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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFAFF it is the complementary color #A10500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFAFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFAFF shade: #63FAFA, #74FFFF, #85FFFF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFAFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFAFF shade: #5EFAFF, #4DE8EC, #3CD6D9, #2BC4C6 and #1AB2B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFAFF shade: #5BF9FF, #5BCDFF, #5BA1FF, #5B75FF and #6D5BFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFAFF shade: #5BF9FF, #5BCDFF, #5BA1FF, #5B75FF and #5B5BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFAFF shade matches the following richer shades: #5BF9FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFAFF shade: #5BF9FF, #69EDF1, #76E1E4, #83D4D7 and #90C8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFAFF shade: #5BFFAA, #5BFFD6, #5BFCFF, #5BD0FF and #5BA5FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFAFF shade: #09F7FF, #32F8FF, #5BF9FF, #85FBFF and #AEFCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFAFF shade: #5EFAFF, #7F5BFF and #FFC05B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFAFF shade: #5EFAFF, #FF5BFC and #FCFF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFAFF shade: #5EFAFF, #7F5BFF, #FF5E5B and #DBFF5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFAFF shade: #5EFAFF, #B05BFF, #FF5E5B and #AAFF5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

Complementary color

CMYK 0 / 97 / 100 / 37

HEX #A10500

RGB 161 5 0

HSL 1.86, 1%, 0.32%

LAB 33.32, 56.12, 47.35

 

CMYK 60 / 0 / 0 / 2

HEX #63FAFA

RGB 99 250 250

HSL 180, 0.94%, 0.68%

LAB 90.75, -39.49, -11.97

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

CMYK 67 / 2 / 0 / 7

HEX #4DE8EC

RGB 77 232 236

HSL 181.51, 0.81%, 0.61%

LAB 84.66, -38.34, -13.79

 

CMYK 72 / 1 / 0 / 15

HEX #3CD6D9

RGB 60 214 217

HSL 181.15, 0.67%, 0.54%

LAB 78.5, -37.58, -12.96

 

CMYK 78 / 1 / 0 / 22

HEX #2BC4C6

RGB 43 196 198

HSL 180.77, 0.64%, 0.47%

LAB 72.28, -36.59, -12.04

 

CMYK 85 / 1 / 0 / 30

HEX #1AB2B3

RGB 26 178 179

HSL 180.39, 0.75%, 0.4%

LAB 65.99, -35.28, -11.03

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 64 / 20 / 0 / 0

HEX #5BCDFF

RGB 91 205 255

HSL 198.29, 1%, 0.68%

LAB 77.94, -17.54, -34.07

 

CMYK 64 / 37 / 0 / 0

HEX #5BA1FF

RGB 91 161 255

HSL 214.39, 1%, 0.68%

LAB 65.7, 6.61, -53.22

 

CMYK 64 / 54 / 0 / 0

HEX #5B75FF

RGB 91 117 255

HSL 230.49, 1%, 0.68%

LAB 54.2, 32.94, -71.65

 

CMYK 57 / 64 / 0 / 0

HEX #6D5BFF

RGB 109 91 255

HSL 246.59, 1%, 0.68%

LAB 49.44, 51.01, -79.35

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 64 / 20 / 0 / 0

HEX #5BCDFF

RGB 91 205 255

HSL 198.29, 1%, 0.68%

LAB 77.94, -17.54, -34.07

 

CMYK 64 / 37 / 0 / 0

HEX #5BA1FF

RGB 91 161 255

HSL 214.39, 1%, 0.68%

LAB 65.7, 6.61, -53.22

 

CMYK 64 / 54 / 0 / 0

HEX #5B75FF

RGB 91 117 255

HSL 230.49, 1%, 0.68%

LAB 54.2, 32.94, -71.65

 

CMYK 64 / 64 / 0 / 0

HEX #5B5BFF

RGB 91 91 255

HSL 240, 1%, 0.68%

LAB 48.17, 48.43, -81.48

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 56 / 2 / 0 / 5

HEX #69EDF1

RGB 105 237 241

HSL 181.76, 0.83%, 0.68%

LAB 86.96, -34.88, -12.91

 

CMYK 48 / 1 / 0 / 11

HEX #76E1E4

RGB 118 225 228

HSL 181.64, 0.67%, 0.68%

LAB 83.6, -30.04, -11.02

 

CMYK 39 / 1 / 0 / 16

HEX #83D4D7

RGB 131 212 215

HSL 182.14, 0.51%, 0.68%

LAB 80.08, -23.94, -9.3

 

CMYK 29 / 1 / 0 / 21

HEX #90C8CA

RGB 144 200 202

HSL 182.07, 0.35%, 0.68%

LAB 76.98, -17.49, -6.84

 

CMYK 64 / 0 / 33 / 0

HEX #5BFFAA

RGB 91 255 170

HSL 148.9, 1%, 0.68%

LAB 90.16, -61.27, 28.39

 

CMYK 64 / 0 / 16 / 0

HEX #5BFFD6

RGB 91 255 214

HSL 165, 1%, 0.68%

LAB 91.05, -51.94, 7.13

 

CMYK 64 / 1 / 0 / 0

HEX #5BFCFF

RGB 91 252 255

HSL 181.1, 1%, 0.68%

LAB 91.26, -40.27, -13.81

 

CMYK 64 / 18 / 0 / 0

HEX #5BD0FF

RGB 91 208 255

HSL 197.2, 1%, 0.68%

LAB 78.78, -19.09, -32.76

 

CMYK 64 / 35 / 0 / 0

HEX #5BA5FF

RGB 91 165 255

HSL 212.93, 1%, 0.68%

LAB 66.79, 4.31, -51.49

 

CMYK 96 / 3 / 0 / 0

HEX #09F7FF

RGB 9 247 255

HSL 181.95, 1%, 0.52%

LAB 88.83, -44.42, -17.57

 

CMYK 80 / 3 / 0 / 0

HEX #32F8FF

RGB 50 248 255

HSL 182.05, 1%, 0.6%

LAB 89.41, -42.98, -16.67

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 48 / 2 / 0 / 0

HEX #85FBFF

RGB 133 251 255

HSL 181.97, 1%, 0.76%

LAB 92.22, -32.33, -12.25

 

CMYK 32 / 1 / 0 / 0

HEX #AEFCFF

RGB 174 252 255

HSL 182.22, 1%, 0.84%

LAB 94.24, -22.98, -9.06

 

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

CMYK 50 / 64 / 0 / 0

HEX #7F5BFF

RGB 127 91 255

HSL 253.17, 1%, 0.68%

LAB 50.94, 53.95, -76.84

 

CMYK 0 / 25 / 64 / 0

HEX #FFC05B

RGB 255 192 91

HSL 36.95, 1%, 0.68%

LAB 81.68, 12.53, 58.33

 

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

CMYK 0 / 64 / 1 / 0

HEX #FF5BFC

RGB 255 91 252

HSL 301.1, 1%, 0.68%

LAB 66.34, 79.98, -49.61

 

CMYK 1 / 0 / 64 / 0

HEX #FCFF5B

RGB 252 255 91

HSL 61.1, 1%, 0.68%

LAB 97.22, -20.29, 74.82

 

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

CMYK 50 / 64 / 0 / 0

HEX #7F5BFF

RGB 127 91 255

HSL 253.17, 1%, 0.68%

LAB 50.94, 53.95, -76.84

 

CMYK 0 / 63 / 64 / 0

HEX #FF5E5B

RGB 255 94 91

HSL 1.1, 1%, 0.68%

LAB 61.67, 60.96, 34.91

 

CMYK 14 / 0 / 64 / 0

HEX #DBFF5B

RGB 219 255 91

HSL 73.17, 1%, 0.68%

LAB 94.88, -33.25, 71.66

 

CMYK 63 / 2 / 0 / 0

HEX #5EFAFF

RGB 94 250 255

HSL 181.86, 1%, 0.68%

LAB 90.77, -38.92, -14.55

 

CMYK 31 / 64 / 0 / 0

HEX #B05BFF

RGB 176 91 255

HSL 271.1, 1%, 0.68%

LAB 56.02, 63.31, -68.36

 

CMYK 0 / 63 / 64 / 0

HEX #FF5E5B

RGB 255 94 91

HSL 1.1, 1%, 0.68%

LAB 61.67, 60.96, 34.91

 

CMYK 33 / 0 / 64 / 0

HEX #AAFF5B

RGB 170 255 91

HSL 91.1, 1%, 0.68%

LAB 92.05, -51.05, 67.81

 

Description

Color code: HEX #5EFAFF | qconv.com Color code: HEX #5EFAFF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 250 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 250 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 2 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 2% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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