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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F539E it is the complementary color #A0AC61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F539E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F539E shade: #645399, #7565AC, #8677BF, #9789D2 and #A89BE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F539E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F539E shade: #5F539E, #4E418B, #3D2F78, #2C1D65 and #1B0B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F539E shade: #5E529D, #72529D, #86529D, #9A529D and #9D528B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F539E shade: #5E529D and #52529D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F539E shade matches the following richer shades: #5E529D, #513FB0, #442BC3, #3718D7 and #2905EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F539E shade: #5E529D, #6B6689, #787976, #868C62 and #93A04F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F539E shade: #526F9D, #525B9D, #5D529D, #71529D and #85529D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F539E shade: #3E3666, #4E4481, #5E529D, #7468AF and #8D84BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F539E shade: #5F539E, #9D5282 and #659D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F539E shade: #5F539E, #9D5D52 and #529D5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F539E shade: #5F539E, #9D5282, #919D52 and #529D6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F539E shade: #5F539E, #9D526C, #919D52 and #529D82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

Complementary color

CMYK 7 / 0 / 44 / 33

HEX #A0AC61

RGB 160 172 97

HSL 69.6, 0.31%, 0.53%

LAB 67.9, -15.98, 37.06

 

CMYK 35 / 46 / 0 / 40

HEX #645399

RGB 100 83 153

HSL 254.57, 0.3%, 0.46%

LAB 39.91, 23.69, -35.96

 

CMYK 32 / 41 / 0 / 33

HEX #7565AC

RGB 117 101 172

HSL 253.52, 0.3%, 0.54%

LAB 47.06, 22.75, -35.82

 

CMYK 30 / 38 / 0 / 25

HEX #8677BF

RGB 134 119 191

HSL 252.5, 0.36%, 0.61%

LAB 54.05, 21.93, -35.73

 

CMYK 28 / 35 / 0 / 18

HEX #9789D2

RGB 151 137 210

HSL 251.51, 0.45%, 0.68%

LAB 60.89, 21.2, -35.69

 

CMYK 27 / 32 / 0 / 10

HEX #A89BE5

RGB 168 155 229

HSL 250.54, 0.59%, 0.75%

LAB 67.59, 20.56, -35.69

 

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

CMYK 44 / 53 / 0 / 45

HEX #4E418B

RGB 78 65 139

HSL 250.54, 0.36%, 0.4%

LAB 32.4, 24.97, -39.53

 

CMYK 49 / 61 / 0 / 53

HEX #3D2F78

RGB 61 47 120

HSL 251.51, 0.44%, 0.33%

LAB 24.89, 26.42, -39.83

 

CMYK 56 / 71 / 0 / 60

HEX #2C1D65

RGB 44 29 101

HSL 252.5, 0.55%, 0.25%

LAB 17.24, 28.08, -40.05

 

CMYK 67 / 87 / 0 / 68

HEX #1B0B52

RGB 27 11 82

HSL 253.52, 0.76%, 0.18%

LAB 9.65, 29.61, -39.82

 

CMYK 40 / 48 / 0 / 38

HEX #5E529D

RGB 94 82 157

HSL 249.6, 0.31%, 0.47%

LAB 39.32, 23.81, -39.32

 

CMYK 27 / 48 / 0 / 38

HEX #72529D

RGB 114 82 157

HSL 265.6, 0.31%, 0.47%

LAB 41.29, 29.38, -36.08

 

CMYK 15 / 48 / 0 / 38

HEX #86529D

RGB 134 82 157

HSL 281.6, 0.31%, 0.47%

LAB 43.56, 35.29, -32.34

 

CMYK 2 / 48 / 0 / 38

HEX #9A529D

RGB 154 82 157

HSL 297.6, 0.31%, 0.47%

LAB 46.09, 41.33, -28.19

 

CMYK 0 / 48 / 11 / 38

HEX #9D528B

RGB 157 82 139

HSL 314.4, 0.31%, 0.47%

LAB 45.73, 38.98, -17.97

 

CMYK 40 / 48 / 0 / 38

HEX #5E529D

RGB 94 82 157

HSL 249.6, 0.31%, 0.47%

LAB 39.32, 23.81, -39.32

 

CMYK 48 / 48 / 0 / 38

HEX #52529D

RGB 82 82 157

HSL 240, 0.31%, 0.47%

LAB 38.31, 20.73, -41

 

CMYK 40 / 48 / 0 / 38

HEX #5E529D

RGB 94 82 157

HSL 249.6, 0.31%, 0.47%

LAB 39.32, 23.81, -39.32

 

CMYK 54 / 64 / 0 / 31

HEX #513FB0

RGB 81 63 176

HSL 249.56, 0.47%, 0.47%

LAB 34.88, 38.35, -57.88

 

CMYK 65 / 78 / 0 / 24

HEX #442BC3

RGB 68 43 195

HSL 249.87, 0.64%, 0.47%

LAB 31.57, 53.21, -74.58

 

CMYK 74 / 89 / 0 / 16

HEX #3718D7

RGB 55 24 215

HSL 249.74, 0.8%, 0.47%

LAB 30.33, 65.4, -88.32

 

CMYK 82 / 98 / 0 / 8

HEX #2905EA

RGB 41 5 234

HSL 249.43, 0.96%, 0.47%

LAB 30.69, 73.79, -98.66

 

CMYK 40 / 48 / 0 / 38

HEX #5E529D

RGB 94 82 157

HSL 249.6, 0.31%, 0.47%

LAB 39.32, 23.81, -39.32

 

CMYK 22 / 26 / 0 / 46

HEX #6B6689

RGB 107 102 137

HSL 248.57, 0.15%, 0.47%

LAB 44.85, 9.88, -18.6

 

CMYK 1 / 0 / 2 / 53

HEX #787976

RGB 120 121 118

HSL 80, 0.01%, 0.47%

LAB 50.66, -0.97, 1.5

 

CMYK 4 / 0 / 30 / 45

HEX #868C62

RGB 134 140 98

HSL 68.57, 0.18%, 0.47%

LAB 56.79, -9.5, 21.76

 

CMYK 8 / 0 / 51 / 37

HEX #93A04F

RGB 147 160 79

HSL 69.63, 0.34%, 0.47%

LAB 63.27, -17.04, 40.29

 

CMYK 48 / 29 / 0 / 38

HEX #526F9D

RGB 82 111 157

HSL 216.8, 0.31%, 0.47%

LAB 46.44, 2.55, -28.17

 

CMYK 48 / 42 / 0 / 38

HEX #525B9D

RGB 82 91 157

HSL 232.8, 0.31%, 0.47%

LAB 40.75, 15, -37.11

 

CMYK 41 / 48 / 0 / 38

HEX #5D529D

RGB 93 82 157

HSL 248.8, 0.31%, 0.47%

LAB 39.23, 23.55, -39.47

 

CMYK 28 / 48 / 0 / 38

HEX #71529D

RGB 113 82 157

HSL 264.8, 0.31%, 0.47%

LAB 41.18, 29.1, -36.25

 

CMYK 15 / 48 / 0 / 38

HEX #85529D

RGB 133 82 157

HSL 280.8, 0.31%, 0.47%

LAB 43.44, 34.99, -32.54

 

CMYK 39 / 47 / 0 / 60

HEX #3E3666

RGB 62 54 102

HSL 250, 0.31%, 0.31%

LAB 25.63, 16.32, -27.12

 

CMYK 40 / 47 / 0 / 49

HEX #4E4481

RGB 78 68 129

HSL 249.84, 0.31%, 0.39%

LAB 32.57, 20, -33.09

 

CMYK 40 / 48 / 0 / 38

HEX #5E529D

RGB 94 82 157

HSL 249.6, 0.31%, 0.47%

LAB 39.32, 23.81, -39.32

 

CMYK 34 / 41 / 0 / 31

HEX #7468AF

RGB 116 104 175

HSL 250.14, 0.31%, 0.55%

LAB 47.89, 21.46, -36.27

 

CMYK 26 / 31 / 0 / 25

HEX #8D84BE

RGB 141 132 190

HSL 249.31, 0.31%, 0.63%

LAB 57.93, 16.13, -29.08

 

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

CMYK 0 / 48 / 17 / 38

HEX #9D5282

RGB 157 82 130

HSL 321.6, 0.31%, 0.47%

LAB 45.38, 37.47, -13.07

 

CMYK 36 / 0 / 48 / 38

HEX #659D52

RGB 101 157 82

HSL 104.8, 0.31%, 0.47%

LAB 59.43, -33.03, 33.39

 

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

CMYK 0 / 41 / 48 / 38

HEX #9D5D52

RGB 157 93 82

HSL 8.8, 0.31%, 0.47%

LAB 46.45, 24.9, 17.52

 

CMYK 48 / 0 / 41 / 38

HEX #529D5D

RGB 82 157 93

HSL 128.8, 0.31%, 0.47%

LAB 58.69, -37.44, 26.45

 

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

CMYK 0 / 48 / 17 / 38

HEX #9D5282

RGB 157 82 130

HSL 321.6, 0.31%, 0.47%

LAB 45.38, 37.47, -13.07

 

CMYK 8 / 0 / 48 / 38

HEX #919D52

RGB 145 157 82

HSL 69.6, 0.31%, 0.47%

LAB 62.29, -16, 37.56

 

CMYK 48 / 0 / 31 / 38

HEX #529D6C

RGB 82 157 108

HSL 140.8, 0.31%, 0.47%

LAB 58.97, -34.71, 18.61

 

CMYK 40 / 47 / 0 / 38

HEX #5F539E

RGB 95 83 158

HSL 249.6, 0.31%, 0.47%

LAB 39.73, 23.75, -39.27

 

CMYK 0 / 48 / 31 / 38

HEX #9D526C

RGB 157 82 108

HSL 339.2, 0.31%, 0.47%

LAB 44.64, 34.17, -0.79

 

CMYK 8 / 0 / 48 / 38

HEX #919D52

RGB 145 157 82

HSL 69.6, 0.31%, 0.47%

LAB 62.29, -16, 37.56

 

CMYK 48 / 0 / 17 / 38

HEX #529D82

RGB 82 157 130

HSL 158.4, 0.31%, 0.47%

LAB 59.45, -30, 6.97

 

Description

Color code: HEX #5F539E | qconv.com Color code: HEX #5F539E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 83 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 83 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 47 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 47% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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