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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F1367 it is the complementary color #A0EC98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F1367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F1367 shade: #641362, #752575, #863788, #97499B and #A85BAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F1367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F1367 shade: #5F1367, #4E0154, #3D0041, #2C002E and #1B001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F1367 shade: #5F1267, #671258, #671241, #67122B and #671214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F1367 shade: #5F1267, #481267, #311267, #1B1267 and #121267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F1367 shade matches the following richer shades: #5F1267 and #670971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F1367 shade: #5F1267, #571C5D, #4F2653, #473049 and #3F3A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F1367 shade: #311267, #481267, #5E1267, #671259 and #671242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F1367 shade: #1F0621, #3F0C44, #5F1267, #7F198A and #9F1FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F1367 shade: #5F1367, #671B12 and #12673D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F1367 shade: #5F1367, #675E12 and #12675E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F1367 shade: #5F1367, #671B12, #1B6712 and #125E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F1367 shade: #5F1367, #673412, #1B6712 and #124567

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

Complementary color

CMYK 32 / 0 / 36 / 7

HEX #A0EC98

RGB 160 236 152

HSL 114.29, 0.69%, 0.76%

LAB 86.87, -39.33, 33.49

 

CMYK 0 / 81 / 2 / 61

HEX #641362

RGB 100 19 98

HSL 301.48, 0.68%, 0.23%

LAB 23.86, 44.48, -26.99

 

CMYK 0 / 68 / 0 / 54

HEX #752575

RGB 117 37 117

HSL 300, 0.52%, 0.3%

LAB 30.37, 45.3, -28.73

 

CMYK 1 / 60 / 0 / 47

HEX #863788

RGB 134 55 136

HSL 298.52, 0.42%, 0.37%

LAB 37.07, 45.23, -29.83

 

CMYK 3 / 53 / 0 / 39

HEX #97499B

RGB 151 73 155

HSL 297.07, 0.36%, 0.45%

LAB 43.82, 44.74, -30.59

 

CMYK 3 / 48 / 0 / 32

HEX #A85BAE

RGB 168 91 174

HSL 295.66, 0.34%, 0.52%

LAB 50.53, 44.07, -31.16

 

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

CMYK 7 / 99 / 0 / 67

HEX #4E0154

RGB 78 1 84

HSL 295.66, 0.98%, 0.17%

LAB 16.9, 42.4, -29.01

 

CMYK 6 / 100 / 0 / 75

HEX #3D0041

RGB 61 0 65

HSL 296.31, 1%, 0.13%

LAB 11.78, 36.1, -24.26

 

CMYK 4 / 100 / 0 / 82

HEX #2C002E

RGB 44 0 46

HSL 297.39, 1%, 0.09%

LAB 6.62, 28.8, -18.93

 

CMYK 0 / 100 / 0 / 89

HEX #1B001B

RGB 27 0 27

HSL 300, 1%, 0.05%

LAB 2.82, 14.47, -10.3

 

CMYK 8 / 83 / 0 / 60

HEX #5F1267

RGB 95 18 103

HSL 294.35, 0.7%, 0.24%

LAB 23.15, 44.59, -31.44

 

CMYK 0 / 83 / 15 / 60

HEX #671258

RGB 103 18 88

HSL 310.59, 0.7%, 0.24%

LAB 23.74, 43.84, -20.53

 

CMYK 0 / 83 / 37 / 60

HEX #671241

RGB 103 18 65

HSL 326.82, 0.7%, 0.24%

LAB 22.65, 40.62, -6.66

 

CMYK 0 / 83 / 58 / 60

HEX #67122B

RGB 103 18 43

HSL 342.35, 0.7%, 0.24%

LAB 21.91, 38.36, 7.55

 

CMYK 0 / 83 / 81 / 60

HEX #671214

RGB 103 18 20

HSL 358.59, 0.7%, 0.24%

LAB 21.46, 36.93, 22.71

 

CMYK 8 / 83 / 0 / 60

HEX #5F1267

RGB 95 18 103

HSL 294.35, 0.7%, 0.24%

LAB 23.15, 44.59, -31.44

 

CMYK 30 / 83 / 0 / 60

HEX #481267

RGB 72 18 103

HSL 278.12, 0.7%, 0.24%

LAB 19.18, 39.82, -38.05

 

CMYK 52 / 83 / 0 / 60

HEX #311267

RGB 49 18 103

HSL 261.88, 0.7%, 0.24%

LAB 15.82, 35.74, -43.67

 

CMYK 74 / 83 / 0 / 60

HEX #1B1267

RGB 27 18 103

HSL 246.35, 0.7%, 0.24%

LAB 13.5, 32.87, -47.58

 

CMYK 83 / 83 / 0 / 60

HEX #121267

RGB 18 18 103

HSL 240, 0.7%, 0.24%

LAB 12.86, 32.08, -48.66

 

CMYK 8 / 83 / 0 / 60

HEX #5F1267

RGB 95 18 103

HSL 294.35, 0.7%, 0.24%

LAB 23.15, 44.59, -31.44

 

CMYK 9 / 92 / 0 / 56

HEX #670971

RGB 103 9 113

HSL 294.23, 0.85%, 0.24%

LAB 24.55, 50.31, -35.61

 

CMYK 8 / 83 / 0 / 60

HEX #5F1267

RGB 95 18 103

HSL 294.35, 0.7%, 0.24%

LAB 23.15, 44.59, -31.44

 

CMYK 6 / 70 / 0 / 64

HEX #571C5D

RGB 87 28 93

HSL 294.46, 0.54%, 0.24%

LAB 22.47, 36.77, -26.05

 

CMYK 5 / 54 / 0 / 67

HEX #4F2653

RGB 79 38 83

HSL 294.67, 0.37%, 0.24%

LAB 22.56, 26.94, -19.34

 

CMYK 3 / 34 / 0 / 71

HEX #473049

RGB 71 48 73

HSL 295.2, 0.21%, 0.24%

LAB 23.45, 15.5, -11.35

 

CMYK 0 / 8 / 0 / 75

HEX #3F3A3F

RGB 63 58 63

HSL 300, 0.04%, 0.24%

LAB 25.08, 3.27, -2.31

 

CMYK 52 / 83 / 0 / 60

HEX #311267

RGB 49 18 103

HSL 261.88, 0.7%, 0.24%

LAB 15.82, 35.74, -43.67

 

CMYK 30 / 83 / 0 / 60

HEX #481267

RGB 72 18 103

HSL 278.12, 0.7%, 0.24%

LAB 19.18, 39.82, -38.05

 

CMYK 9 / 83 / 0 / 60

HEX #5E1267

RGB 94 18 103

HSL 293.65, 0.7%, 0.24%

LAB 22.97, 44.37, -31.75

 

CMYK 0 / 83 / 14 / 60

HEX #671259

RGB 103 18 89

HSL 309.88, 0.7%, 0.24%

LAB 23.79, 44, -21.11

 

CMYK 0 / 83 / 36 / 60

HEX #671242

RGB 103 18 66

HSL 326.12, 0.7%, 0.24%

LAB 22.69, 40.74, -7.28

 

CMYK 6 / 82 / 0 / 87

HEX #1F0621

RGB 31 6 33

HSL 295.56, 0.69%, 0.08%

LAB 4.8, 16.31, -12.02

 

CMYK 7 / 82 / 0 / 73

HEX #3F0C44

RGB 63 12 68

HSL 294.64, 0.7%, 0.16%

LAB 14.04, 32.37, -22.73

 

CMYK 8 / 83 / 0 / 60

HEX #5F1267

RGB 95 18 103

HSL 294.35, 0.7%, 0.24%

LAB 23.15, 44.59, -31.44

 

CMYK 8 / 82 / 0 / 46

HEX #7F198A

RGB 127 25 138

HSL 294.16, 0.69%, 0.32%

LAB 31.9, 55.6, -39.36

 

CMYK 8 / 82 / 0 / 32

HEX #9F1FAD

RGB 159 31 173

HSL 294.08, 0.7%, 0.4%

LAB 40.19, 66.31, -47.01

 

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

CMYK 0 / 74 / 83 / 60

HEX #671B12

RGB 103 27 18

HSL 6.35, 0.7%, 0.24%

LAB 22.69, 33.35, 25.29

 

CMYK 83 / 0 / 41 / 60

HEX #12673D

RGB 18 103 61

HSL 150.35, 0.7%, 0.24%

LAB 38.14, -34.91, 16.97

 

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

CMYK 0 / 9 / 83 / 60

HEX #675E12

RGB 103 94 18

HSL 53.65, 0.7%, 0.24%

LAB 39.47, -5.38, 41.4

 

CMYK 83 / 0 / 9 / 60

HEX #12675E

RGB 18 103 94

HSL 173.65, 0.7%, 0.24%

LAB 38.96, -26.13, -1.83

 

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

CMYK 0 / 74 / 83 / 60

HEX #671B12

RGB 103 27 18

HSL 6.35, 0.7%, 0.24%

LAB 22.69, 33.35, 25.29

 

CMYK 74 / 0 / 83 / 60

HEX #1B6712

RGB 27 103 18

HSL 113.65, 0.7%, 0.24%

LAB 37.8, -39.55, 38.18

 

CMYK 83 / 9 / 0 / 60

HEX #125E67

RGB 18 94 103

HSL 186.35, 0.7%, 0.24%

LAB 36.2, -18.46, -11.51

 

CMYK 8 / 82 / 0 / 60

HEX #5F1367

RGB 95 19 103

HSL 294.29, 0.69%, 0.24%

LAB 23.26, 44.27, -31.26

 

CMYK 0 / 50 / 83 / 60

HEX #673412

RGB 103 52 18

HSL 24, 0.7%, 0.24%

LAB 27.8, 20.1, 30.45

 

CMYK 74 / 0 / 83 / 60

HEX #1B6712

RGB 27 103 18

HSL 113.65, 0.7%, 0.24%

LAB 37.8, -39.55, 38.18

 

CMYK 83 / 33 / 0 / 60

HEX #124567

RGB 18 69 103

HSL 204, 0.7%, 0.24%

LAB 27.75, -3.42, -24.58

 

Description

Color code: HEX #5F1367 | qconv.com Color code: HEX #5F1367 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 19 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 19 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 82 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 82% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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