 144.19, 0.68%, 0.63%

LAB 80.66, -52.72, 27.29

 

CMYK 57 / 51 / 0 / 12

HEX #606DE0

RGB 96 109 224

HSL 233.91, 0.67%, 0.63%

LAB 50.46, 28.45, -60.38

 

CMYK 0 / 57 / 23 / 12

HEX #E060AD

RGB 224 96 173

HSL 323.91, 0.67%, 0.63%

LAB 59.19, 58.16, -16.59

 

CMYK 0 / 6 / 57 / 12

HEX #E0D360

RGB 224 211 96

HSL 53.91, 0.67%, 0.63%

LAB 83.59, -9.74, 57.41

 

Description

Color code: HEX #5FE093 | qconv.com Color code: HEX #5FE093 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 224 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 224 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 34 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 34% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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