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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F2E24 it is the complementary color #A0D1DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F2E24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F2E24 shade: #642E1F, #754032, #865245, #976458 and #A8766B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F2E24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F2E24 shade: #5F2E24, #4E1C11, #3D0A00, #2C0000 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F2E24 shade: #602E24 and #602424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F2E24 shade: #602E24, #603E24, #604E24, #605E24 and #516024

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F2E24 shade matches the following richer shades: #602E24, #6A2719, #75200F and #801904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F2E24 shade: #602E24, #55352F, #4A3C39, #3F4344 and #354A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F2E24 shade: #60243A, #60242A, #602E24, #603E24 and #604E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F2E24 shade: #24110D, #422019, #602E24, #7E3D2F and #9B4B3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F2E24 shade: #5F2E24, #4A6024 and #243260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F2E24 shade: #5F2E24, #24602E and #2E2460

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F2E24 shade: #5F2E24, #4A6024, #245660 and #3A2460

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F2E24 shade: #5F2E24, #386024, #245660 and #4C2460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

Complementary color

CMYK 27 / 5 / 0 / 14

HEX #A0D1DB

RGB 160 209 219

HSL 190.17, 0.45%, 0.74%

LAB 80.84, -13.58, -10.14

 

CMYK 0 / 54 / 69 / 61

HEX #642E1F

RGB 100 46 31

HSL 13.04, 0.53%, 0.26%

LAB 26.05, 23.02, 20.86

 

CMYK 0 / 45 / 57 / 54

HEX #754032

RGB 117 64 50

HSL 12.54, 0.4%, 0.33%

LAB 33.31, 21.5, 18.6

 

CMYK 0 / 39 / 49 / 47

HEX #865245

RGB 134 82 69

HSL 12, 0.32%, 0.4%

LAB 40.46, 20.2, 16.77

 

CMYK 0 / 34 / 42 / 41

HEX #976458

RGB 151 100 88

HSL 11.43, 0.26%, 0.47%

LAB 47.49, 19.09, 15.23

 

CMYK 0 / 30 / 36 / 34

HEX #A8766B

RGB 168 118 107

HSL 10.82, 0.26%, 0.54%

LAB 54.39, 18.15, 13.9

 

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

CMYK 0 / 64 / 78 / 69

HEX #4E1C11

RGB 78 28 17

HSL 10.82, 0.64%, 0.19%

LAB 17.88, 22.8, 19.12

 

CMYK 0 / 84 / 100 / 76

HEX #3D0A00

RGB 61 10 0

HSL 9.84, 1%, 0.12%

LAB 10.62, 24.03, 16.51

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 63 / 63 / 62

HEX #602424

RGB 96 36 36

HSL 0, 0.45%, 0.26%

LAB 23.26, 27.33, 13.94

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 35 / 63 / 62

HEX #603E24

RGB 96 62 36

HSL 26, 0.45%, 0.26%

LAB 29.56, 11.84, 21.89

 

CMYK 0 / 19 / 63 / 62

HEX #604E24

RGB 96 78 36

HSL 42, 0.45%, 0.26%

LAB 34.11, 1.89, 27.29

 

CMYK 0 / 2 / 63 / 62

HEX #605E24

RGB 96 94 36

HSL 58, 0.45%, 0.26%

LAB 38.93, -7.66, 32.75

 

CMYK 16 / 0 / 63 / 62

HEX #516024

RGB 81 96 36

HSL 75, 0.45%, 0.26%

LAB 38.27, -15.78, 31.66

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 63 / 76 / 58

HEX #6A2719

RGB 106 39 25

HSL 10.37, 0.62%, 0.26%

LAB 25.52, 29.06, 24.24

 

CMYK 0 / 73 / 87 / 54

HEX #75200F

RGB 117 32 15

HSL 10, 0.77%, 0.26%

LAB 26.3, 36.23, 31.48

 

CMYK 0 / 80 / 97 / 50

HEX #801904

RGB 128 25 4

HSL 10.16, 0.94%, 0.26%

LAB 27.55, 42.43, 38.24

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 38 / 45 / 67

HEX #55352F

RGB 85 53 47

HSL 9.47, 0.29%, 0.26%

LAB 25.81, 13.55, 9.72

 

CMYK 0 / 19 / 23 / 71

HEX #4A3C39

RGB 74 60 57

HSL 10.59, 0.13%, 0.26%

LAB 26.69, 5.56, 4.14

 

CMYK 7 / 1 / 0 / 73

HEX #3F4344

RGB 63 67 68

HSL 192, 0.04%, 0.26%

LAB 28.08, -1.42, -1.18

 

CMYK 33 / 6 / 0 / 69

HEX #354A4F

RGB 53 74 79

HSL 191.54, 0.2%, 0.26%

LAB 29.96, -6.74, -5.62

 

CMYK 0 / 63 / 40 / 62

HEX #60243A

RGB 96 36 58

HSL 338, 0.45%, 0.26%

LAB 23.85, 29.71, -0.23

 

CMYK 0 / 63 / 56 / 62

HEX #60242A

RGB 96 36 42

HSL 354, 0.45%, 0.26%

LAB 23.39, 27.88, 10.05

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 35 / 63 / 62

HEX #603E24

RGB 96 62 36

HSL 26, 0.45%, 0.26%

LAB 29.56, 11.84, 21.89

 

CMYK 0 / 19 / 63 / 62

HEX #604E24

RGB 96 78 36

HSL 42, 0.45%, 0.26%

LAB 34.11, 1.89, 27.29

 

CMYK 0 / 53 / 64 / 86

HEX #24110D

RGB 36 17 13

HSL 10.43, 0.47%, 0.1%

LAB 7.27, 9.28, 5.62

 

CMYK 0 / 52 / 62 / 74

HEX #422019

RGB 66 32 25

HSL 10.24, 0.45%, 0.18%

LAB 16.8, 15.54, 12.03

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 52 / 63 / 51

HEX #7E3D2F

RGB 126 61 47

HSL 10.63, 0.46%, 0.34%

LAB 33.94, 26.82, 21.55

 

CMYK 0 / 52 / 62 / 39

HEX #9B4B3B

RGB 155 75 59

HSL 10, 0.45%, 0.42%

LAB 41.71, 31.96, 25.01

 

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

CMYK 23 / 0 / 63 / 62

HEX #4A6024

RGB 74 96 36

HSL 82, 0.45%, 0.26%

LAB 37.75, -18.9, 30.93

 

CMYK 63 / 48 / 0 / 62

HEX #243260

RGB 36 50 96

HSL 226, 0.45%, 0.26%

LAB 21.95, 10.05, -29.2

 

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

CMYK 63 / 0 / 52 / 62

HEX #24602E

RGB 36 96 46

HSL 130, 0.45%, 0.26%

LAB 35.86, -31.3, 22.8

 

CMYK 52 / 63 / 0 / 62

HEX #2E2460

RGB 46 36 96

HSL 250, 0.45%, 0.26%

LAB 18.74, 22.24, -34.31

 

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

CMYK 23 / 0 / 63 / 62

HEX #4A6024

RGB 74 96 36

HSL 82, 0.45%, 0.26%

LAB 37.75, -18.9, 30.93

 

CMYK 63 / 10 / 0 / 62

HEX #245660

RGB 36 86 96

HSL 190, 0.45%, 0.26%

LAB 33.72, -13.4, -10.85

 

CMYK 40 / 63 / 0 / 62

HEX #3A2460

RGB 58 36 96

HSL 262, 0.45%, 0.26%

LAB 20.07, 25.25, -32.11

 

CMYK 0 / 52 / 62 / 63

HEX #5F2E24

RGB 95 46 36

HSL 10.17, 0.45%, 0.26%

LAB 25.3, 21.22, 16.55

 

CMYK 42 / 0 / 63 / 62

HEX #386024

RGB 56 96 36

HSL 100, 0.45%, 0.26%

LAB 36.62, -26.27, 29.34

 

CMYK 63 / 10 / 0 / 62

HEX #245660

RGB 36 86 96

HSL 190, 0.45%, 0.26%

LAB 33.72, -13.4, -10.85

 

CMYK 21 / 63 / 0 / 62

HEX #4C2460

RGB 76 36 96

HSL 280, 0.45%, 0.26%

LAB 22.45, 30.22, -28.15

 

Description

Color code: HEX #5F2E24 | qconv.com Color code: HEX #5F2E24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 46 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 46 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 62 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 62% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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