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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F76D8 it is the complementary color #A08927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F76D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F76D8 shade: #6476D3, #7588E6, #869AF9, #97ACFF and #A8BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F76D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F76D8 shade: #5F76D8, #4E64C5, #3D52B2, #2C409F and #1B2E8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F76D8 shade: #5E75D8, #685ED8, #895ED8, #A95ED8 and #CA5ED8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F76D8 shade: #5E75D8 and #5E5ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F76D8 shade matches the following richer shades: #5E75D8, #4E6BE8 and #3E61F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F76D8 shade: #5E75D8, #6E7FC8, #7F89B8, #8F93A7 and #9F9D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F76D8 shade: #5EB7D8, #5E97D8, #5E77D8, #665ED8 and #875ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F76D8 shade: #2C47B8, #3D59D0, #5E75D8, #8092E0 and #A1AEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F76D8 shade: #5F76D8, #D85ED8 and #A7D85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F76D8 shade: #5F76D8, #D85E77 and #77D85E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F76D8 shade: #5F76D8, #D85ED8, #D8BF5E and #5ED85E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F76D8 shade: #5F76D8, #D85EB3, #D8BF5E and #5ED883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

Complementary color

CMYK 0 / 14 / 76 / 37

HEX #A08927

RGB 160 137 39

HSL 48.6, 0.61%, 0.39%

LAB 57.57, -1.92, 52.52

 

CMYK 53 / 44 / 0 / 17

HEX #6476D3

RGB 100 118 211

HSL 230.27, 0.56%, 0.61%

LAB 52.25, 19.59, -50.14

 

CMYK 49 / 41 / 0 / 10

HEX #7588E6

RGB 117 136 230

HSL 229.91, 0.69%, 0.68%

LAB 59.07, 18.45, -49.9

 

CMYK 46 / 38 / 0 / 2

HEX #869AF9

RGB 134 154 249

HSL 229.57, 0.91%, 0.75%

LAB 65.76, 17.48, -49.7

 

CMYK 41 / 33 / 0 / 0

HEX #97ACFF

RGB 151 172 255

HSL 227.88, 1%, 0.8%

LAB 71.76, 13.04, -43.46

 

CMYK 34 / 25 / 0 / 0

HEX #A8BEFF

RGB 168 190 255

HSL 224.83, 1%, 0.83%

LAB 77.5, 7.51, -34.45

 

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

CMYK 60 / 49 / 0 / 23

HEX #4E64C5

RGB 78 100 197

HSL 228.91, 0.51%, 0.54%

LAB 45.31, 21.67, -53.32

 

CMYK 66 / 54 / 0 / 30

HEX #3D52B2

RGB 61 82 178

HSL 229.23, 0.49%, 0.47%

LAB 38.27, 23.54, -53.63

 

CMYK 72 / 60 / 0 / 38

HEX #2C409F

RGB 44 64 159

HSL 229.57, 0.57%, 0.4%

LAB 31.13, 25.86, -53.92

 

CMYK 81 / 67 / 0 / 45

HEX #1B2E8C

RGB 27 46 140

HSL 229.91, 0.68%, 0.33%

LAB 23.94, 28.73, -54.06

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 52 / 56 / 0 / 15

HEX #685ED8

RGB 104 94 216

HSL 244.92, 0.61%, 0.61%

LAB 46.85, 36.58, -61.64

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 22 / 56 / 0 / 15

HEX #A95ED8

RGB 169 94 216

HSL 276.89, 0.61%, 0.61%

LAB 53.38, 51.5, -50.8

 

CMYK 6 / 56 / 0 / 15

HEX #CA5ED8

RGB 202 94 216

HSL 293.11, 0.61%, 0.61%

LAB 57.58, 59.89, -43.88

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 56 / 56 / 0 / 15

HEX #5E5ED8

RGB 94 94 216

HSL 240, 0.61%, 0.61%

LAB 46.1, 34.66, -62.89

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 66 / 54 / 0 / 9

HEX #4E6BE8

RGB 78 107 232

HSL 228.7, 0.77%, 0.61%

LAB 49.45, 29.31, -66.57

 

CMYK 75 / 61 / 0 / 3

HEX #3E61F8

RGB 62 97 248

HSL 228.71, 0.93%, 0.61%

LAB 47.43, 39.09, -78.85

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 45 / 37 / 0 / 22

HEX #6E7FC8

RGB 110 127 200

HSL 228.67, 0.45%, 0.61%

LAB 54.72, 13.12, -39.94

 

CMYK 31 / 26 / 0 / 28

HEX #7F89B8

RGB 127 137 184

HSL 229.47, 0.29%, 0.61%

LAB 57.91, 7.46, -25.79

 

CMYK 14 / 12 / 0 / 35

HEX #8F93A7

RGB 143 147 167

HSL 230, 0.12%, 0.61%

LAB 61.22, 2.75, -10.98

 

CMYK 0 / 1 / 5 / 38

HEX #9F9D97

RGB 159 157 151

HSL 45, 0.04%, 0.61%

LAB 64.74, -0.39, 3.38

 

CMYK 56 / 15 / 0 / 15

HEX #5EB7D8

RGB 94 183 216

HSL 196.23, 0.61%, 0.61%

LAB 70.32, -17.32, -24.71

 

CMYK 56 / 30 / 0 / 15

HEX #5E97D8

RGB 94 151 216

HSL 211.97, 0.61%, 0.61%

LAB 61.19, 0.26, -38.84

 

CMYK 56 / 45 / 0 / 15

HEX #5E77D8

RGB 94 119 216

HSL 227.7, 0.61%, 0.61%

LAB 52.43, 19.33, -52.7

 

CMYK 53 / 56 / 0 / 15

HEX #665ED8

RGB 102 94 216

HSL 243.93, 0.61%, 0.61%

LAB 46.7, 36.18, -61.9

 

CMYK 38 / 56 / 0 / 15

HEX #875ED8

RGB 135 94 216

HSL 260.16, 0.61%, 0.61%

LAB 49.63, 43.28, -57.01

 

CMYK 76 / 61 / 0 / 28

HEX #2C47B8

RGB 44 71 184

HSL 228.43, 0.61%, 0.45%

LAB 35.01, 30.58, -62.51

 

CMYK 71 / 57 / 0 / 18

HEX #3D59D0

RGB 61 89 208

HSL 228.57, 0.61%, 0.53%

LAB 42.29, 29.79, -64.58

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 43 / 35 / 0 / 12

HEX #8092E0

RGB 128 146 224

HSL 228.75, 0.61%, 0.69%

LAB 62.11, 13.45, -41.72

 

CMYK 31 / 25 / 0 / 9

HEX #A1AEE8

RGB 161 174 232

HSL 229.01, 0.61%, 0.77%

LAB 72.01, 8.6, -30.54

 

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

CMYK 0 / 56 / 0 / 15

HEX #D85ED8

RGB 216 94 216

HSL 300, 0.61%, 0.61%

LAB 59.49, 63.48, -40.74

 

CMYK 23 / 0 / 56 / 15

HEX #A7D85E

RGB 167 216 94

HSL 84.1, 0.61%, 0.61%

LAB 80.81, -34.92, 54.05

 

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

CMYK 0 / 56 / 45 / 15

HEX #D85E77

RGB 216 94 119

HSL 347.7, 0.61%, 0.61%

LAB 56.02, 50.14, 10.12

 

CMYK 45 / 0 / 56 / 15

HEX #77D85E

RGB 119 216 94

HSL 107.7, 0.61%, 0.61%

LAB 78.37, -51.19, 50.59

 

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

CMYK 0 / 56 / 0 / 15

HEX #D85ED8

RGB 216 94 216

HSL 300, 0.61%, 0.61%

LAB 59.49, 63.48, -40.74

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 56 / 0 / 56 / 15

HEX #5ED85E

RGB 94 216 94

HSL 120, 0.61%, 0.61%

LAB 77.46, -57.96, 49.3

 

CMYK 56 / 45 / 0 / 15

HEX #5F76D8

RGB 95 118 216

HSL 228.6, 0.61%, 0.61%

LAB 52.23, 20.14, -53.03

 

CMYK 0 / 56 / 17 / 15

HEX #D85EB3

RGB 216 94 179

HSL 318.2, 0.61%, 0.61%

LAB 57.9, 57.57, -22.11

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 56 / 0 / 39 / 15

HEX #5ED883

RGB 94 216 131

HSL 138.2, 0.61%, 0.61%

LAB 77.95, -52.59, 31.88

 

Description

Color code: HEX #5F76D8 | qconv.com Color code: HEX #5F76D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 118 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 118 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 45 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 45% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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