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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F13C2 it is the complementary color #A0EC3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F13C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F13C2 shade: #6413BD, #7525D0, #8637E3, #9749F6 and #A85BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F13C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F13C2 shade: #5F13C2, #4E01AF, #3D009C, #2C0089 and #1B0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F13C2 shade: #5F13C2, #8E13C2, #BE13C2, #C21398 and #C21368

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F13C2 shade: #5F13C2, #3013C2 and #1313C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F13C2 shade matches the following richer shades: #5F13C2 and #5D01D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F13C2 shade: #5F13C2, #6124B1, #6435A0, #66478E and #68587D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F13C2 shade: #1324C2, #3013C2, #5F13C2, #8E13C2 and #BD13C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F13C2 shade: #3A0B77, #4D0F9D, #5F13C2, #7217E8 and #883CEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F13C2 shade: #5F13C2, #C21353 and #13C219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F13C2 shade: #5F13C2, #C25F13 and #13C25F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F13C2 shade: #5F13C2, #C21353, #76C213 and #13C282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F13C2 shade: #5F13C2, #C2131E, #76C213 and #13C2B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

Complementary color

CMYK 32 / 0 / 74 / 7

HEX #A0EC3D

RGB 160 236 61

HSL 86.06, 0.82%, 0.58%

LAB 85.91, -48.59, 72.15

 

CMYK 47 / 90 / 0 / 26

HEX #6413BD

RGB 100 19 189

HSL 268.59, 0.82%, 0.41%

LAB 31.46, 63.65, -71.11

 

CMYK 44 / 82 / 0 / 18

HEX #7525D0

RGB 117 37 208

HSL 268.07, 0.7%, 0.48%

LAB 37.22, 64.89, -72.67

 

CMYK 41 / 76 / 0 / 11

HEX #8637E3

RGB 134 55 227

HSL 267.56, 0.75%, 0.55%

LAB 43.28, 65.11, -73.58

 

CMYK 39 / 70 / 0 / 4

HEX #9749F6

RGB 151 73 246

HSL 267.05, 0.91%, 0.63%

LAB 49.49, 64.73, -74.07

 

CMYK 34 / 64 / 0 / 0

HEX #A85BFF

RGB 168 91 255

HSL 268.17, 1%, 0.68%

LAB 55.1, 61.68, -69.89

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 55 / 99 / 0 / 31

HEX #4E01AF

RGB 78 1 175

HSL 266.55, 0.99%, 0.35%

LAB 25.97, 61.94, -71.94

 

CMYK 61 / 100 / 0 / 39

HEX #3D009C

RGB 61 0 156

HSL 263.46, 1%, 0.31%

LAB 21.55, 56.58, -67.8

 

CMYK 68 / 100 / 0 / 46

HEX #2C0089

RGB 44 0 137

HSL 259.27, 1%, 0.27%

LAB 17.19, 50.98, -63.3

 

CMYK 77 / 100 / 0 / 54

HEX #1B0076

RGB 27 0 118

HSL 253.73, 1%, 0.23%

LAB 12.87, 45.37, -58.43

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 27 / 90 / 0 / 24

HEX #8E13C2

RGB 142 19 194

HSL 282.17, 0.82%, 0.42%

LAB 38.04, 69.93, -63.03

 

CMYK 2 / 90 / 0 / 24

HEX #BE13C2

RGB 190 19 194

HSL 298.63, 0.82%, 0.42%

LAB 46.05, 77.46, -49.69

 

CMYK 0 / 90 / 22 / 24

HEX #C21398

RGB 194 19 152

HSL 314.4, 0.82%, 0.42%

LAB 44.52, 72.41, -27.17

 

CMYK 0 / 90 / 46 / 24

HEX #C21368

RGB 194 19 104

HSL 330.86, 0.82%, 0.42%

LAB 42.66, 67.41, -0.46

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 75 / 90 / 0 / 24

HEX #3013C2

RGB 48 19 194

HSL 249.94, 0.82%, 0.42%

LAB 26.7, 60.98, -82.11

 

CMYK 90 / 90 / 0 / 24

HEX #1313C2

RGB 19 19 194

HSL 240, 0.82%, 0.42%

LAB 25.26, 60.07, -84.56

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 56 / 100 / 0 / 17

HEX #5D01D4

RGB 93 1 212

HSL 266.16, 0.99%, 0.42%

LAB 32.04, 71.34, -83.65

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 45 / 80 / 0 / 31

HEX #6124B1

RGB 97 36 177

HSL 265.96, 0.66%, 0.42%

LAB 31.76, 55.01, -63.52

 

CMYK 38 / 67 / 0 / 37

HEX #6435A0

RGB 100 53 160

HSL 266.36, 0.5%, 0.42%

LAB 33.55, 43.2, -50.37

 

CMYK 28 / 50 / 0 / 44

HEX #66478E

RGB 102 71 142

HSL 266.2, 0.33%, 0.42%

LAB 36.53, 28.64, -34.65

 

CMYK 17 / 30 / 0 / 51

HEX #68587D

RGB 104 88 125

HSL 265.95, 0.17%, 0.42%

LAB 40.25, 14.49, -18.43

 

CMYK 90 / 81 / 0 / 24

HEX #1324C2

RGB 19 36 194

HSL 234.17, 0.82%, 0.42%

LAB 27.56, 53.19, -80.73

 

CMYK 75 / 90 / 0 / 24

HEX #3013C2

RGB 48 19 194

HSL 249.94, 0.82%, 0.42%

LAB 26.7, 60.98, -82.11

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 27 / 90 / 0 / 24

HEX #8E13C2

RGB 142 19 194

HSL 282.17, 0.82%, 0.42%

LAB 38.04, 69.93, -63.03

 

CMYK 3 / 90 / 0 / 24

HEX #BD13C2

RGB 189 19 194

HSL 298.29, 0.82%, 0.42%

LAB 45.88, 77.29, -49.98

 

CMYK 51 / 91 / 0 / 53

HEX #3A0B77

RGB 58 11 119

HSL 266.11, 0.83%, 0.25%

LAB 17.79, 44.11, -50.81

 

CMYK 51 / 90 / 0 / 38

HEX #4D0F9D

RGB 77 15 157

HSL 266.2, 0.83%, 0.34%

LAB 24.81, 54.65, -62.96

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 51 / 90 / 0 / 9

HEX #7217E8

RGB 114 23 232

HSL 266.12, 0.82%, 0.5%

LAB 37.87, 73.91, -85.4

 

CMYK 42 / 74 / 0 / 8

HEX #883CEB

RGB 136 60 235

HSL 266.06, 0.81%, 0.58%

LAB 44.89, 65.26, -75.47

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 0 / 90 / 57 / 24

HEX #C21353

RGB 194 19 83

HSL 338.06, 0.82%, 0.42%

LAB 42.09, 65.82, 11.95

 

CMYK 90 / 0 / 87 / 24

HEX #13C219

RGB 19 194 25

HSL 122.06, 0.82%, 0.42%

LAB 68.6, -68.58, 64.37

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 0 / 51 / 90 / 24

HEX #C25F13

RGB 194 95 19

HSL 26.06, 0.82%, 0.42%

LAB 51.5, 35.53, 55.81

 

CMYK 90 / 0 / 51 / 24

HEX #13C25F

RGB 19 194 95

HSL 146.06, 0.82%, 0.42%

LAB 69.15, -61.77, 38.44

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 0 / 90 / 57 / 24

HEX #C21353

RGB 194 19 83

HSL 338.06, 0.82%, 0.42%

LAB 42.09, 65.82, 11.95

 

CMYK 39 / 0 / 90 / 24

HEX #76C213

RGB 118 194 19

HSL 86.06, 0.82%, 0.42%

LAB 71.2, -47.67, 68.73

 

CMYK 90 / 0 / 33 / 24

HEX #13C282

RGB 19 194 130

HSL 158.06, 0.82%, 0.42%

LAB 69.71, -55.21, 21.1

 

CMYK 51 / 90 / 0 / 24

HEX #5F13C2

RGB 95 19 194

HSL 266.06, 0.82%, 0.42%

LAB 31.33, 64.31, -74.3

 

CMYK 0 / 90 / 85 / 24

HEX #C2131E

RGB 194 19 30

HSL 356.23, 0.82%, 0.42%

LAB 41.26, 63.47, 43.02

 

CMYK 39 / 0 / 90 / 24

HEX #76C213

RGB 118 194 19

HSL 86.06, 0.82%, 0.42%

LAB 71.2, -47.67, 68.73

 

CMYK 90 / 0 / 6 / 24

HEX #13C2B7

RGB 19 194 183

HSL 176.23, 0.82%, 0.42%

LAB 70.97, -41.74, -5.84

 

Description

Color code: HEX #5F13C2 | qconv.com Color code: HEX #5F13C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 19 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 19 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 90 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 90% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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