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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EF470 it is the complementary color #A10B8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EF470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EF470 shade: #63F46B, #74FF7E, #85FF91, #96FFA4 and #A7FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EF470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EF470 shade: #5EF470, #4DE25D, #3CD04A, #2BBE37 and #1AAC24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EF470 shade: #5CF36E, #73F35C, #9CF35C, #C4F35C and #EDF35C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EF470 shade: #5CF36E, #5CF397, #5CF3C0, #5CF3E9 and #5CD5F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EF470 shade matches the following richer shades: #5CF36E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EF470 shade: #5CF36E, #6AE579, #78D784, #86C98E and #94BB99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EF470 shade: #9BF35C, #73F35C, #5CF36E, #5CF396 and #5CF3BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EF470 shade: #10ED2B, #36F14C, #5CF36E, #83F691 and #AAF9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EF470 shade: #5EF470, #5CC3F3 and #F35C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EF470 shade: #5EF470, #6E5CF3 and #F36E5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EF470 shade: #5EF470, #5CC3F3, #F35CE2 and #F38C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EF470 shade: #5EF470, #5C96F3, #F35CE2 and #F3B95C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

Complementary color

CMYK 0 / 93 / 11 / 37

HEX #A10B8F

RGB 161 11 143

HSL 307.2, 0.87%, 0.34%

LAB 37.48, 65.76, -33.19

 

CMYK 59 / 0 / 56 / 4

HEX #63F46B

RGB 99 244 107

HSL 123.31, 0.87%, 0.67%

LAB 86.21, -65.41, 53.76

 

CMYK 55 / 0 / 51 / 0

HEX #74FF7E

RGB 116 255 126

HSL 124.32, 1%, 0.73%

LAB 90.2, -63.14, 50.01

 

CMYK 48 / 0 / 43 / 0

HEX #85FF91

RGB 133 255 145

HSL 125.9, 1%, 0.76%

LAB 91.03, -56.25, 42.15

 

CMYK 41 / 0 / 36 / 0

HEX #96FFA4

RGB 150 255 164

HSL 128, 1%, 0.79%

LAB 91.99, -48.73, 34.19

 

CMYK 35 / 0 / 28 / 0

HEX #A7FFB7

RGB 167 255 183

HSL 130.91, 1%, 0.83%

LAB 93.08, -40.68, 26.25

 

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

CMYK 66 / 0 / 59 / 11

HEX #4DE25D

RGB 77 226 93

HSL 126.44, 0.72%, 0.59%

LAB 80.04, -65.31, 52.64

 

CMYK 71 / 0 / 64 / 18

HEX #3CD04A

RGB 60 208 74

HSL 125.68, 0.61%, 0.53%

LAB 73.91, -64.42, 53.8

 

CMYK 77 / 0 / 71 / 25

HEX #2BBE37

RGB 43 190 55

HSL 124.9, 0.63%, 0.46%

LAB 67.74, -63.05, 54.7

 

CMYK 85 / 0 / 79 / 33

HEX #1AAC24

RGB 26 172 36

HSL 124.11, 0.74%, 0.39%

LAB 61.53, -61.01, 55.05

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 53 / 0 / 62 / 5

HEX #73F35C

RGB 115 243 92

HSL 110.86, 0.86%, 0.66%

LAB 86.27, -62.85, 60.42

 

CMYK 36 / 0 / 62 / 5

HEX #9CF35C

RGB 156 243 92

HSL 94.57, 0.86%, 0.66%

LAB 87.94, -50.7, 62.75

 

CMYK 19 / 0 / 62 / 5

HEX #C4F35C

RGB 196 243 92

HSL 78.68, 0.86%, 0.66%

LAB 90.14, -36.48, 65.78

 

CMYK 2 / 0 / 62 / 5

HEX #EDF35C

RGB 237 243 92

HSL 62.38, 0.86%, 0.66%

LAB 92.96, -20.49, 69.64

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 62 / 0 / 38 / 5

HEX #5CF397

RGB 92 243 151

HSL 143.44, 0.86%, 0.66%

LAB 86.31, -60.01, 32.8

 

CMYK 62 / 0 / 21 / 5

HEX #5CF3C0

RGB 92 243 192

HSL 159.74, 0.86%, 0.66%

LAB 87.09, -51.83, 12.87

 

CMYK 62 / 0 / 4 / 5

HEX #5CF3E9

RGB 92 243 233

HSL 176.03, 0.86%, 0.66%

LAB 88.09, -41.92, -7.07

 

CMYK 62 / 12 / 0 / 5

HEX #5CD5F3

RGB 92 213 243

HSL 191.92, 0.86%, 0.66%

LAB 79.8, -25.03, -24.8

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 54 / 0 / 47 / 10

HEX #6AE579

RGB 106 229 121

HSL 127.32, 0.7%, 0.66%

LAB 82.1, -56.41, 42.27

 

CMYK 44 / 0 / 39 / 16

HEX #78D784

RGB 120 215 132

HSL 127.58, 0.54%, 0.66%

LAB 78.61, -45.35, 32.42

 

CMYK 33 / 0 / 29 / 21

HEX #86C98E

RGB 134 201 142

HSL 127.16, 0.38%, 0.66%

LAB 75.32, -33.21, 22.93

 

CMYK 21 / 0 / 18 / 27

HEX #94BB99

RGB 148 187 153

HSL 127.69, 0.22%, 0.66%

LAB 72.32, -19.82, 13

 

CMYK 36 / 0 / 62 / 5

HEX #9BF35C

RGB 155 243 92

HSL 94.97, 0.86%, 0.66%

LAB 87.89, -51.03, 62.68

 

CMYK 53 / 0 / 62 / 5

HEX #73F35C

RGB 115 243 92

HSL 110.86, 0.86%, 0.66%

LAB 86.27, -62.85, 60.42

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 62 / 0 / 38 / 5

HEX #5CF396

RGB 92 243 150

HSL 143.05, 0.86%, 0.66%

LAB 86.29, -60.18, 33.28

 

CMYK 62 / 0 / 22 / 5

HEX #5CF3BE

RGB 92 243 190

HSL 158.94, 0.86%, 0.66%

LAB 87.04, -52.28, 13.84

 

CMYK 93 / 0 / 82 / 7

HEX #10ED2B

RGB 16 237 43

HSL 127.33, 0.87%, 0.5%

LAB 82.3, -79.78, 72.54

 

CMYK 78 / 0 / 68 / 5

HEX #36F14C

RGB 54 241 76

HSL 127.06, 0.87%, 0.58%

LAB 84.08, -75.46, 63.96

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36E

RGB 92 243 110

HSL 127.15, 0.86%, 0.66%

LAB 85.76, -66.18, 51.82

 

CMYK 47 / 0 / 41 / 4

HEX #83F691

RGB 131 246 145

HSL 127.3, 0.86%, 0.74%

LAB 88.34, -53.17, 38.68

 

CMYK 32 / 0 / 28 / 2

HEX #AAF9B3

RGB 170 249 179

HSL 126.84, 0.87%, 0.82%

LAB 91.48, -37.76, 26.12

 

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

CMYK 62 / 20 / 0 / 5

HEX #5CC3F3

RGB 92 195 243

HSL 199.07, 0.86%, 0.66%

LAB 74.68, -15.85, -32.66

 

CMYK 0 / 62 / 44 / 5

HEX #F35C87

RGB 243 92 135

HSL 342.91, 0.86%, 0.66%

LAB 60.3, 61.28, 7.42

 

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

CMYK 55 / 62 / 0 / 5

HEX #6E5CF3

RGB 110 92 243

HSL 247.15, 0.86%, 0.66%

LAB 48.81, 47.02, -73.68

 

CMYK 0 / 55 / 62 / 5

HEX #F36E5C

RGB 243 110 92

HSL 7.15, 0.86%, 0.66%

LAB 62.49, 49.84, 34.96

 

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

CMYK 62 / 20 / 0 / 5

HEX #5CC3F3

RGB 92 195 243

HSL 199.07, 0.86%, 0.66%

LAB 74.68, -15.85, -32.66

 

CMYK 0 / 62 / 7 / 5

HEX #F35CE2

RGB 243 92 226

HSL 306.75, 0.86%, 0.66%

LAB 63.51, 72.73, -39.78

 

CMYK 0 / 42 / 62 / 5

HEX #F38C5C

RGB 243 140 92

HSL 19.07, 0.86%, 0.66%

LAB 68.45, 34.92, 42.24

 

CMYK 61 / 0 / 54 / 4

HEX #5EF470

RGB 94 244 112

HSL 127.2, 0.87%, 0.66%

LAB 86.13, -65.87, 51.38

 

CMYK 62 / 38 / 0 / 5

HEX #5C96F3

RGB 92 150 243

HSL 216.95, 0.86%, 0.66%

LAB 62.13, 9.22, -52.31

 

CMYK 0 / 62 / 7 / 5

HEX #F35CE2

RGB 243 92 226

HSL 306.75, 0.86%, 0.66%

LAB 63.51, 72.73, -39.78

 

CMYK 0 / 24 / 62 / 5

HEX #F3B95C

RGB 243 185 92

HSL 36.95, 0.86%, 0.66%

LAB 78.77, 11.29, 54.27

 

Description

Color code: HEX #5EF470 | qconv.com Color code: HEX #5EF470 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 244 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 244 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 54 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 54% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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