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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EE069 it is the complementary color #A11F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EE069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EE069 shade: #63E064, #74F277, #85FF8A, #96FF9D and #A7FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EE069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EE069 shade: #5EE069, #4DCE56, #3CBC43, #2BAA30 and #1A981D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EE069 shade: #5CDF67, #74DF5C, #98DF5C, #BBDF5C and #DFDF5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EE069 shade: #5CDF67, #5CDF8A, #5CDFAE, #5CDFD1 and #5CCADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EE069 shade matches the following richer shades: #5CDF67 and #4CEF5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EE069 shade: #5CDF67, #6BD074, #7BC081, #8BB08E and #9AA19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EE069 shade: #97DF5C, #74DF5C, #5CDF67, #5CDF8A and #5CDFAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EE069 shade: #25C432, #39D947, #5CDF67, #7EE687 and #A1EDA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EE069 shade: #5EE069, #5CBADF and #DF5C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EE069 shade: #5EE069, #675CDF and #DF675C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EE069 shade: #5EE069, #5CBADF, #DF5CD5 and #DF815C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EE069 shade: #5EE069, #5C93DF, #DF5CD5 and #DFA95C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

Complementary color

CMYK 0 / 81 / 7 / 37

HEX #A11F96

RGB 161 31 150

HSL 305.08, 0.68%, 0.38%

LAB 39.17, 62.98, -34.79

 

CMYK 56 / 0 / 55 / 12

HEX #63E064

RGB 99 224 100

HSL 120.48, 0.67%, 0.63%

LAB 80.11, -59, 49.72

 

CMYK 52 / 0 / 51 / 5

HEX #74F277

RGB 116 242 119

HSL 121.43, 0.83%, 0.7%

LAB 86.28, -59.17, 48.48

 

CMYK 48 / 0 / 46 / 0

HEX #85FF8A

RGB 133 255 138

HSL 122.46, 1%, 0.76%

LAB 90.94, -57.25, 45.4

 

CMYK 41 / 0 / 38 / 0

HEX #96FF9D

RGB 150 255 157

HSL 124, 1%, 0.79%

LAB 91.88, -49.81, 37.52

 

CMYK 35 / 0 / 31 / 0

HEX #A7FFB0

RGB 167 255 176

HSL 126.14, 1%, 0.83%

LAB 92.96, -41.84, 29.61

 

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

CMYK 63 / 0 / 58 / 19

HEX #4DCE56

RGB 77 206 86

HSL 124.19, 0.57%, 0.55%

LAB 73.8, -59.15, 48.53

 

CMYK 68 / 0 / 64 / 26

HEX #3CBC43

RGB 60 188 67

HSL 123.28, 0.52%, 0.49%

LAB 67.53, -58.43, 49.7

 

CMYK 75 / 0 / 72 / 33

HEX #2BAA30

RGB 43 170 48

HSL 122.36, 0.6%, 0.42%

LAB 61.2, -57.23, 50.58

 

CMYK 83 / 0 / 81 / 40

HEX #1A981D

RGB 26 152 29

HSL 121.43, 0.71%, 0.35%

LAB 54.83, -55.33, 50.83

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 48 / 0 / 59 / 13

HEX #74DF5C

RGB 116 223 92

HSL 109.01, 0.67%, 0.62%

LAB 80.33, -55.04, 53.72

 

CMYK 32 / 0 / 59 / 13

HEX #98DF5C

RGB 152 223 92

HSL 92.52, 0.67%, 0.62%

LAB 81.96, -43.63, 56.02

 

CMYK 16 / 0 / 59 / 13

HEX #BBDF5C

RGB 187 223 92

HSL 76.49, 0.67%, 0.62%

LAB 84.02, -30.73, 58.9

 

CMYK 0 / 0 / 59 / 13

HEX #DFDF5C

RGB 223 223 92

HSL 60, 0.67%, 0.62%

LAB 86.62, -16.41, 62.5

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 59 / 0 / 38 / 13

HEX #5CDF8A

RGB 92 223 138

HSL 141.07, 0.67%, 0.62%

LAB 80.12, -54.59, 31.16

 

CMYK 59 / 0 / 22 / 13

HEX #5CDFAE

RGB 92 223 174

HSL 157.56, 0.67%, 0.62%

LAB 80.8, -47.47, 13.38

 

CMYK 59 / 0 / 6 / 13

HEX #5CDFD1

RGB 92 223 209

HSL 173.59, 0.67%, 0.62%

LAB 81.65, -39.13, -3.93

 

CMYK 59 / 9 / 0 / 13

HEX #5CCADF

RGB 92 202 223

HSL 189.62, 0.67%, 0.62%

LAB 75.97, -25.36, -19.91

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 68 / 0 / 62 / 6

HEX #4CEF5A

RGB 76 239 90

HSL 125.15, 0.84%, 0.62%

LAB 83.97, -70.17, 58.4

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 49 / 0 / 44 / 18

HEX #6BD074

RGB 107 208 116

HSL 125.35, 0.52%, 0.62%

LAB 75.76, -48.51, 36.72

 

CMYK 36 / 0 / 33 / 25

HEX #7BC081

RGB 123 192 129

HSL 125.22, 0.35%, 0.62%

LAB 71.89, -34.73, 25.06

 

CMYK 21 / 0 / 19 / 31

HEX #8BB08E

RGB 139 176 142

HSL 124.86, 0.19%, 0.62%

LAB 68.38, -19.34, 13.37

 

CMYK 4 / 0 / 4 / 37

HEX #9AA19B

RGB 154 161 155

HSL 128.57, 0.04%, 0.62%

LAB 65.54, -3.65, 2.25

 

CMYK 32 / 0 / 59 / 13

HEX #97DF5C

RGB 151 223 92

HSL 92.98, 0.67%, 0.62%

LAB 81.91, -43.97, 55.95

 

CMYK 48 / 0 / 59 / 13

HEX #74DF5C

RGB 116 223 92

HSL 109.01, 0.67%, 0.62%

LAB 80.33, -55.04, 53.72

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 59 / 0 / 38 / 13

HEX #5CDF8A

RGB 92 223 138

HSL 141.07, 0.67%, 0.62%

LAB 80.12, -54.59, 31.16

 

CMYK 59 / 0 / 22 / 13

HEX #5CDFAD

RGB 92 223 173

HSL 157.1, 0.67%, 0.62%

LAB 80.78, -47.69, 13.88

 

CMYK 81 / 0 / 74 / 23

HEX #25C432

RGB 37 196 50

HSL 124.91, 0.68%, 0.46%

LAB 69.54, -66.07, 58.33

 

CMYK 74 / 0 / 67 / 15

HEX #39D947

RGB 57 217 71

HSL 125.25, 0.68%, 0.54%

LAB 76.65, -68.1, 57.99

 

CMYK 59 / 0 / 54 / 13

HEX #5CDF67

RGB 92 223 103

HSL 125.04, 0.67%, 0.62%

LAB 79.63, -59.9, 47.71

 

CMYK 45 / 0 / 41 / 10

HEX #7EE687

RGB 126 230 135

HSL 125.19, 0.68%, 0.7%

LAB 83.33, -49.5, 37.09

 

CMYK 32 / 0 / 30 / 7

HEX #A1EDA7

RGB 161 237 167

HSL 124.74, 0.68%, 0.78%

LAB 87.45, -37.09, 26.67

 

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

CMYK 59 / 17 / 0 / 13

HEX #5CBADF

RGB 92 186 223

HSL 196.95, 0.67%, 0.62%

LAB 71.37, -17.2, -26.94

 

CMYK 0 / 59 / 40 / 13

HEX #DF5C85

RGB 223 92 133

HSL 341.22, 0.67%, 0.62%

LAB 57.11, 54.8, 3.59

 

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

CMYK 54 / 59 / 0 / 13

HEX #675CDF

RGB 103 92 223

HSL 245.04, 0.67%, 0.62%

LAB 46.8, 39.72, -65.71

 

CMYK 0 / 54 / 59 / 13

HEX #DF675C

RGB 223 103 92

HSL 5.04, 0.67%, 0.62%

LAB 58.19, 46, 28.9

 

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

CMYK 59 / 17 / 0 / 13

HEX #5CBADF

RGB 92 186 223

HSL 196.95, 0.67%, 0.62%

LAB 71.37, -17.2, -26.94

 

CMYK 0 / 59 / 4 / 13

HEX #DF5CD5

RGB 223 92 213

HSL 304.58, 0.67%, 0.62%

LAB 60.02, 65.65, -38.14

 

CMYK 0 / 42 / 59 / 13

HEX #DF815C

RGB 223 129 92

HSL 16.95, 0.67%, 0.62%

LAB 63.48, 32.79, 35.57

 

CMYK 58 / 0 / 53 / 12

HEX #5EE069

RGB 94 224 105

HSL 125.08, 0.68%, 0.62%

LAB 80.02, -59.55, 47.25

 

CMYK 59 / 34 / 0 / 13

HEX #5C93DF

RGB 92 147 223

HSL 214.81, 0.67%, 0.62%

LAB 60.31, 4.42, -44.13

 

CMYK 0 / 59 / 4 / 13

HEX #DF5CD5

RGB 223 92 213

HSL 304.58, 0.67%, 0.62%

LAB 60.02, 65.65, -38.14

 

CMYK 0 / 24 / 59 / 13

HEX #DFA95C

RGB 223 169 92

HSL 35.27, 0.67%, 0.62%

LAB 72.78, 11.43, 46.82

 

Description

Color code: HEX #5EE069 | qconv.com Color code: HEX #5EE069 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 224 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 224 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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