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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FB55F it is the complementary color #A04AA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FB55F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FB55F shade: #64B55A, #75C76D, #86D980, #97EB93 and #A8FDA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FB55F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FB55F shade: #5FB55F, #4EA34C, #3D9139, #2C7F26 and #1B6D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FB55F shade: #5EB55E, #75B55E, #8DB55E, #A4B55E and #B5AE5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FB55F shade: #5EB55E, #5EB575, #5EB58D, #5EB5A4 and #5EAEB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FB55F shade matches the following richer shades: #5EB55E, #4BC84B, #38DB38 and #25EE25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FB55F shade: #5EB55E, #71A271, #848F84, #977C97 and #AA69AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FB55F shade: #8CB55E, #75B55E, #5EB55E, #5EB575 and #5EB58C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FB55F shade: #3C843C, #49A049, #5EB55E, #7AC27A and #96CF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FB55F shade: #5FB55F, #5EA3B5 and #B55E81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FB55F shade: #5FB55F, #5E5EB5 and #B55E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FB55F shade: #5FB55F, #5EA3B5, #B55EB5 and #B56F5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FB55F shade: #5FB55F, #5E89B5, #B55EB5 and #B5895E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

Complementary color

CMYK 0 / 54 / 0 / 37

HEX #A04AA0

RGB 160 74 160

HSL 300, 0.37%, 0.46%

LAB 45.51, 47.76, -30.83

 

CMYK 45 / 0 / 50 / 29

HEX #64B55A

RGB 100 181 90

HSL 113.41, 0.38%, 0.53%

LAB 66.9, -42.94, 38.56

 

CMYK 41 / 0 / 45 / 22

HEX #75C76D

RGB 117 199 109

HSL 114.67, 0.45%, 0.6%

LAB 73.37, -42.84, 37.29

 

CMYK 38 / 0 / 41 / 15

HEX #86D980

RGB 134 217 128

HSL 115.96, 0.54%, 0.68%

LAB 79.76, -42.67, 36.05

 

CMYK 36 / 0 / 37 / 8

HEX #97EB93

RGB 151 235 147

HSL 117.27, 0.69%, 0.75%

LAB 86.06, -42.46, 34.86

 

CMYK 34 / 0 / 34 / 1

HEX #A8FDA6

RGB 168 253 166

HSL 118.62, 0.96%, 0.82%

LAB 92.28, -42.23, 33.72

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

CMYK 52 / 0 / 53 / 36

HEX #4EA34C

RGB 78 163 76

HSL 118.62, 0.36%, 0.47%

LAB 60.19, -43.73, 37.15

 

CMYK 58 / 0 / 61 / 43

HEX #3D9139

RGB 61 145 57

HSL 117.27, 0.44%, 0.4%

LAB 53.53, -43.5, 38.44

 

CMYK 65 / 0 / 70 / 50

HEX #2C7F26

RGB 44 127 38

HSL 115.96, 0.54%, 0.32%

LAB 46.78, -42.9, 39.51

 

CMYK 75 / 0 / 83 / 57

HEX #1B6D13

RGB 27 109 19

HSL 114.67, 0.7%, 0.25%

LAB 39.94, -41.63, 39.89

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 35 / 0 / 48 / 29

HEX #75B55E

RGB 117 181 94

HSL 104.14, 0.37%, 0.54%

LAB 67.75, -36.93, 37.79

 

CMYK 22 / 0 / 48 / 29

HEX #8DB55E

RGB 141 181 94

HSL 87.59, 0.37%, 0.54%

LAB 69.13, -28.28, 39.79

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 0 / 4 / 48 / 29

HEX #B5AE5E

RGB 181 174 94

HSL 55.17, 0.37%, 0.54%

LAB 70.11, -8.68, 41.67

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 48 / 0 / 35 / 29

HEX #5EB575

RGB 94 181 117

HSL 135.86, 0.37%, 0.54%

LAB 67.06, -40.46, 24.73

 

CMYK 48 / 0 / 22 / 29

HEX #5EB58D

RGB 94 181 141

HSL 152.41, 0.37%, 0.54%

LAB 67.54, -35.73, 12.4

 

CMYK 48 / 0 / 9 / 29

HEX #5EB5A4

RGB 94 181 164

HSL 168.28, 0.37%, 0.54%

LAB 68.1, -30.44, 0.56

 

CMYK 48 / 4 / 0 / 29

HEX #5EAEB5

RGB 94 174 181

HSL 184.83, 0.37%, 0.54%

LAB 66.51, -22.59, -11.19

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 63 / 0 / 63 / 22

HEX #4BC84B

RGB 75 200 75

HSL 120, 0.53%, 0.54%

LAB 71.77, -58.69, 51.08

 

CMYK 74 / 0 / 74 / 14

HEX #38DB38

RGB 56 219 56

HSL 120, 0.69%, 0.54%

LAB 77.15, -70.12, 63.98

 

CMYK 84 / 0 / 84 / 7

HEX #25EE25

RGB 37 238 37

HSL 120, 0.86%, 0.54%

LAB 82.74, -78.97, 74.39

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 30 / 0 / 30 / 36

HEX #71A271

RGB 113 162 113

HSL 120, 0.21%, 0.54%

LAB 62.12, -26.46, 20.4

 

CMYK 8 / 0 / 8 / 44

HEX #848F84

RGB 132 143 132

HSL 120, 0.05%, 0.54%

LAB 58.24, -6.18, 4.48

 

CMYK 0 / 18 / 0 / 41

HEX #977C97

RGB 151 124 151

HSL 300, 0.11%, 0.54%

LAB 55.31, 15.36, -10.6

 

CMYK 0 / 38 / 0 / 33

HEX #AA69AA

RGB 170 105 170

HSL 300, 0.28%, 0.54%

LAB 53.55, 36.39, -24.12

 

CMYK 23 / 0 / 48 / 29

HEX #8CB55E

RGB 140 181 94

HSL 88.28, 0.37%, 0.54%

LAB 69.06, -28.66, 39.7

 

CMYK 35 / 0 / 48 / 29

HEX #75B55E

RGB 117 181 94

HSL 104.14, 0.37%, 0.54%

LAB 67.75, -36.93, 37.79

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 48 / 0 / 35 / 29

HEX #5EB575

RGB 94 181 117

HSL 135.86, 0.37%, 0.54%

LAB 67.06, -40.46, 24.73

 

CMYK 48 / 0 / 23 / 29

HEX #5EB58C

RGB 94 181 140

HSL 151.72, 0.37%, 0.54%

LAB 67.52, -35.94, 12.92

 

CMYK 55 / 0 / 55 / 48

HEX #3C843C

RGB 60 132 60

HSL 120, 0.38%, 0.38%

LAB 49.24, -38.06, 31.86

 

CMYK 54 / 0 / 54 / 37

HEX #49A049

RGB 73 160 73

HSL 120, 0.37%, 0.46%

LAB 59.01, -44.28, 37.17

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 37 / 0 / 37 / 24

HEX #7AC27A

RGB 122 194 122

HSL 120, 0.37%, 0.62%

LAB 72.31, -37.11, 29.3

 

CMYK 28 / 0 / 28 / 19

HEX #96CF96

RGB 150 207 150

HSL 120, 0.37%, 0.7%

LAB 78.06, -29.5, 22.59

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

CMYK 48 / 10 / 0 / 29

HEX #5EA3B5

RGB 94 163 181

HSL 192.41, 0.37%, 0.54%

LAB 63.27, -16.88, -16.07

 

CMYK 0 / 48 / 29 / 29

HEX #B55E81

RGB 181 94 129

HSL 335.86, 0.37%, 0.54%

LAB 51.17, 39.25, -3.46

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 0 / 48 / 48 / 29

HEX #B55E5E

RGB 181 94 94

HSL 0, 0.37%, 0.54%

LAB 50.26, 35.09, 16.1

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

CMYK 48 / 10 / 0 / 29

HEX #5EA3B5

RGB 94 163 181

HSL 192.41, 0.37%, 0.54%

LAB 63.27, -16.88, -16.07

 

CMYK 0 / 48 / 0 / 29

HEX #B55EB5

RGB 181 94 181

HSL 300, 0.37%, 0.54%

LAB 53.13, 47.67, -31.04

 

CMYK 0 / 39 / 48 / 29

HEX #B56F5E

RGB 181 111 94

HSL 11.72, 0.37%, 0.54%

LAB 54.03, 25.87, 21.19

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55F

RGB 95 181 95

HSL 120, 0.37%, 0.54%

LAB 66.75, -43.73, 35.82

 

CMYK 48 / 24 / 0 / 29

HEX #5E89B5

RGB 94 137 181

HSL 210.34, 0.37%, 0.54%

LAB 55.69, -2.48, -27.67

 

CMYK 0 / 48 / 0 / 29

HEX #B55EB5

RGB 181 94 181

HSL 300, 0.37%, 0.54%

LAB 53.13, 47.67, -31.04

 

CMYK 0 / 24 / 48 / 29

HEX #B5895E

RGB 181 137 94

HSL 29.66, 0.37%, 0.54%

LAB 60.36, 11.38, 29.49

 

Description

Color code: HEX #5FB55F | qconv.com Color code: HEX #5FB55F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 181 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 181 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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