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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE01D it is the complementary color #A01FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE01D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE01D shade: #64E018, #75F22B, #86FF3E, #97FF51 and #A8FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE01D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE01D shade: #5FE01D, #4ECE0A, #3DBC00, #2CAA00 and #1B9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE01D shade: #5FE11D, #94E11D, #C9E11D, #E1C41D and #E18F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE01D shade: #5FE11D, #2AE11D, #1DE144, #1DE179 and #1DE1AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE01D shade matches the following richer shades: #5FE11D and #59F608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE01D shade: #5FE11D, #66CD31, #6DB846, #73A35B and #7A8F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE01D shade: #CAE11D, #96E11D, #62E11D, #2DE11D and #1DE141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE01D shade: #409813, #50BD18, #5FE11D, #79E641 and #93EB66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE01D shade: #5FE01D, #1DE1C4 and #E11DB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE01D shade: #5FE01D, #1D62E1 and #E11D62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE01D shade: #5FE01D, #1DE1C4, #9C1DE1 and #E11D3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE01D shade: #5FE01D, #1DC4E1, #9C1DE1 and #E13A1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

Complementary color

CMYK 29 / 86 / 0 / 11

HEX #A01FE2

RGB 160 31 226

HSL 279.69, 0.77%, 0.5%

LAB 44.15, 76.22, -71.44

 

CMYK 55 / 0 / 89 / 12

HEX #64E018

RGB 100 224 24

HSL 97.2, 0.81%, 0.49%

LAB 79.66, -64.23, 74.7

 

CMYK 52 / 0 / 82 / 5

HEX #75F22B

RGB 117 242 43

HSL 97.69, 0.88%, 0.56%

LAB 85.74, -65.31, 76.36

 

CMYK 47 / 0 / 76 / 0

HEX #86FF3E

RGB 134 255 62

HSL 97.62, 1%, 0.62%

LAB 90.29, -64.29, 75.66

 

CMYK 41 / 0 / 68 / 0

HEX #97FF51

RGB 151 255 81

HSL 95.86, 1%, 0.66%

LAB 91.1, -57.97, 70.32

 

CMYK 34 / 0 / 61 / 0

HEX #A8FF64

RGB 168 255 100

HSL 93.68, 1%, 0.7%

LAB 92.03, -50.98, 64.13

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

CMYK 62 / 0 / 95 / 19

HEX #4ECE0A

RGB 78 206 10

HSL 99.18, 0.91%, 0.42%

LAB 73.41, -63.87, 71.11

 

CMYK 68 / 0 / 100 / 26

HEX #3DBC00

RGB 61 188 0

HSL 100.53, 1%, 0.37%

LAB 67.25, -61.88, 67.06

 

CMYK 74 / 0 / 100 / 33

HEX #2CAA00

RGB 44 170 0

HSL 104.47, 1%, 0.33%

LAB 61.03, -59.37, 61.97

 

CMYK 82 / 0 / 100 / 40

HEX #1B9800

RGB 27 152 0

HSL 109.34, 1%, 0.3%

LAB 54.75, -56.38, 56.83

 

CMYK 58 / 0 / 87 / 12

HEX #5FE11D

RGB 95 225 29

HSL 99.8, 0.77%, 0.5%

LAB 79.83, -65.69, 73.9

 

CMYK 34 / 0 / 87 / 12

HEX #94E11D

RGB 148 225 29

HSL 83.57, 0.77%, 0.5%

LAB 81.97, -49.58, 76.57

 

CMYK 11 / 0 / 87 / 12

HEX #C9E11D

RGB 201 225 29

HSL 67.35, 0.77%, 0.5%

LAB 85.18, -29.19, 80.54

 

CMYK 0 / 13 / 87 / 12

HEX #E1C41D

RGB 225 196 29

HSL 51.12, 0.77%, 0.5%

LAB 79.37, -4.75, 76.67

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 58 / 0 / 87 / 12

HEX #5FE11D

RGB 95 225 29

HSL 99.8, 0.77%, 0.5%

LAB 79.83, -65.69, 73.9

 

CMYK 81 / 0 / 87 / 12

HEX #2AE11D

RGB 42 225 29

HSL 116.02, 0.77%, 0.5%

LAB 78.71, -75.15, 72.5

 

CMYK 87 / 0 / 70 / 12

HEX #1DE144

RGB 29 225 68

HSL 131.94, 0.77%, 0.5%

LAB 78.77, -73.92, 61.28

 

CMYK 87 / 0 / 46 / 12

HEX #1DE179

RGB 29 225 121

HSL 148.16, 0.77%, 0.5%

LAB 79.32, -67.14, 38.43

 

CMYK 87 / 0 / 23 / 12

HEX #1DE1AE

RGB 29 225 174

HSL 164.39, 0.77%, 0.5%

LAB 80.27, -56.35, 12.48

 

CMYK 58 / 0 / 87 / 12

HEX #5FE11D

RGB 95 225 29

HSL 99.8, 0.77%, 0.5%

LAB 79.83, -65.69, 73.9

 

CMYK 64 / 0 / 97 / 4

HEX #59F608

RGB 89 246 8

HSL 99.58, 0.94%, 0.5%

LAB 86.03, -74.32, 81.63

 

CMYK 58 / 0 / 87 / 12

HEX #5FE11D

RGB 95 225 29

HSL 99.8, 0.77%, 0.5%

LAB 79.83, -65.69, 73.9

 

CMYK 50 / 0 / 76 / 20

HEX #66CD31

RGB 102 205 49

HSL 99.62, 0.61%, 0.5%

LAB 74, -55.79, 63.6

 

CMYK 41 / 0 / 62 / 28

HEX #6DB846

RGB 109 184 70

HSL 99.47, 0.45%, 0.5%

LAB 68, -43.64, 49.4

 

CMYK 29 / 0 / 44 / 36

HEX #73A35B

RGB 115 163 91

HSL 100, 0.28%, 0.5%

LAB 62.16, -29.66, 32.3

 

CMYK 15 / 0 / 22 / 44

HEX #7A8F6F

RGB 122 143 111

HSL 99.38, 0.13%, 0.5%

LAB 57.01, -13.78, 14.59

 

CMYK 10 / 0 / 87 / 12

HEX #CAE11D

RGB 202 225 29

HSL 67.04, 0.77%, 0.5%

LAB 85.25, -28.78, 80.63

 

CMYK 33 / 0 / 87 / 12

HEX #96E11D

RGB 150 225 29

HSL 82.96, 0.77%, 0.5%

LAB 82.07, -48.87, 76.7

 

CMYK 56 / 0 / 87 / 12

HEX #62E11D

RGB 98 225 29

HSL 98.88, 0.77%, 0.5%

LAB 79.92, -64.94, 74.02

 

CMYK 80 / 0 / 87 / 12

HEX #2DE11D

RGB 45 225 29

HSL 115.1, 0.77%, 0.5%

LAB 78.75, -74.81, 72.55

 

CMYK 87 / 0 / 71 / 12

HEX #1DE141

RGB 29 225 65

HSL 131.02, 0.77%, 0.5%

LAB 78.75, -74.18, 62.36

 

CMYK 58 / 0 / 88 / 40

HEX #409813

RGB 64 152 19

HSL 99.7, 0.78%, 0.34%

LAB 55.68, -48.34, 54.64

 

CMYK 58 / 0 / 87 / 26

HEX #50BD18

RGB 80 189 24

HSL 99.64, 0.77%, 0.42%

LAB 68.14, -57.23, 64.62

 

CMYK 58 / 0 / 87 / 12

HEX #5FE11D

RGB 95 225 29

HSL 99.8, 0.77%, 0.5%

LAB 79.83, -65.69, 73.9

 

CMYK 47 / 0 / 72 / 10

HEX #79E641

RGB 121 230 65

HSL 99.64, 0.77%, 0.58%

LAB 82.4, -58.61, 66.76

 

CMYK 37 / 0 / 57 / 8

HEX #93EB66

RGB 147 235 102

HSL 99.7, 0.77%, 0.66%

LAB 85.29, -49.4, 55.36

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

CMYK 87 / 0 / 13 / 12

HEX #1DE1C4

RGB 29 225 196

HSL 171.12, 0.77%, 0.5%

LAB 80.79, -50.83, 1.59

 

CMYK 0 / 87 / 22 / 12

HEX #E11DB0

RGB 225 29 176

HSL 315, 0.77%, 0.5%

LAB 51.86, 80.08, -29.58

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

CMYK 87 / 56 / 0 / 12

HEX #1D62E1

RGB 29 98 225

HSL 218.88, 0.77%, 0.5%

LAB 44.85, 27.31, -70.17

 

CMYK 0 / 87 / 56 / 12

HEX #E11D62

RGB 225 29 98

HSL 338.88, 0.77%, 0.5%

LAB 49.21, 72.78, 13.43

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

CMYK 87 / 0 / 13 / 12

HEX #1DE1C4

RGB 29 225 196

HSL 171.12, 0.77%, 0.5%

LAB 80.79, -50.83, 1.59

 

CMYK 31 / 87 / 0 / 12

HEX #9C1DE1

RGB 156 29 225

HSL 278.88, 0.77%, 0.5%

LAB 43.33, 75.91, -72.23

 

CMYK 0 / 87 / 74 / 12

HEX #E11D3A

RGB 225 29 58

HSL 351.12, 0.77%, 0.5%

LAB 48.5, 70.73, 36.74

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01D

RGB 95 224 29

HSL 99.69, 0.77%, 0.5%

LAB 79.52, -65.35, 73.64

 

CMYK 87 / 13 / 0 / 12

HEX #1DC4E1

RGB 29 196 225

HSL 188.88, 0.77%, 0.5%

LAB 73.01, -29.29, -25.62

 

CMYK 31 / 87 / 0 / 12

HEX #9C1DE1

RGB 156 29 225

HSL 278.88, 0.77%, 0.5%

LAB 43.33, 75.91, -72.23

 

CMYK 0 / 74 / 87 / 12

HEX #E13A1D

RGB 225 58 29

HSL 8.88, 0.77%, 0.5%

LAB 50.83, 62.6, 53.99

 

Description

Color code: HEX #5FE01D | qconv.com Color code: HEX #5FE01D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 224 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 224 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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