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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F3FDE it is the complementary color #A0C021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F3FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F3FDE shade: #643FD9, #7551EC, #8663FF, #9775FF and #A887FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F3FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F3FDE shade: #5F3FDE, #4E2DCB, #3D1BB8, #2C09A5 and #1B0092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F3FDE shade: #5F3FDE, #8A3FDE, #B53FDE, #DE3FDC and #DE3FB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F3FDE shade: #5F3FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F3FDE shade matches the following richer shades: #5F3FDE and #542CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F3FDE shade: #5F3FDE, #6A51CC, #7463BA, #7F75A8 and #8A8795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F3FDE shade: #3F74DE, #3F49DE, #5F3FDE, #893FDE and #B33FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F3FDE shade: #3A1DAD, #4623D0, #5F3FDE, #7C62E4 and #9985EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F3FDE shade: #5F3FDE, #DE3F9E and #5FDE3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F3FDE shade: #5F3FDE, #DE5F3F and #3FDE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F3FDE shade: #5F3FDE, #DE3F9E, #BEDE3F and #3FDE7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F3FDE shade: #5F3FDE, #DE3F6E, #BEDE3F and #3FDEAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

Complementary color

CMYK 17 / 0 / 83 / 25

HEX #A0C021

RGB 160 192 33

HSL 72.08, 0.71%, 0.44%

LAB 73.08, -30.34, 68.42

 

CMYK 54 / 71 / 0 / 15

HEX #643FD9

RGB 100 63 217

HSL 254.42, 0.67%, 0.55%

LAB 40.04, 53.64, -73.32

 

CMYK 50 / 66 / 0 / 7

HEX #7551EC

RGB 117 81 236

HSL 253.94, 0.8%, 0.62%

LAB 46.61, 52.27, -73.31

 

CMYK 47 / 61 / 0 / 0

HEX #8663FF

RGB 134 99 255

HSL 253.46, 1%, 0.69%

LAB 53.18, 50.88, -73.16

 

CMYK 41 / 54 / 0 / 0

HEX #9775FF

RGB 151 117 255

HSL 254.78, 1%, 0.73%

LAB 58.53, 44.41, -64.45

 

CMYK 34 / 47 / 0 / 0

HEX #A887FF

RGB 168 135 255

HSL 256.5, 1%, 0.76%

LAB 64.06, 38.35, -55.53

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 62 / 78 / 0 / 20

HEX #4E2DCB

RGB 78 45 203

HSL 252.53, 0.64%, 0.49%

LAB 33.58, 55.65, -75.92

 

CMYK 67 / 85 / 0 / 28

HEX #3D1BB8

RGB 61 27 184

HSL 252.99, 0.74%, 0.41%

LAB 27.4, 56.36, -75.01

 

CMYK 73 / 95 / 0 / 35

HEX #2C09A5

RGB 44 9 165

HSL 253.46, 0.9%, 0.34%

LAB 21.75, 55.73, -73.01

 

CMYK 82 / 100 / 0 / 43

HEX #1B0092

RGB 27 0 146

HSL 251.1, 1%, 0.29%

LAB 17.03, 52.66, -69.23

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 38 / 72 / 0 / 13

HEX #8A3FDE

RGB 138 63 222

HSL 268.3, 0.71%, 0.56%

LAB 44.56, 61.19, -68.61

 

CMYK 18 / 72 / 0 / 13

HEX #B53FDE

RGB 181 63 222

HSL 284.53, 0.71%, 0.56%

LAB 50.28, 69.32, -59.09

 

CMYK 0 / 72 / 1 / 13

HEX #DE3FDC

RGB 222 63 220

HSL 300.75, 0.71%, 0.56%

LAB 56.34, 77.37, -47.92

 

CMYK 0 / 72 / 20 / 13

HEX #DE3FB1

RGB 222 63 177

HSL 316.98, 0.71%, 0.56%

LAB 54.3, 71.17, -26.42

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 65 / 82 / 0 / 6

HEX #542CF0

RGB 84 44 240

HSL 252.24, 0.87%, 0.56%

LAB 37.8, 66.9, -90.15

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 48 / 60 / 0 / 20

HEX #6A51CC

RGB 106 81 204

HSL 252.2, 0.55%, 0.56%

LAB 43.22, 41.05, -60.62

 

CMYK 38 / 47 / 0 / 27

HEX #7463BA

RGB 116 99 186

HSL 251.72, 0.39%, 0.56%

LAB 47.21, 27.52, -43.75

 

CMYK 24 / 30 / 0 / 34

HEX #7F75A8

RGB 127 117 168

HSL 251.76, 0.23%, 0.56%

LAB 51.91, 15.13, -25.86

 

CMYK 7 / 9 / 0 / 42

HEX #8A8795

RGB 138 135 149

HSL 252.86, 0.06%, 0.56%

LAB 56.98, 3.95, -7.07

 

CMYK 72 / 48 / 0 / 13

HEX #3F74DE

RGB 63 116 222

HSL 220, 0.71%, 0.56%

LAB 50.48, 18.02, -59.31

 

CMYK 72 / 67 / 0 / 13

HEX #3F49DE

RGB 63 73 222

HSL 236.23, 0.71%, 0.56%

LAB 39.74, 44.82, -76.77

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 38 / 72 / 0 / 13

HEX #893FDE

RGB 137 63 222

HSL 267.92, 0.71%, 0.56%

LAB 44.44, 61.01, -68.82

 

CMYK 19 / 72 / 0 / 13

HEX #B33FDE

RGB 179 63 222

HSL 283.77, 0.71%, 0.56%

LAB 49.99, 68.92, -59.56

 

CMYK 66 / 83 / 0 / 32

HEX #3A1DAD

RGB 58 29 173

HSL 252.08, 0.71%, 0.4%

LAB 26.14, 52.22, -70.52

 

CMYK 66 / 83 / 0 / 18

HEX #4623D0

RGB 70 35 208

HSL 252.14, 0.71%, 0.48%

LAB 31.94, 60.6, -81.56

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 46 / 57 / 0 / 11

HEX #7C62E4

RGB 124 98 228

HSL 252, 0.71%, 0.64%

LAB 50.24, 41.87, -62.88

 

CMYK 35 / 43 / 0 / 8

HEX #9985EA

RGB 153 133 234

HSL 251.88, 0.71%, 0.72%

LAB 61.21, 30.22, -48.56

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 72 / 29 / 13

HEX #DE3F9E

RGB 222 63 158

HSL 324.15, 0.71%, 0.56%

LAB 53.55, 68.8, -16.44

 

CMYK 57 / 0 / 72 / 13

HEX #5FDE3F

RGB 95 222 63

HSL 107.92, 0.71%, 0.56%

LAB 79.06, -62.86, 63.8

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 57 / 72 / 13

HEX #DE5F3F

RGB 222 95 63

HSL 12.08, 0.71%, 0.56%

LAB 56.16, 47.73, 42.44

 

CMYK 72 / 0 / 57 / 13

HEX #3FDE5F

RGB 63 222 95

HSL 132.08, 0.71%, 0.56%

LAB 78.53, -66.15, 49.91

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 72 / 29 / 13

HEX #DE3F9E

RGB 222 63 158

HSL 324.15, 0.71%, 0.56%

LAB 53.55, 68.8, -16.44

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 72 / 0 / 43 / 13

HEX #3FDE7E

RGB 63 222 126

HSL 143.77, 0.71%, 0.56%

LAB 78.93, -61.57, 35.54

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 72 / 50 / 13

HEX #DE3F6E

RGB 222 63 110

HSL 342.26, 0.71%, 0.56%

LAB 52.07, 63.99, 10.05

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 72 / 0 / 22 / 13

HEX #3FDEAE

RGB 63 222 174

HSL 161.89, 0.71%, 0.56%

LAB 79.82, -51.87, 11.9

 

Description

Color code: HEX #5F3FDE | qconv.com Color code: HEX #5F3FDE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 63 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 63 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 72 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 72% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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