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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FCE57 it is the complementary color #A031A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FCE57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FCE57 shade: #64CE52, #75E065, #86F278, #97FF8B and #A8FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FCE57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FCE57 shade: #5FCE57, #4EBC44, #3DAA31, #2C981E and #1B860B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FCE57 shade: #5DCD55, #7DCD55, #9ECD55, #BECD55 and #CDBC55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FCE57 shade: #5DCD55, #55CD6D, #55CD8D, #55CDAE and #55CCCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FCE57 shade matches the following richer shades: #5DCD55, #4DDF43 and #3EF131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FCE57 shade: #5DCD55, #6CBB66, #7BAA78, #8B988A and #9A869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FCE57 shade: #9FCD55, #7FCD55, #5FCD55, #55CD6B and #55CD8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FCE57 shade: #36A12E, #41C138, #5DCD55, #7BD675 and #9AE094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FCE57 shade: #5FCE57, #55BFCD and #CD558F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FCE57 shade: #5FCE57, #555FCD and #CD555F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FCE57 shade: #5FCE57, #55BFCD, #C355CD and #CD6355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FCE57 shade: #5FCE57, #559BCD, #C355CD and #CD8755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

Complementary color

CMYK 5 / 71 / 0 / 34

HEX #A031A8

RGB 160 49 168

HSL 295.97, 0.55%, 0.43%

LAB 42, 60.07, -41.14

 

CMYK 51 / 0 / 60 / 19

HEX #64CE52

RGB 100 206 82

HSL 111.29, 0.56%, 0.56%

LAB 74.48, -53.99, 51.3

 

CMYK 48 / 0 / 55 / 12

HEX #75E065

RGB 117 224 101

HSL 112.2, 0.66%, 0.64%

LAB 80.76, -54.15, 50.18

 

CMYK 45 / 0 / 50 / 5

HEX #86F278

RGB 134 242 120

HSL 113.11, 0.82%, 0.71%

LAB 86.96, -54.18, 48.99

 

CMYK 41 / 0 / 45 / 0

HEX #97FF8B

RGB 151 255 139

HSL 113.79, 1%, 0.77%

LAB 91.67, -52.07, 46

 

CMYK 34 / 0 / 38 / 0

HEX #A8FF9E

RGB 168 255 158

HSL 113.81, 1%, 0.81%

LAB 92.71, -44.3, 38.27

 

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

CMYK 59 / 0 / 64 / 26

HEX #4EBC44

RGB 78 188 68

HSL 115, 0.47%, 0.5%

LAB 68.02, -54.39, 49.96

 

CMYK 64 / 0 / 71 / 33

HEX #3DAA31

RGB 61 170 49

HSL 114.05, 0.55%, 0.43%

LAB 61.62, -53.68, 50.77

 

CMYK 71 / 0 / 80 / 40

HEX #2C981E

RGB 44 152 30

HSL 113.11, 0.67%, 0.36%

LAB 55.16, -52.45, 50.95

 

CMYK 80 / 0 / 92 / 47

HEX #1B860B

RGB 27 134 11

HSL 112.2, 0.85%, 0.28%

LAB 48.65, -50.43, 49.86

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 39 / 0 / 59 / 20

HEX #7DCD55

RGB 125 205 85

HSL 100, 0.55%, 0.57%

LAB 75.25, -45.75, 51.12

 

CMYK 23 / 0 / 59 / 20

HEX #9ECD55

RGB 158 205 85

HSL 83.5, 0.55%, 0.57%

LAB 77.03, -34.05, 53.62

 

CMYK 7 / 0 / 59 / 20

HEX #BECD55

RGB 190 205 85

HSL 67.5, 0.55%, 0.57%

LAB 79.19, -21.47, 56.63

 

CMYK 0 / 8 / 59 / 20

HEX #CDBC55

RGB 205 188 85

HSL 51.5, 0.55%, 0.57%

LAB 75.82, -6.67, 53.2

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 59 / 0 / 47 / 20

HEX #55CD6D

RGB 85 205 109

HSL 132, 0.55%, 0.57%

LAB 74, -53.89, 37.83

 

CMYK 59 / 0 / 31 / 20

HEX #55CD8D

RGB 85 205 141

HSL 148, 0.55%, 0.57%

LAB 74.52, -48.29, 22.04

 

CMYK 59 / 0 / 15 / 20

HEX #55CDAE

RGB 85 205 174

HSL 164.5, 0.55%, 0.57%

LAB 75.23, -41.05, 5.42

 

CMYK 59 / 0 / 0 / 20

HEX #55CCCD

RGB 85 204 205

HSL 180.5, 0.55%, 0.57%

LAB 75.78, -32.63, -10.51

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 65 / 0 / 70 / 13

HEX #4DDF43

RGB 77 223 67

HSL 116.15, 0.71%, 0.57%

LAB 78.9, -66.89, 62.02

 

CMYK 74 / 0 / 80 / 5

HEX #3EF131

RGB 62 241 49

HSL 115.94, 0.87%, 0.57%

LAB 84.05, -76.31, 72.77

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 42 / 0 / 45 / 27

HEX #6CBB66

RGB 108 187 102

HSL 115.76, 0.38%, 0.57%

LAB 69.25, -41.41, 35.53

 

CMYK 28 / 0 / 29 / 33

HEX #7BAA78

RGB 123 170 120

HSL 116.4, 0.23%, 0.57%

LAB 65.21, -25.76, 20.87

 

CMYK 9 / 0 / 9 / 40

HEX #8B988A

RGB 139 152 138

HSL 115.71, 0.06%, 0.57%

LAB 61.46, -7.41, 5.78

 

CMYK 1 / 14 / 0 / 39

HEX #9A869C

RGB 154 134 156

HSL 294.55, 0.1%, 0.57%

LAB 58.34, 11.68, -8.92

 

CMYK 22 / 0 / 59 / 20

HEX #9FCD55

RGB 159 205 85

HSL 83, 0.55%, 0.57%

LAB 77.09, -33.68, 53.71

 

CMYK 38 / 0 / 59 / 20

HEX #7FCD55

RGB 127 205 85

HSL 99, 0.55%, 0.57%

LAB 75.35, -45.09, 51.25

 

CMYK 54 / 0 / 59 / 20

HEX #5FCD55

RGB 95 205 85

HSL 115, 0.55%, 0.57%

LAB 74.03, -54.62, 49.39

 

CMYK 59 / 0 / 48 / 20

HEX #55CD6B

RGB 85 205 107

HSL 131, 0.55%, 0.57%

LAB 73.97, -54.19, 38.79

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8B

RGB 85 205 139

HSL 147, 0.55%, 0.57%

LAB 74.48, -48.68, 23.04

 

CMYK 66 / 0 / 71 / 37

HEX #36A12E

RGB 54 161 46

HSL 115.83, 0.56%, 0.41%

LAB 58.48, -52.29, 48.62

 

CMYK 66 / 0 / 71 / 24

HEX #41C138

RGB 65 193 56

HSL 116.06, 0.55%, 0.49%

LAB 69.15, -60.19, 55.92

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 43 / 0 / 45 / 16

HEX #7BD675

RGB 123 214 117

HSL 116.29, 0.54%, 0.65%

LAB 78.22, -46.3, 39.48

 

CMYK 31 / 0 / 34 / 12

HEX #9AE094

RGB 154 224 148

HSL 115.26, 0.55%, 0.73%

LAB 83.08, -36.44, 30.45

 

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

CMYK 59 / 7 / 0 / 20

HEX #55BFCD

RGB 85 191 205

HSL 187, 0.55%, 0.57%

LAB 71.96, -26.32, -16.24

 

CMYK 0 / 59 / 30 / 20

HEX #CD558F

RGB 205 85 143

HSL 331, 0.55%, 0.57%

LAB 53.45, 53.43, -8

 

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

CMYK 59 / 54 / 0 / 20

HEX #555FCD

RGB 85 95 205

HSL 235, 0.55%, 0.57%

LAB 44.97, 28.8, -58.44

 

CMYK 0 / 59 / 54 / 20

HEX #CD555F

RGB 205 85 95

HSL 355, 0.55%, 0.57%

LAB 52.18, 48.41, 18.72

 

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

CMYK 59 / 7 / 0 / 20

HEX #55BFCD

RGB 85 191 205

HSL 187, 0.55%, 0.57%

LAB 71.96, -26.32, -16.24

 

CMYK 5 / 59 / 0 / 20

HEX #C355CD

RGB 195 85 205

HSL 295, 0.55%, 0.57%

LAB 54.56, 60.2, -42.46

 

CMYK 0 / 52 / 59 / 20

HEX #CD6355

RGB 205 99 85

HSL 7, 0.55%, 0.57%

LAB 54.61, 40.83, 27.76

 

CMYK 54 / 0 / 58 / 19

HEX #5FCE57

RGB 95 206 87

HSL 115.97, 0.55%, 0.57%

LAB 74.36, -54.77, 48.87

 

CMYK 59 / 24 / 0 / 20

HEX #559BCD

RGB 85 155 205

HSL 205, 0.55%, 0.57%

LAB 61.47, -7.31, -32.31

 

CMYK 5 / 59 / 0 / 20

HEX #C355CD

RGB 195 85 205

HSL 295, 0.55%, 0.57%

LAB 54.56, 60.2, -42.46

 

CMYK 0 / 34 / 59 / 20

HEX #CD8755

RGB 205 135 85

HSL 25, 0.55%, 0.57%

LAB 62.48, 21.75, 37.58

 

Description

Color code: HEX #5FCE57 | qconv.com Color code: HEX #5FCE57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 206 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 206 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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