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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F2780 it is the complementary color #A0D87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F2780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F2780 shade: #64277B, #75398E, #864BA1, #975DB4 and #A86FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F2780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F2780 shade: #5F2780, #4E156D, #3D035A, #2C0047 and #1B0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F2780 shade: #5F2780, #772780, #802771, #802759 and #802741

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F2780 shade: #5F2780, #472780, #2F2780 and #272780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F2780 shade matches the following richer shades: #5F2780, #63198E and #660C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F2780 shade: #5F2780, #5C3573, #584265, #555057 and #515E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F2780 shade: #2E2780, #462780, #5E2780, #762780 and #802773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F2780 shade: #301441, #481D61, #5F2780, #7731A0 and #8E3ABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F2780 shade: #5F2780, #802737 and #27803A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F2780 shade: #5F2780, #805E27 and #27805E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F2780 shade: #5F2780, #802737, #498027 and #278070

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F2780 shade: #5F2780, #803127, #498027 and #277680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

Complementary color

CMYK 26 / 0 / 41 / 15

HEX #A0D87F

RGB 160 216 127

HSL 97.75, 0.53%, 0.67%

LAB 80.8, -33.77, 38.17

 

CMYK 19 / 68 / 0 / 52

HEX #64277B

RGB 100 39 123

HSL 283.57, 0.52%, 0.32%

LAB 28.35, 41.31, -35.9

 

CMYK 18 / 60 / 0 / 44

HEX #75398E

RGB 117 57 142

HSL 282.35, 0.43%, 0.39%

LAB 35.32, 40.82, -36.45

 

CMYK 17 / 53 / 0 / 37

HEX #864BA1

RGB 134 75 161

HSL 281.16, 0.36%, 0.46%

LAB 42.27, 40.07, -36.77

 

CMYK 16 / 48 / 0 / 29

HEX #975DB4

RGB 151 93 180

HSL 280, 0.37%, 0.54%

LAB 49.13, 39.24, -36.99

 

CMYK 16 / 44 / 0 / 22

HEX #A86FC7

RGB 168 111 199

HSL 278.86, 0.44%, 0.61%

LAB 55.9, 38.42, -37.16

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 28 / 81 / 0 / 57

HEX #4E156D

RGB 78 21 109

HSL 278.86, 0.68%, 0.25%

LAB 21.06, 41.22, -38.88

 

CMYK 32 / 97 / 0 / 65

HEX #3D035A

RGB 61 3 90

HSL 280, 0.94%, 0.18%

LAB 14.37, 40.08, -37.32

 

CMYK 38 / 100 / 0 / 72

HEX #2C0047

RGB 44 0 71

HSL 277.18, 1%, 0.14%

LAB 8.91, 34.6, -33.32

 

CMYK 48 / 100 / 0 / 80

HEX #1B0034

RGB 27 0 52

HSL 271.15, 1%, 0.1%

LAB 4.34, 24.43, -27.19

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 7 / 70 / 0 / 50

HEX #772780

RGB 119 39 128

HSL 293.93, 0.53%, 0.33%

LAB 31.65, 47.03, -33.61

 

CMYK 0 / 70 / 12 / 50

HEX #802771

RGB 128 39 113

HSL 310.11, 0.53%, 0.33%

LAB 32.33, 46.68, -22.98

 

CMYK 0 / 70 / 30 / 50

HEX #802759

RGB 128 39 89

HSL 326.29, 0.53%, 0.33%

LAB 31.26, 43.11, -9.22

 

CMYK 0 / 70 / 49 / 50

HEX #802741

RGB 128 39 65

HSL 342.47, 0.53%, 0.33%

LAB 30.45, 40.31, 5.35

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 45 / 70 / 0 / 50

HEX #472780

RGB 71 39 128

HSL 261.57, 0.53%, 0.33%

LAB 24.79, 35.92, -45

 

CMYK 63 / 70 / 0 / 50

HEX #2F2780

RGB 47 39 128

HSL 245.39, 0.53%, 0.33%

LAB 22.35, 31.47, -49.09

 

CMYK 70 / 70 / 0 / 50

HEX #272780

RGB 39 39 128

HSL 240, 0.53%, 0.33%

LAB 21.73, 30.28, -50.13

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 30 / 82 / 0 / 44

HEX #63198E

RGB 99 25 142

HSL 277.95, 0.7%, 0.33%

LAB 27.58, 51.14, -49.06

 

CMYK 34 / 92 / 0 / 39

HEX #660C9B

RGB 102 12 155

HSL 277.76, 0.86%, 0.33%

LAB 27.99, 57.88, -56.37

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 20 / 54 / 0 / 55

HEX #5C3573

RGB 92 53 115

HSL 277.74, 0.37%, 0.33%

LAB 29.56, 29.65, -28.98

 

CMYK 13 / 35 / 0 / 60

HEX #584265

RGB 88 66 101

HSL 277.71, 0.21%, 0.33%

LAB 31.6, 16.84, -16.93

 

CMYK 2 / 8 / 0 / 66

HEX #555057

RGB 85 80 87

HSL 282.86, 0.04%, 0.33%

LAB 34.72, 3.54, -3.37

 

CMYK 14 / 0 / 21 / 63

HEX #515E4A

RGB 81 94 74

HSL 99, 0.12%, 0.33%

LAB 38.29, -9.24, 9.82

 

CMYK 64 / 70 / 0 / 50

HEX #2E2780

RGB 46 39 128

HSL 244.72, 0.53%, 0.33%

LAB 22.27, 31.32, -49.23

 

CMYK 45 / 70 / 0 / 50

HEX #462780

RGB 70 39 128

HSL 260.9, 0.53%, 0.33%

LAB 24.68, 35.72, -45.2

 

CMYK 27 / 70 / 0 / 50

HEX #5E2780

RGB 94 39 128

HSL 277.08, 0.53%, 0.33%

LAB 27.82, 41.02, -39.96

 

CMYK 8 / 70 / 0 / 50

HEX #762780

RGB 118 39 128

HSL 293.26, 0.53%, 0.33%

LAB 31.49, 46.79, -33.88

 

CMYK 0 / 70 / 10 / 50

HEX #802773

RGB 128 39 115

HSL 308.76, 0.53%, 0.33%

LAB 32.43, 47.01, -24.09

 

CMYK 26 / 69 / 0 / 75

HEX #301441

RGB 48 20 65

HSL 277.33, 0.53%, 0.17%

LAB 12.67, 23.57, -22.96

 

CMYK 26 / 70 / 0 / 62

HEX #481D61

RGB 72 29 97

HSL 277.94, 0.54%, 0.25%

LAB 20.52, 33.26, -31.94

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 26 / 69 / 0 / 37

HEX #7731A0

RGB 119 49 160

HSL 277.84, 0.53%, 0.41%

LAB 35.31, 49.33, -47.39

 

CMYK 26 / 70 / 0 / 25

HEX #8E3ABF

RGB 142 58 191

HSL 277.89, 0.53%, 0.49%

LAB 42.06, 57.07, -54.76

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 0 / 70 / 57 / 50

HEX #802737

RGB 128 39 55

HSL 349.21, 0.53%, 0.33%

LAB 30.2, 39.39, 11.59

 

CMYK 70 / 0 / 55 / 50

HEX #27803A

RGB 39 128 58

HSL 132.81, 0.53%, 0.33%

LAB 47.2, -41.87, 30.27

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 0 / 27 / 70 / 50

HEX #805E27

RGB 128 94 39

HSL 37.08, 0.53%, 0.33%

LAB 42.37, 7.8, 35.98

 

CMYK 70 / 0 / 27 / 50

HEX #27805E

RGB 39 128 94

HSL 157.08, 0.53%, 0.33%

LAB 47.85, -34.73, 10.98

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 0 / 70 / 57 / 50

HEX #802737

RGB 128 39 55

HSL 349.21, 0.53%, 0.33%

LAB 30.2, 39.39, 11.59

 

CMYK 43 / 0 / 70 / 50

HEX #498027

RGB 73 128 39

HSL 97.08, 0.53%, 0.33%

LAB 48.26, -34.57, 40.99

 

CMYK 70 / 0 / 13 / 50

HEX #278070

RGB 39 128 112

HSL 169.21, 0.53%, 0.33%

LAB 48.31, -30.04, 1.09

 

CMYK 26 / 70 / 0 / 50

HEX #5F2780

RGB 95 39 128

HSL 277.75, 0.53%, 0.33%

LAB 27.96, 41.26, -39.72

 

CMYK 0 / 62 / 70 / 50

HEX #803127

RGB 128 49 39

HSL 6.74, 0.53%, 0.33%

LAB 31.65, 33.49, 23.76

 

CMYK 43 / 0 / 70 / 50

HEX #498027

RGB 73 128 39

HSL 97.08, 0.53%, 0.33%

LAB 48.26, -34.57, 40.99

 

CMYK 70 / 8 / 0 / 50

HEX #277680

RGB 39 118 128

HSL 186.74, 0.53%, 0.33%

LAB 45.56, -20.14, -12.48

 

Description

Color code: HEX #5F2780 | qconv.com Color code: HEX #5F2780 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 39 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 39 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 70 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 70% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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