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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F550B it is the complementary color #A0AAF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F550B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F550B shade: #645506, #756719, #86792C, #978B3F and #A89D52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F550B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F550B shade: #5F550B, #4E4300, #3D3100, #2C1F00 and #1B0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F550B shade: #5F550B, #5F3E0B, #5F280B, #5F110B and #5F0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F550B shade: #5F550B, #535F0B, #3C5F0B, #255F0B and #0E5F0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F550B shade matches the following richer shades: #5F550B and #685C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F550B shade: #5F550B, #574F13, #4E481C, #454125 and #3D3B2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F550B shade: #5F270B, #5F3E0B, #5F540B, #545F0B and #3E5F0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F550B shade: #161302, #3A3406, #5F550B, #84760F and #A99713

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F550B shade: #5F550B, #0B5F10 and #320B5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F550B shade: #5F550B, #0B5F54 and #540B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F550B shade: #5F550B, #0B5F10, #0B165F and #5F0B5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F550B shade: #5F550B, #0B5F2A, #0B165F and #5F0B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

Complementary color

CMYK 34 / 30 / 0 / 4

HEX #A0AAF4

RGB 160 170 244

HSL 232.86, 0.79%, 0.79%

LAB 71.39, 13.6, -38.04

 

CMYK 0 / 15 / 94 / 61

HEX #645506

RGB 100 85 6

HSL 50.43, 0.89%, 0.21%

LAB 36.4, -1.96, 42.39

 

CMYK 0 / 12 / 79 / 54

HEX #756719

RGB 117 103 25

HSL 50.87, 0.65%, 0.28%

LAB 43.58, -3.5, 43.11

 

CMYK 0 / 10 / 67 / 47

HEX #86792C

RGB 134 121 44

HSL 51.33, 0.51%, 0.35%

LAB 50.6, -4.67, 42.58

 

CMYK 0 / 8 / 58 / 41

HEX #978B3F

RGB 151 139 63

HSL 51.82, 0.41%, 0.42%

LAB 57.47, -5.57, 41.53

 

CMYK 0 / 7 / 51 / 34

HEX #A89D52

RGB 168 157 82

HSL 52.33, 0.34%, 0.49%

LAB 64.2, -6.29, 40.31

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 0 / 14 / 100 / 69

HEX #4E4300

RGB 78 67 0

HSL 51.54, 1%, 0.15%

LAB 28.47, -2.49, 37.41

 

CMYK 0 / 20 / 100 / 76

HEX #3D3100

RGB 61 49 0

HSL 48.2, 1%, 0.12%

LAB 20.78, -0.14, 29.31

 

CMYK 0 / 30 / 100 / 83

HEX #2C1F00

RGB 44 31 0

HSL 42.27, 1%, 0.09%

LAB 12.71, 2.48, 18.88

 

CMYK 0 / 52 / 100 / 89

HEX #1B0D00

RGB 27 13 0

HSL 28.89, 1%, 0.05%

LAB 4.7, 4.13, 7.12

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 0 / 35 / 88 / 63

HEX #5F3E0B

RGB 95 62 11

HSL 36.43, 0.79%, 0.21%

LAB 29.16, 9.82, 34.46

 

CMYK 0 / 58 / 88 / 63

HEX #5F280B

RGB 95 40 11

HSL 20.71, 0.79%, 0.21%

LAB 23.59, 23.21, 29.34

 

CMYK 0 / 82 / 88 / 63

HEX #5F110B

RGB 95 17 11

HSL 4.29, 0.79%, 0.21%

LAB 19.47, 34.23, 24.9

 

CMYK 0 / 88 / 88 / 63

HEX #5F0B0B

RGB 95 11 11

HSL 0, 0.79%, 0.21%

LAB 18.78, 36.15, 24.11

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 13 / 0 / 88 / 63

HEX #535F0B

RGB 83 95 11

HSL 68.57, 0.79%, 0.21%

LAB 37.93, -15.91, 41.57

 

CMYK 37 / 0 / 88 / 63

HEX #3C5F0B

RGB 60 95 11

HSL 85, 0.79%, 0.21%

LAB 36.31, -26.2, 39.53

 

CMYK 61 / 0 / 88 / 63

HEX #255F0B

RGB 37 95 11

HSL 101.43, 0.79%, 0.21%

LAB 35.21, -34.43, 38.12

 

CMYK 85 / 0 / 88 / 63

HEX #0E5F0B

RGB 14 95 11

HSL 117.86, 0.79%, 0.21%

LAB 34.6, -39.49, 37.35

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 0 / 12 / 98 / 59

HEX #685C02

RGB 104 92 2

HSL 52.94, 0.96%, 0.21%

LAB 38.9, -4.22, 45.66

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 0 / 9 / 78 / 66

HEX #574F13

RGB 87 79 19

HSL 52.94, 0.64%, 0.21%

LAB 33.28, -4.38, 34.63

 

CMYK 0 / 8 / 64 / 69

HEX #4E481C

RGB 78 72 28

HSL 52.8, 0.47%, 0.21%

LAB 30.25, -4, 26.77

 

CMYK 0 / 6 / 46 / 73

HEX #454125

RGB 69 65 37

HSL 52.5, 0.3%, 0.21%

LAB 27.24, -3.14, 17.68

 

CMYK 0 / 3 / 26 / 76

HEX #3D3B2D

RGB 61 59 45

HSL 52.5, 0.15%, 0.21%

LAB 24.67, -1.93, 9.01

 

CMYK 0 / 59 / 88 / 63

HEX #5F270B

RGB 95 39 11

HSL 20, 0.79%, 0.21%

LAB 23.37, 23.78, 29.12

 

CMYK 0 / 35 / 88 / 63

HEX #5F3E0B

RGB 95 62 11

HSL 36.43, 0.79%, 0.21%

LAB 29.16, 9.82, 34.46

 

CMYK 0 / 12 / 88 / 63

HEX #5F540B

RGB 95 84 11

HSL 52.14, 0.79%, 0.21%

LAB 35.59, -3.71, 40.01

 

CMYK 12 / 0 / 88 / 63

HEX #545F0B

RGB 84 95 11

HSL 67.86, 0.79%, 0.21%

LAB 38.01, -15.44, 41.67

 

CMYK 35 / 0 / 88 / 63

HEX #3E5F0B

RGB 62 95 11

HSL 83.57, 0.79%, 0.21%

LAB 36.43, -25.37, 39.68

 

CMYK 0 / 14 / 91 / 91

HEX #161302

RGB 22 19 2

HSL 51, 0.83%, 0.05%

LAB 5.79, -1.4, 7.82

 

CMYK 0 / 10 / 90 / 77

HEX #3A3406

RGB 58 52 6

HSL 53.08, 0.81%, 0.13%

LAB 21.46, -3.37, 27.51

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 0 / 11 / 89 / 48

HEX #84760F

RGB 132 118 15

HSL 52.82, 0.8%, 0.29%

LAB 49.37, -5.23, 51.91

 

CMYK 0 / 11 / 89 / 34

HEX #A99713

RGB 169 151 19

HSL 52.8, 0.8%, 0.37%

LAB 62.18, -6.1, 62.83

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 88 / 0 / 83 / 63

HEX #0B5F10

RGB 11 95 16

HSL 123.57, 0.79%, 0.21%

LAB 34.59, -39.55, 35.68

 

CMYK 47 / 88 / 0 / 63

HEX #320B5F

RGB 50 11 95

HSL 267.86, 0.79%, 0.21%

LAB 14.08, 36.7, -41.23

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 88 / 0 / 12 / 63

HEX #0B5F54

RGB 11 95 84

HSL 172.14, 0.79%, 0.21%

LAB 35.78, -26.01, -0.34

 

CMYK 12 / 88 / 0 / 63

HEX #540B5F

RGB 84 11 95

HSL 292.14, 0.79%, 0.21%

LAB 19.84, 42.82, -31.6

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 88 / 0 / 83 / 63

HEX #0B5F10

RGB 11 95 16

HSL 123.57, 0.79%, 0.21%

LAB 34.59, -39.55, 35.68

 

CMYK 88 / 77 / 0 / 63

HEX #0B165F

RGB 11 22 95

HSL 232.14, 0.79%, 0.21%

LAB 12.42, 25.99, -44.08

 

CMYK 0 / 88 / 5 / 63

HEX #5F0B5A

RGB 95 11 90

HSL 303.57, 0.79%, 0.21%

LAB 21.62, 44.24, -25.31

 

CMYK 0 / 11 / 88 / 63

HEX #5F550B

RGB 95 85 11

HSL 52.86, 0.79%, 0.21%

LAB 35.9, -4.31, 40.27

 

CMYK 88 / 0 / 56 / 63

HEX #0B5F2A

RGB 11 95 42

HSL 142.14, 0.79%, 0.21%

LAB 34.85, -36.33, 23.65

 

CMYK 88 / 77 / 0 / 63

HEX #0B165F

RGB 11 22 95

HSL 232.14, 0.79%, 0.21%

LAB 12.42, 25.99, -44.08

 

CMYK 0 / 88 / 33 / 63

HEX #5F0B40

RGB 95 11 64

HSL 322.14, 0.79%, 0.21%

LAB 20.21, 40.36, -9.82

 

Description

Color code: HEX #5F550B | qconv.com Color code: HEX #5F550B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 85 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 85 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 88 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 88% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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