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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F2553 it is the complementary color #A0DAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F2553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F2553 shade: #64254E, #753761, #864974, #975B87 and #A86D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F2553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F2553 shade: #5F2553, #4E1340, #3D012D, #2C001A and #1B0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F2553 shade: #5F2553, #5F2543, #5F2533 and #5F2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F2553 shade: #5F2553, #5B255F, #4C255F, #3C255F and #2C255F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F2553 shade matches the following richer shades: #5F2553, #6A1A59, #740F5F and #7F0466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F2553 shade: #5F2553, #542F4D, #4A3A46, #3F4540 and #34503A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F2553 shade: #4C255F, #5B255F, #5F2553, #5F2544 and #5F2534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F2553 shade: #240E1F, #411939, #5F2553, #7D306D and #9A3C87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F2553 shade: #5F2553, #5F3C25 and #255F53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F2553 shade: #5F2553, #535F25 and #25535F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F2553 shade: #5F2553, #5F3C25, #255F30 and #25485F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F2553 shade: #5F2553, #5F4D25, #255F30 and #25365F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

Complementary color

CMYK 27 / 0 / 21 / 15

HEX #A0DAAC

RGB 160 218 172

HSL 132.41, 0.44%, 0.74%

LAB 82.16, -27.68, 16.77

 

CMYK 0 / 63 / 22 / 61

HEX #64254E

RGB 100 37 78

HSL 320.95, 0.46%, 0.27%

LAB 25.51, 33.54, -11.16

 

CMYK 0 / 53 / 17 / 54

HEX #753761

RGB 117 55 97

HSL 319.35, 0.36%, 0.34%

LAB 32.65, 32.92, -12.43

 

CMYK 0 / 46 / 13 / 47

HEX #864974

RGB 134 73 116

HSL 317.7, 0.29%, 0.41%

LAB 39.74, 32.13, -13.37

 

CMYK 0 / 40 / 11 / 41

HEX #975B87

RGB 151 91 135

HSL 316, 0.25%, 0.47%

LAB 46.73, 31.31, -14.11

 

CMYK 0 / 35 / 8 / 34

HEX #A86D9A

RGB 168 109 154

HSL 314.24, 0.25%, 0.54%

LAB 53.59, 30.52, -14.75

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 76 / 18 / 69

HEX #4E1340

RGB 78 19 64

HSL 314.24, 0.61%, 0.19%

LAB 17.72, 32.83, -13.95

 

CMYK 0 / 98 / 26 / 76

HEX #3D012D

RGB 61 1 45

HSL 316, 0.97%, 0.12%

LAB 10.58, 32.3, -11.67

 

CMYK 0 / 100 / 41 / 83

HEX #2C001A

RGB 44 0 26

HSL 324.55, 1%, 0.09%

LAB 5.51, 24.52, -5.22

 

CMYK 0 / 100 / 74 / 89

HEX #1B0007

RGB 27 0 7

HSL 344.44, 1%, 0.05%

LAB 2.24, 10.42, 0.68

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 61 / 29 / 63

HEX #5F2543

RGB 95 37 67

HSL 328.97, 0.44%, 0.26%

LAB 24.2, 30.09, -5.84

 

CMYK 0 / 61 / 46 / 63

HEX #5F2533

RGB 95 37 51

HSL 345.52, 0.44%, 0.26%

LAB 23.66, 27.92, 4.25

 

CMYK 0 / 61 / 61 / 63

HEX #5F2525

RGB 95 37 37

HSL 0, 0.44%, 0.26%

LAB 23.3, 26.47, 13.29

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 4 / 61 / 0 / 63

HEX #5B255F

RGB 91 37 95

HSL 295.86, 0.44%, 0.26%

LAB 24.87, 33.83, -23.52

 

CMYK 20 / 61 / 0 / 63

HEX #4C255F

RGB 76 37 95

HSL 280.34, 0.44%, 0.26%

LAB 22.6, 29.4, -27.25

 

CMYK 37 / 61 / 0 / 63

HEX #3C255F

RGB 60 37 95

HSL 263.79, 0.44%, 0.26%

LAB 20.48, 24.85, -30.77

 

CMYK 54 / 61 / 0 / 63

HEX #2C255F

RGB 44 37 95

HSL 247.24, 0.44%, 0.26%

LAB 18.73, 20.74, -33.67

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 75 / 16 / 58

HEX #6A1A59

RGB 106 26 89

HSL 312.75, 0.61%, 0.26%

LAB 25.33, 42.02, -18.66

 

CMYK 0 / 87 / 18 / 55

HEX #740F5F

RGB 116 15 95

HSL 312.48, 0.77%, 0.26%

LAB 26.39, 48.82, -20.82

 

CMYK 0 / 97 / 20 / 50

HEX #7F0466

RGB 127 4 102

HSL 312.2, 0.94%, 0.26%

LAB 28.27, 54.27, -22.29

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 44 / 8 / 67

HEX #542F4D

RGB 84 47 77

HSL 311.35, 0.28%, 0.26%

LAB 25.12, 21.99, -11.32

 

CMYK 0 / 22 / 5 / 71

HEX #4A3A46

RGB 74 58 70

HSL 315, 0.12%, 0.26%

LAB 26.52, 9.45, -4.69

 

CMYK 9 / 0 / 7 / 73

HEX #3F4540

RGB 63 69 64

HSL 130, 0.05%, 0.26%

LAB 28.6, -3.61, 2.17

 

CMYK 35 / 0 / 28 / 69

HEX #34503A

RGB 52 80 58

HSL 132.86, 0.21%, 0.26%

LAB 31.28, -15.86, 9.69

 

CMYK 20 / 61 / 0 / 63

HEX #4C255F

RGB 76 37 95

HSL 280.34, 0.44%, 0.26%

LAB 22.6, 29.4, -27.25

 

CMYK 4 / 61 / 0 / 63

HEX #5B255F

RGB 91 37 95

HSL 295.86, 0.44%, 0.26%

LAB 24.87, 33.83, -23.52

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 61 / 28 / 63

HEX #5F2544

RGB 95 37 68

HSL 327.93, 0.44%, 0.26%

LAB 24.24, 30.24, -6.46

 

CMYK 0 / 61 / 45 / 63

HEX #5F2534

RGB 95 37 52

HSL 344.48, 0.44%, 0.26%

LAB 23.68, 28.04, 3.61

 

CMYK 0 / 61 / 14 / 86

HEX #240E1F

RGB 36 14 31

HSL 313.64, 0.44%, 0.1%

LAB 7.12, 14.53, -6.87

 

CMYK 0 / 62 / 12 / 75

HEX #411939

RGB 65 25 57

HSL 312, 0.44%, 0.18%

LAB 16.08, 24.29, -11.77

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 62 / 13 / 51

HEX #7D306D

RGB 125 48 109

HSL 312.47, 0.45%, 0.34%

LAB 33.09, 41.15, -19.31

 

CMYK 0 / 61 / 12 / 40

HEX #9A3C87

RGB 154 60 135

HSL 312.13, 0.44%, 0.42%

LAB 40.98, 48.37, -22.89

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 37 / 61 / 63

HEX #5F3C25

RGB 95 60 37

HSL 23.79, 0.44%, 0.26%

LAB 28.9, 12.7, 20.43

 

CMYK 61 / 0 / 13 / 63

HEX #255F53

RGB 37 95 83

HSL 167.59, 0.44%, 0.26%

LAB 36.37, -22.15, 1.21

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 13 / 0 / 61 / 63

HEX #535F25

RGB 83 95 37

HSL 72.41, 0.44%, 0.26%

LAB 38.12, -14.23, 31.03

 

CMYK 61 / 13 / 0 / 63

HEX #25535F

RGB 37 83 95

HSL 192.41, 0.44%, 0.26%

LAB 32.71, -11.76, -11.75

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 37 / 61 / 63

HEX #5F3C25

RGB 95 60 37

HSL 23.79, 0.44%, 0.26%

LAB 28.9, 12.7, 20.43

 

CMYK 61 / 0 / 49 / 63

HEX #255F30

RGB 37 95 48

HSL 131.38, 0.44%, 0.26%

LAB 35.58, -30.24, 21.3

 

CMYK 61 / 24 / 0 / 63

HEX #25485F

RGB 37 72 95

HSL 203.79, 0.44%, 0.26%

LAB 29.04, -4.99, -17.39

 

CMYK 0 / 61 / 13 / 63

HEX #5F2553

RGB 95 37 83

HSL 312.41, 0.44%, 0.26%

LAB 24.89, 32.75, -15.52

 

CMYK 0 / 19 / 61 / 63

HEX #5F4D25

RGB 95 77 37

HSL 41.38, 0.44%, 0.26%

LAB 33.72, 2.11, 26.24

 

CMYK 61 / 0 / 49 / 63

HEX #255F30

RGB 37 95 48

HSL 131.38, 0.44%, 0.26%

LAB 35.58, -30.24, 21.3

 

CMYK 61 / 43 / 0 / 63

HEX #25365F

RGB 37 54 95

HSL 222.41, 0.44%, 0.26%

LAB 23.2, 7.08, -26.55

 

Description

Color code: HEX #5F2553 | qconv.com Color code: HEX #5F2553 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 37 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 37 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 13 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 13% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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