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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE5E1 it is the complementary color #A01A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE5E1 shade: #64E5DC, #75F7EF, #86FFFF, #97FFFF and #A8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE5E1 shade: #5FE5E1, #4ED3CE, #3DC1BB, #2CAFA8 and #1B9D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE5E1 shade: #61E5E1, #61E5BD, #61E59A, #61E576 and #6FE561

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE5E1 shade: #61E5E1, #61C5E5, #61A1E5, #617EE5 and #6161E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE5E1 shade matches the following richer shades: #61E5E1 and #52F4EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE5E1 shade: #61E5E1, #6FD6D3, #7EC7C5, #8DB8B7 and #9CA9A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE5E1 shade: #61E59A, #61E5BD, #61E5E0, #61C6E5 and #61A3E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE5E1 shade: #22D1CC, #3DDFDA, #61E5E1, #84EBE8 and #A8F0EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE5E1 shade: #5FE5E1, #7761E5 and #E5AC61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE5E1 shade: #5FE5E1, #E061E5 and #E5E061

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE5E1 shade: #5FE5E1, #7761E5, #E56165 and #CFE561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE5E1 shade: #5FE5E1, #9E61E5, #E56165 and #A7E561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

Complementary color

CMYK 0 / 84 / 81 / 37

HEX #A01A1E

RGB 160 26 30

HSL 358.21, 0.72%, 0.36%

LAB 34.61, 52.65, 34.18

 

CMYK 56 / 0 / 4 / 10

HEX #64E5DC

RGB 100 229 220

HSL 175.81, 0.71%, 0.65%

LAB 83.92, -37.58, -6.38

 

CMYK 53 / 0 / 3 / 3

HEX #75F7EF

RGB 117 247 239

HSL 176.31, 0.89%, 0.71%

LAB 90.11, -37.75, -7.14

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

CMYK 63 / 0 / 2 / 17

HEX #4ED3CE

RGB 78 211 206

HSL 177.74, 0.6%, 0.57%

LAB 77.68, -36.81, -8.24

 

CMYK 68 / 0 / 3 / 24

HEX #3DC1BB

RGB 61 193 187

HSL 177.27, 0.52%, 0.5%

LAB 71.36, -36.27, -7.37

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 83 / 0 / 5 / 38

HEX #1B9D95

RGB 27 157 149

HSL 176.31, 0.71%, 0.36%

LAB 58.52, -34.45, -5.32

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E1

RGB 97 229 225

HSL 178.18, 0.72%, 0.64%

LAB 83.97, -36.83, -8.95

 

CMYK 58 / 0 / 17 / 10

HEX #61E5BD

RGB 97 229 189

HSL 161.82, 0.72%, 0.64%

LAB 83.05, -45.69, 8.7

 

CMYK 58 / 0 / 33 / 10

HEX #61E59A

RGB 97 229 154

HSL 145.91, 0.72%, 0.64%

LAB 82.33, -52.99, 25.96

 

CMYK 58 / 0 / 48 / 10

HEX #61E576

RGB 97 229 118

HSL 129.55, 0.72%, 0.64%

LAB 81.78, -58.96, 43.26

 

CMYK 52 / 0 / 58 / 10

HEX #6FE561

RGB 111 229 97

HSL 113.64, 0.72%, 0.64%

LAB 81.99, -58.17, 53.38

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E1

RGB 97 229 225

HSL 178.18, 0.72%, 0.64%

LAB 83.97, -36.83, -8.95

 

CMYK 58 / 14 / 0 / 10

HEX #61C5E5

RGB 97 197 229

HSL 194.55, 0.72%, 0.64%

LAB 74.91, -20.17, -24.75

 

CMYK 58 / 30 / 0 / 10

HEX #61A1E5

RGB 97 161 229

HSL 210.91, 0.72%, 0.64%

LAB 64.71, -0.73, -40.52

 

CMYK 58 / 45 / 0 / 10

HEX #617EE5

RGB 97 126 229

HSL 226.82, 0.72%, 0.64%

LAB 55.2, 19.9, -55.58

 

CMYK 58 / 58 / 0 / 10

HEX #6161E5

RGB 97 97 229

HSL 240, 0.72%, 0.64%

LAB 47.94, 37.53, -67.27

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E1

RGB 97 229 225

HSL 178.18, 0.72%, 0.64%

LAB 83.97, -36.83, -8.95

 

CMYK 66 / 0 / 2 / 4

HEX #52F4EF

RGB 82 244 239

HSL 178.15, 0.88%, 0.64%

LAB 88.32, -42.26, -9.9

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E1

RGB 97 229 225

HSL 178.18, 0.72%, 0.64%

LAB 83.97, -36.83, -8.95

 

CMYK 48 / 0 / 1 / 16

HEX #6FD6D3

RGB 111 214 211

HSL 178.25, 0.56%, 0.64%

LAB 79.71, -30.64, -7.79

 

CMYK 37 / 0 / 1 / 22

HEX #7EC7C5

RGB 126 199 197

HSL 178.36, 0.39%, 0.64%

LAB 75.65, -23.15, -6.21

 

CMYK 23 / 0 / 1 / 28

HEX #8DB8B7

RGB 141 184 183

HSL 178.6, 0.23%, 0.64%

LAB 71.8, -14.45, -4.18

 

CMYK 8 / 0 / 0 / 34

HEX #9CA9A9

RGB 156 169 169

HSL 180, 0.07%, 0.64%

LAB 68.25, -4.55, -1.57

 

CMYK 58 / 0 / 33 / 10

HEX #61E59A

RGB 97 229 154

HSL 145.91, 0.72%, 0.64%

LAB 82.33, -52.99, 25.96

 

CMYK 58 / 0 / 17 / 10

HEX #61E5BD

RGB 97 229 189

HSL 161.82, 0.72%, 0.64%

LAB 83.05, -45.69, 8.7

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E0

RGB 97 229 224

HSL 177.73, 0.72%, 0.64%

LAB 83.95, -37.09, -8.47

 

CMYK 58 / 14 / 0 / 10

HEX #61C6E5

RGB 97 198 229

HSL 194.09, 0.72%, 0.64%

LAB 75.19, -20.68, -24.31

 

CMYK 58 / 29 / 0 / 10

HEX #61A3E5

RGB 97 163 229

HSL 210, 0.72%, 0.64%

LAB 65.27, -1.87, -39.64

 

CMYK 84 / 0 / 2 / 18

HEX #22D1CC

RGB 34 209 204

HSL 178.29, 0.72%, 0.48%

LAB 76.25, -41.46, -9.37

 

CMYK 73 / 0 / 2 / 13

HEX #3DDFDA

RGB 61 223 218

HSL 178.15, 0.72%, 0.56%

LAB 81.2, -41.27, -9.46

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E1

RGB 97 229 225

HSL 178.18, 0.72%, 0.64%

LAB 83.97, -36.83, -8.95

 

CMYK 44 / 0 / 1 / 8

HEX #84EBE8

RGB 132 235 232

HSL 178.25, 0.72%, 0.72%

LAB 87.07, -30.69, -7.92

 

CMYK 30 / 0 / 1 / 6

HEX #A8F0EE

RGB 168 240 238

HSL 178.33, 0.71%, 0.8%

LAB 90.24, -22.57, -6.19

 

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

CMYK 48 / 58 / 0 / 10

HEX #7761E5

RGB 119 97 229

HSL 250, 0.72%, 0.64%

LAB 49.65, 41.7, -64.42

 

CMYK 0 / 25 / 58 / 10

HEX #E5AC61

RGB 229 172 97

HSL 34.09, 0.72%, 0.64%

LAB 74.21, 12.71, 46.19

 

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

CMYK 2 / 58 / 0 / 10

HEX #E061E5

RGB 224 97 229

HSL 297.73, 0.72%, 0.64%

LAB 61.7, 66.43, -44.48

 

CMYK 0 / 2 / 58 / 10

HEX #E5E061

RGB 229 224 97

HSL 57.73, 0.72%, 0.64%

LAB 87.4, -14.12, 61.35

 

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

CMYK 48 / 58 / 0 / 10

HEX #7761E5

RGB 119 97 229

HSL 250, 0.72%, 0.64%

LAB 49.65, 41.7, -64.42

 

CMYK 0 / 58 / 56 / 10

HEX #E56165

RGB 229 97 101

HSL 358.18, 0.72%, 0.64%

LAB 58.18, 51.62, 23.9

 

CMYK 10 / 0 / 58 / 10

HEX #CFE561

RGB 207 229 97

HSL 70, 0.72%, 0.64%

LAB 87.08, -25.37, 60.53

 

CMYK 59 / 0 / 2 / 10

HEX #5FE5E1

RGB 95 229 225

HSL 178.21, 0.72%, 0.64%

LAB 83.92, -37.18, -9.04

 

CMYK 31 / 58 / 0 / 10

HEX #9E61E5

RGB 158 97 229

HSL 267.73, 0.72%, 0.64%

LAB 53.47, 50.28, -58.08

 

CMYK 0 / 58 / 56 / 10

HEX #E56165

RGB 229 97 101

HSL 358.18, 0.72%, 0.64%

LAB 58.18, 51.62, 23.9

 

CMYK 27 / 0 / 58 / 10

HEX #A7E561

RGB 167 229 97

HSL 88.18, 0.72%, 0.64%

LAB 84.54, -40.49, 56.98

 

Description

Color code: HEX #5FE5E1 | qconv.com Color code: HEX #5FE5E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 229 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 229 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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