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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F549B it is the complementary color #A0AB64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F549B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F549B shade: #645496, #7566A9, #8678BC, #978ACF and #A89CE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F549B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F549B shade: #5F549B, #4E4288, #3D3075, #2C1E62 and #1B0C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F549B shade: #5F539B, #72539B, #85539B, #99539B and #9B538B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F549B shade: #5F539B and #53539B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F549B shade matches the following richer shades: #5F539B, #5140AF, #442DC2, #3619D5 and #2906E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F549B shade: #5F539B, #6C6788, #797A75, #878E61 and #94A14E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F549B shade: #536F9B, #535C9B, #5E539B, #71539B and #85539B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F549B shade: #3E3766, #4E4580, #5F539B, #746AAE and #8D84BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F549B shade: #5F549B, #9B5382 and #659B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F549B shade: #5F549B, #9B5E53 and #539B5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F549B shade: #5F549B, #9B5382, #919B53 and #539B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F549B shade: #5F549B, #9B536D, #919B53 and #539B82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

Complementary color

CMYK 6 / 0 / 42 / 33

HEX #A0AB64

RGB 160 171 100

HSL 69.3, 0.3%, 0.53%

LAB 67.66, -15.12, 35.21

 

CMYK 33 / 44 / 0 / 41

HEX #645496

RGB 100 84 150

HSL 254.55, 0.28%, 0.46%

LAB 40, 22.24, -34.01

 

CMYK 31 / 40 / 0 / 34

HEX #7566A9

RGB 117 102 169

HSL 253.43, 0.28%, 0.53%

LAB 47.17, 21.34, -33.89

 

CMYK 29 / 36 / 0 / 26

HEX #8678BC

RGB 134 120 188

HSL 252.35, 0.34%, 0.6%

LAB 54.17, 20.56, -33.83

 

CMYK 27 / 33 / 0 / 19

HEX #978ACF

RGB 151 138 207

HSL 251.3, 0.42%, 0.68%

LAB 61.01, 19.88, -33.82

 

CMYK 26 / 31 / 0 / 11

HEX #A89CE2

RGB 168 156 226

HSL 250.29, 0.55%, 0.75%

LAB 67.72, 19.27, -33.85

 

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

CMYK 43 / 51 / 0 / 47

HEX #4E4288

RGB 78 66 136

HSL 250.29, 0.35%, 0.4%

LAB 32.47, 23.41, -37.58

 

CMYK 48 / 59 / 0 / 54

HEX #3D3075

RGB 61 48 117

HSL 251.3, 0.42%, 0.32%

LAB 24.92, 24.8, -37.87

 

CMYK 55 / 69 / 0 / 62

HEX #2C1E62

RGB 44 30 98

HSL 252.35, 0.53%, 0.25%

LAB 17.21, 26.44, -38.13

 

CMYK 66 / 85 / 0 / 69

HEX #1B0C4F

RGB 27 12 79

HSL 253.43, 0.74%, 0.18%

LAB 9.49, 28.07, -38.03

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 26 / 46 / 0 / 39

HEX #72539B

RGB 114 83 155

HSL 265.83, 0.3%, 0.47%

LAB 41.42, 28.27, -34.67

 

CMYK 14 / 46 / 0 / 39

HEX #85539B

RGB 133 83 155

HSL 281.67, 0.3%, 0.47%

LAB 43.57, 33.97, -31.15

 

CMYK 1 / 46 / 0 / 39

HEX #99539B

RGB 153 83 155

HSL 298.33, 0.3%, 0.47%

LAB 46.08, 40.1, -27.04

 

CMYK 0 / 46 / 10 / 39

HEX #9B538B

RGB 155 83 139

HSL 313.33, 0.3%, 0.47%

LAB 45.66, 37.79, -18.09

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 46 / 46 / 0 / 39

HEX #53539B

RGB 83 83 155

HSL 240, 0.3%, 0.47%

LAB 38.54, 19.72, -39.43

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 54 / 63 / 0 / 31

HEX #5140AF

RGB 81 64 175

HSL 249.19, 0.46%, 0.47%

LAB 35.03, 37.44, -57.05

 

CMYK 65 / 77 / 0 / 24

HEX #442DC2

RGB 68 45 194

HSL 249.26, 0.62%, 0.47%

LAB 31.81, 51.94, -73.6

 

CMYK 75 / 88 / 0 / 16

HEX #3619D5

RGB 54 25 213

HSL 249.26, 0.79%, 0.47%

LAB 30.12, 64.52, -87.53

 

CMYK 82 / 97 / 0 / 9

HEX #2906E9

RGB 41 6 233

HSL 249.25, 0.95%, 0.47%

LAB 30.6, 73.39, -98.23

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 21 / 24 / 0 / 47

HEX #6C6788

RGB 108 103 136

HSL 249.09, 0.14%, 0.47%

LAB 45.17, 9.37, -17.5

 

CMYK 1 / 0 / 4 / 52

HEX #797A75

RGB 121 122 117

HSL 72, 0.02%, 0.47%

LAB 51, -1.36, 2.6

 

CMYK 5 / 0 / 32 / 44

HEX #878E61

RGB 135 142 97

HSL 69.33, 0.19%, 0.47%

LAB 57.42, -10.32, 23.18

 

CMYK 8 / 0 / 52 / 37

HEX #94A14E

RGB 148 161 78

HSL 69.4, 0.35%, 0.47%

LAB 63.62, -17.23, 41.22

 

CMYK 46 / 28 / 0 / 39

HEX #536F9B

RGB 83 111 155

HSL 216.67, 0.3%, 0.47%

LAB 46.41, 2.19, -27.03

 

CMYK 46 / 41 / 0 / 39

HEX #535C9B

RGB 83 92 155

HSL 232.5, 0.3%, 0.47%

LAB 40.99, 13.99, -35.53

 

CMYK 39 / 46 / 0 / 39

HEX #5E539B

RGB 94 83 155

HSL 249.17, 0.3%, 0.47%

LAB 39.47, 22.6, -37.89

 

CMYK 27 / 46 / 0 / 39

HEX #71539B

RGB 113 83 155

HSL 265, 0.3%, 0.47%

LAB 41.32, 27.98, -34.84

 

CMYK 14 / 46 / 0 / 39

HEX #85539B

RGB 133 83 155

HSL 281.67, 0.3%, 0.47%

LAB 43.57, 33.97, -31.15

 

CMYK 39 / 46 / 0 / 60

HEX #3E3766

RGB 62 55 102

HSL 248.94, 0.3%, 0.31%

LAB 25.91, 15.65, -26.67

 

CMYK 39 / 46 / 0 / 50

HEX #4E4580

RGB 78 69 128

HSL 249.15, 0.3%, 0.39%

LAB 32.78, 19.05, -32.14

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 33 / 39 / 0 / 32

HEX #746AAE

RGB 116 106 174

HSL 248.82, 0.3%, 0.55%

LAB 48.36, 19.98, -34.96

 

CMYK 25 / 30 / 0 / 26

HEX #8D84BD

RGB 141 132 189

HSL 249.47, 0.3%, 0.63%

LAB 57.88, 15.89, -28.58

 

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

CMYK 0 / 46 / 16 / 39

HEX #9B5382

RGB 155 83 130

HSL 320.83, 0.3%, 0.47%

LAB 45.31, 36.25, -13.19

 

CMYK 35 / 0 / 46 / 39

HEX #659B53

RGB 101 155 83

HSL 105, 0.3%, 0.47%

LAB 58.82, -31.96, 32.11

 

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

CMYK 0 / 39 / 46 / 39

HEX #9B5E53

RGB 155 94 83

HSL 9.17, 0.3%, 0.47%

LAB 46.44, 23.62, 16.86

 

CMYK 46 / 0 / 39 / 39

HEX #539B5E

RGB 83 155 94

HSL 129.17, 0.3%, 0.47%

LAB 58.12, -36.08, 25.17

 

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

CMYK 0 / 46 / 16 / 39

HEX #9B5382

RGB 155 83 130

HSL 320.83, 0.3%, 0.47%

LAB 45.31, 36.25, -13.19

 

CMYK 6 / 0 / 46 / 39

HEX #919B53

RGB 145 155 83

HSL 68.33, 0.3%, 0.47%

LAB 61.73, -14.85, 36.36

 

CMYK 46 / 0 / 30 / 39

HEX #539B6D

RGB 83 155 109

HSL 141.67, 0.3%, 0.47%

LAB 58.4, -33.3, 17.29

 

CMYK 39 / 46 / 0 / 39

HEX #5F549B

RGB 95 84 155

HSL 249.3, 0.3%, 0.47%

LAB 39.82, 22.25, -37.34

 

CMYK 0 / 46 / 30 / 39

HEX #9B536D

RGB 155 83 109

HSL 338.33, 0.3%, 0.47%

LAB 44.6, 33.03, -1.49

 

CMYK 6 / 0 / 46 / 39

HEX #919B53

RGB 145 155 83

HSL 68.33, 0.3%, 0.47%

LAB 61.73, -14.85, 36.36

 

CMYK 46 / 0 / 16 / 39

HEX #539B82

RGB 83 155 130

HSL 159.17, 0.3%, 0.47%

LAB 58.88, -28.76, 6.15

 

Description

Color code: HEX #5F549B | qconv.com Color code: HEX #5F549B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 84 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 84 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 46 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 46% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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