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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEDD5 it is the complementary color #A1122A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEDD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEDD5 shade: #63EDD0, #74FFE3, #85FFF6, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEDD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEDD5 shade: #5EEDD5, #4DDBC2, #3CC9AF, #2BB79C and #1AA589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEDD5 shade: #5EEDD5, #5EEDAE, #5EED88, #5EED61 and #81ED5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEDD5 shade: #5EEDD5, #5EDEED, #5EB8ED, #5E91ED and #5E6BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEDD5 shade matches the following richer shades: #5EEDD5 and #4FFBDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEDD5 shade: #5EEDD5, #6CDECB, #7BD0C1, #89C1B8 and #98B3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEDD5 shade: #5EED86, #5EEDAC, #5EEDD2, #5EE1ED and #5EBBED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEDD5 shade: #18E0BE, #39E9CB, #5EEDD5, #83F1DE and #A8F5E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEDD5 shade: #5EEDD5, #605EED and #ED995E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEDD5 shade: #5EEDD5, #D25EED and #EDD25E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEDD5 shade: #5EEDD5, #605EED, #ED5E78 and #EAED5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEDD5 shade: #5EEDD5, #8B5EED, #ED5E78 and #BFED5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

Complementary color

CMYK 0 / 89 / 74 / 37

HEX #A1122A

RGB 161 18 42

HSL 349.93, 0.8%, 0.35%

LAB 34.35, 55.16, 26.67

 

CMYK 58 / 0 / 12 / 7

HEX #63EDD0

RGB 99 237 208

HSL 167.39, 0.79%, 0.66%

LAB 85.89, -44.33, 2.83

 

CMYK 55 / 0 / 11 / 0

HEX #74FFE3

RGB 116 255 227

HSL 167.91, 1%, 0.73%

LAB 92.03, -44.44, 1.91

 

CMYK 48 / 0 / 4 / 0

HEX #85FFF6

RGB 133 255 246

HSL 175.57, 1%, 0.76%

LAB 93.08, -36.4, -6.31

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 65 / 0 / 11 / 14

HEX #4DDBC2

RGB 77 219 194

HSL 169.44, 0.66%, 0.58%

LAB 79.69, -43.7, 1.14

 

CMYK 70 / 0 / 13 / 21

HEX #3CC9AF

RGB 60 201 175

HSL 168.94, 0.57%, 0.51%

LAB 73.43, -43.23, 2.2

 

CMYK 77 / 0 / 15 / 28

HEX #2BB79C

RGB 43 183 156

HSL 168.43, 0.62%, 0.44%

LAB 67.11, -42.52, 3.37

 

CMYK 84 / 0 / 17 / 35

HEX #1AA589

RGB 26 165 137

HSL 167.91, 0.73%, 0.37%

LAB 60.73, -41.49, 4.68

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 60 / 0 / 27 / 7

HEX #5EEDAE

RGB 94 237 174

HSL 153.57, 0.8%, 0.65%

LAB 85, -52.87, 19.28

 

CMYK 60 / 0 / 43 / 7

HEX #5EED88

RGB 94 237 136

HSL 137.62, 0.8%, 0.65%

LAB 84.34, -59.87, 37.7

 

CMYK 60 / 0 / 59 / 7

HEX #5EED61

RGB 94 237 97

HSL 121.26, 0.8%, 0.65%

LAB 83.87, -65.19, 55.41

 

CMYK 46 / 0 / 60 / 7

HEX #81ED5E

RGB 129 237 94

HSL 105.31, 0.8%, 0.65%

LAB 85.02, -56.54, 58.33

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 60 / 6 / 0 / 7

HEX #5EDEED

RGB 94 222 237

HSL 186.29, 0.8%, 0.65%

LAB 82.24, -30.81, -17.92

 

CMYK 60 / 22 / 0 / 7

HEX #5EB8ED

RGB 94 184 237

HSL 202.24, 0.8%, 0.65%

LAB 71.4, -11.51, -34.48

 

CMYK 60 / 39 / 0 / 7

HEX #5E91ED

RGB 94 145 237

HSL 218.6, 0.8%, 0.65%

LAB 60.56, 10.55, -51.5

 

CMYK 60 / 55 / 0 / 7

HEX #5E6BED

RGB 94 107 237

HSL 234.55, 0.8%, 0.65%

LAB 50.7, 33.55, -67.31

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 69 / 0 / 12 / 2

HEX #4FFBDE

RGB 79 251 222

HSL 169.88, 0.96%, 0.65%

LAB 89.83, -50.1, 1.18

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 51 / 0 / 9 / 13

HEX #6CDECB

RGB 108 222 203

HSL 170, 0.63%, 0.65%

LAB 81.7, -37.02, -0.61

 

CMYK 41 / 0 / 7 / 18

HEX #7BD0C1

RGB 123 208 193

HSL 169.41, 0.47%, 0.65%

LAB 77.98, -29.29, -0.64

 

CMYK 29 / 0 / 5 / 24

HEX #89C1B8

RGB 137 193 184

HSL 170.36, 0.31%, 0.65%

LAB 74.14, -20.06, -1.32

 

CMYK 15 / 0 / 3 / 30

HEX #98B3AE

RGB 152 179 174

HSL 168.89, 0.15%, 0.65%

LAB 70.85, -10.24, -0.56

 

CMYK 60 / 0 / 43 / 7

HEX #5EED86

RGB 94 237 134

HSL 136.78, 0.8%, 0.65%

LAB 84.31, -60.19, 38.65

 

CMYK 60 / 0 / 27 / 7

HEX #5EEDAC

RGB 94 237 172

HSL 152.73, 0.8%, 0.65%

LAB 84.96, -53.28, 20.26

 

CMYK 60 / 0 / 11 / 7

HEX #5EEDD2

RGB 94 237 210

HSL 168.67, 0.8%, 0.65%

LAB 85.81, -44.75, 1.63

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 60 / 21 / 0 / 7

HEX #5EBBED

RGB 94 187 237

HSL 200.98, 0.8%, 0.65%

LAB 72.25, -13.11, -33.17

 

CMYK 89 / 0 / 15 / 12

HEX #18E0BE

RGB 24 224 190

HSL 169.8, 0.81%, 0.49%

LAB 80.3, -52.25, 4.06

 

CMYK 76 / 0 / 13 / 9

HEX #39E9CB

RGB 57 233 203

HSL 169.77, 0.8%, 0.57%

LAB 83.68, -50.03, 2.13

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 46 / 0 / 8 / 5

HEX #83F1DE

RGB 131 241 222

HSL 169.64, 0.8%, 0.73%

LAB 88.45, -36.11, -0.65

 

CMYK 31 / 0 / 5 / 4

HEX #A8F5E8

RGB 168 245 232

HSL 169.87, 0.79%, 0.81%

LAB 91.44, -26.31, -1.29

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 59 / 60 / 0 / 7

HEX #605EED

RGB 96 94 237

HSL 240.84, 0.8%, 0.65%

LAB 47.76, 41.69, -72.07

 

CMYK 0 / 35 / 60 / 7

HEX #ED995E

RGB 237 153 94

HSL 24.76, 0.8%, 0.65%

LAB 70.59, 25.86, 43.6

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 0 / 11 / 60 / 7

HEX #EDD25E

RGB 237 210 94

HSL 48.67, 0.8%, 0.65%

LAB 84.44, -4.01, 59.56

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 59 / 60 / 0 / 7

HEX #605EED

RGB 96 94 237

HSL 240.84, 0.8%, 0.65%

LAB 47.76, 41.69, -72.07

 

CMYK 0 / 60 / 49 / 7

HEX #ED5E78

RGB 237 94 120

HSL 349.09, 0.8%, 0.65%

LAB 59.31, 57.18, 14.62

 

CMYK 1 / 0 / 60 / 7

HEX #EAED5E

RGB 234 237 94

HSL 61.26, 0.8%, 0.65%

LAB 91.17, -18.67, 66.86

 

CMYK 60 / 0 / 10 / 7

HEX #5EEDD5

RGB 94 237 213

HSL 169.93, 0.8%, 0.65%

LAB 85.88, -44.01, 0.17

 

CMYK 41 / 60 / 0 / 7

HEX #8B5EED

RGB 139 94 237

HSL 258.88, 0.8%, 0.65%

LAB 51.39, 49.71, -66.01

 

CMYK 0 / 60 / 49 / 7

HEX #ED5E78

RGB 237 94 120

HSL 349.09, 0.8%, 0.65%

LAB 59.31, 57.18, 14.62

 

CMYK 19 / 0 / 60 / 7

HEX #BFED5E

RGB 191 237 94

HSL 79.3, 0.8%, 0.65%

LAB 88.19, -35.5, 62.74

 

Description

Color code: HEX #5EEDD5 | qconv.com Color code: HEX #5EEDD5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 237 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 237 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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