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Color name
HEX #5F962A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F962A it is the complementary color #A069D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F962A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F962A shade: #649625, #75A838, #86BA4B, #97CC5E and #A8DE71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F962A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F962A shade: #5F962A, #4E8417, #3D7204, #2C6000 and #1B4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F962A shade: #5F972A, #7D972A, #97932A, #97762A and #97592A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F962A shade: #5F972A, #42972A, #2A972F, #2A974D and #2A976A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F962A shade matches the following richer shades: #5F972A, #5FA61A and #5FB60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F962A shade: #5F972A, #60873A, #607749, #606859 and #615869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F962A shade: #97932A, #7D972A, #60972A, #43972A and #2A972E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F962A shade: #375618, #4B7621, #5F972A, #74B733 and #88CB48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F962A shade: #5F962A, #2A9776 and #972A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F962A shade: #5F962A, #2A6097 and #972A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F962A shade: #5F962A, #2A9776, #602A97 and #972A4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F962A shade: #5F962A, #2A9797, #602A97 and #972A2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

Complementary color

CMYK 25 / 51 / 0 / 16

HEX #A069D5

RGB 160 105 213

HSL 270.56, 0.56%, 0.62%

LAB 54.43, 42.66, -47.5

 

CMYK 33 / 0 / 75 / 41

HEX #649625

RGB 100 150 37

HSL 86.55, 0.6%, 0.37%

LAB 56.74, -34.63, 50.86

 

CMYK 30 / 0 / 67 / 34

HEX #75A838

RGB 117 168 56

HSL 87.32, 0.5%, 0.44%

LAB 63.4, -35.01, 50.53

 

CMYK 28 / 0 / 60 / 27

HEX #86BA4B

RGB 134 186 75

HSL 88.11, 0.45%, 0.51%

LAB 69.96, -35.23, 49.72

 

CMYK 26 / 0 / 54 / 20

HEX #97CC5E

RGB 151 204 94

HSL 88.91, 0.52%, 0.58%

LAB 76.42, -35.34, 48.7

 

CMYK 24 / 0 / 49 / 13

HEX #A8DE71

RGB 168 222 113

HSL 89.72, 0.62%, 0.66%

LAB 82.79, -35.38, 47.59

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 41 / 0 / 83 / 48

HEX #4E8417

RGB 78 132 23

HSL 89.72, 0.7%, 0.3%

LAB 49.72, -35.63, 48.46

 

CMYK 46 / 0 / 96 / 55

HEX #3D7204

RGB 61 114 4

HSL 88.91, 0.93%, 0.23%

LAB 42.82, -34.73, 46.84

 

CMYK 54 / 0 / 100 / 62

HEX #2C6000

RGB 44 96 0

HSL 92.5, 1%, 0.19%

LAB 35.79, -33.17, 41.97

 

CMYK 65 / 0 / 100 / 69

HEX #1B4E00

RGB 27 78 0

HSL 99.23, 1%, 0.15%

LAB 28.6, -31.17, 36.01

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 17 / 0 / 72 / 41

HEX #7D972A

RGB 125 151 42

HSL 74.31, 0.56%, 0.38%

LAB 58.66, -24.7, 51.43

 

CMYK 0 / 3 / 72 / 41

HEX #97932A

RGB 151 147 42

HSL 57.8, 0.56%, 0.38%

LAB 59.54, -11.27, 52.98

 

CMYK 0 / 22 / 72 / 41

HEX #97762A

RGB 151 118 42

HSL 41.83, 0.56%, 0.38%

LAB 51.5, 4.75, 44.96

 

CMYK 0 / 41 / 72 / 41

HEX #97592A

RGB 151 89 42

HSL 25.87, 0.56%, 0.38%

LAB 44.08, 21.39, 37.16

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 56 / 0 / 72 / 41

HEX #42972A

RGB 66 151 42

HSL 106.79, 0.56%, 0.38%

LAB 55.54, -46.01, 47.26

 

CMYK 72 / 0 / 69 / 41

HEX #2A972F

RGB 42 151 47

HSL 122.75, 0.56%, 0.38%

LAB 54.9, -51.09, 44.33

 

CMYK 72 / 0 / 49 / 41

HEX #2A974D

RGB 42 151 77

HSL 139.27, 0.56%, 0.38%

LAB 55.24, -47.08, 30.28

 

CMYK 72 / 0 / 30 / 41

HEX #2A976A

RGB 42 151 106

HSL 155.23, 0.56%, 0.38%

LAB 55.75, -41.36, 15.11

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 43 / 0 / 84 / 35

HEX #5FA61A

RGB 95 166 26

HSL 90.43, 0.73%, 0.38%

LAB 61.46, -43.91, 58.53

 

CMYK 48 / 0 / 94 / 29

HEX #5FB60B

RGB 95 182 11

HSL 90.53, 0.89%, 0.38%

LAB 66.45, -50.71, 65.57

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 29 / 0 / 57 / 47

HEX #60873A

RGB 96 135 58

HSL 90.39, 0.4%, 0.38%

LAB 51.97, -27.36, 36.56

 

CMYK 19 / 0 / 39 / 53

HEX #607749

RGB 96 119 73

HSL 90, 0.24%, 0.38%

LAB 47.19, -17.25, 22.61

 

CMYK 8 / 0 / 14 / 59

HEX #606859

RGB 96 104 89

HSL 92, 0.08%, 0.38%

LAB 42.93, -6.14, 7.41

 

CMYK 8 / 16 / 0 / 59

HEX #615869

RGB 97 88 105

HSL 271.76, 0.09%, 0.38%

LAB 38.8, 7.25, -8.41

 

CMYK 0 / 3 / 72 / 41

HEX #97932A

RGB 151 147 42

HSL 57.8, 0.56%, 0.38%

LAB 59.54, -11.27, 52.98

 

CMYK 17 / 0 / 72 / 41

HEX #7D972A

RGB 125 151 42

HSL 74.31, 0.56%, 0.38%

LAB 58.66, -24.7, 51.43

 

CMYK 36 / 0 / 72 / 41

HEX #60972A

RGB 96 151 42

HSL 90.28, 0.56%, 0.38%

LAB 56.87, -36.24, 49.04

 

CMYK 56 / 0 / 72 / 41

HEX #43972A

RGB 67 151 42

HSL 106.24, 0.56%, 0.38%

LAB 55.58, -45.73, 47.31

 

CMYK 72 / 0 / 70 / 41

HEX #2A972E

RGB 42 151 46

HSL 122.2, 0.56%, 0.38%

LAB 54.89, -51.19, 44.74

 

CMYK 36 / 0 / 72 / 66

HEX #375618

RGB 55 86 24

HSL 90, 0.56%, 0.22%

LAB 32.99, -22.98, 31.25

 

CMYK 36 / 0 / 72 / 54

HEX #4B7621

RGB 75 118 33

HSL 90.35, 0.56%, 0.3%

LAB 45.03, -29.76, 40.2

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 37 / 0 / 72 / 28

HEX #74B733

RGB 116 183 51

HSL 90.45, 0.56%, 0.46%

LAB 67.89, -42.37, 57.1

 

CMYK 33 / 0 / 65 / 20

HEX #88CB48

RGB 136 203 72

HSL 90.69, 0.56%, 0.54%

LAB 75.09, -42.33, 56.69

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 72 / 0 / 22 / 41

HEX #2A9776

RGB 42 151 118

HSL 161.83, 0.56%, 0.38%

LAB 56.02, -38.5, 8.71

 

CMYK 0 / 72 / 7 / 41

HEX #972A8C

RGB 151 42 140

HSL 306.06, 0.56%, 0.38%

LAB 38.07, 55.77, -30.53

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 72 / 36 / 0 / 41

HEX #2A6097

RGB 42 96 151

HSL 210.28, 0.56%, 0.38%

LAB 39.74, 1.36, -35.27

 

CMYK 0 / 72 / 36 / 41

HEX #972A60

RGB 151 42 96

HSL 330.28, 0.56%, 0.38%

LAB 36.14, 49.62, -5.97

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 72 / 0 / 22 / 41

HEX #2A9776

RGB 42 151 118

HSL 161.83, 0.56%, 0.38%

LAB 56.02, -38.5, 8.71

 

CMYK 36 / 72 / 0 / 41

HEX #602A97

RGB 96 42 151

HSL 269.72, 0.56%, 0.38%

LAB 30.34, 45.64, -50.12

 

CMYK 0 / 72 / 50 / 41

HEX #972A4B

RGB 151 42 75

HSL 341.83, 0.56%, 0.38%

LAB 35.49, 47.44, 6.56

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 72 / 0 / 0 / 41

HEX #2A9797

RGB 42 151 151

HSL 180, 0.56%, 0.38%

LAB 56.94, -29.36, -8.79

 

CMYK 36 / 72 / 0 / 41

HEX #602A97

RGB 96 42 151

HSL 269.72, 0.56%, 0.38%

LAB 30.34, 45.64, -50.12

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

Description

Color code: HEX #5F962A | qconv.com Color code: HEX #5F962A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 150 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 150 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 72 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 72% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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