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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EDFED it is the complementary color #A12012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EDFED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EDFED shade: #63DFE8, #74F1FB, #85FFFF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EDFED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EDFED shade: #5EDFED, #4DCDDA, #3CBBC7, #2BA9B4 and #1A97A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EDFED shade: #5EDFED, #5EB8ED, #5E92ED, #5E6BED and #775EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EDFED shade: #5EDFED, #5EB8ED, #5E92ED, #5E6BED and #5E5EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EDFED shade matches the following richer shades: #5EDFED and #4FEAFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EDFED shade: #5EDFED, #6CD3DE, #7BC7D0, #89BCC1 and #98B0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EDFED shade: #5EEDAC, #5EEDD2, #5EE1ED, #5EBBED and #5E95ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EDFED shade: #18CCE0, #39D7E9, #5EDFED, #83E6F1 and #A8EDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EDFED shade: #5EDFED, #865EED and #EDBF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EDFED shade: #5EDFED, #ED5EE1 and #E1ED5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EDFED shade: #5EDFED, #865EED, #ED6A5E and #C4ED5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EDFED shade: #5EDFED, #B15EED, #ED6A5E and #99ED5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

Complementary color

CMYK 0 / 80 / 89 / 37

HEX #A12012

RGB 161 32 18

HSL 5.87, 0.8%, 0.35%

LAB 35.31, 50.97, 41.22

 

CMYK 57 / 4 / 0 / 9

HEX #63DFE8

RGB 99 223 232

HSL 184.06, 0.74%, 0.65%

LAB 82.52, -31.79, -14.83

 

CMYK 54 / 4 / 0 / 2

HEX #74F1FB

RGB 116 241 251

HSL 184.44, 0.94%, 0.72%

LAB 88.73, -32.07, -15.46

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 65 / 6 / 0 / 15

HEX #4DCDDA

RGB 77 205 218

HSL 185.53, 0.66%, 0.58%

LAB 76.25, -30.78, -16.83

 

CMYK 70 / 6 / 0 / 22

HEX #3CBBC7

RGB 60 187 199

HSL 185.18, 0.55%, 0.51%

LAB 69.91, -30.1, -16.11

 

CMYK 76 / 6 / 0 / 29

HEX #2BA9B4

RGB 43 169 180

HSL 184.82, 0.61%, 0.44%

LAB 63.5, -29.18, -15.32

 

CMYK 84 / 6 / 0 / 37

HEX #1A97A1

RGB 26 151 161

HSL 184.44, 0.72%, 0.37%

LAB 57, -27.93, -14.43

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 60 / 22 / 0 / 7

HEX #5EB8ED

RGB 94 184 237

HSL 202.24, 0.8%, 0.65%

LAB 71.4, -11.51, -34.48

 

CMYK 60 / 38 / 0 / 7

HEX #5E92ED

RGB 94 146 237

HSL 218.18, 0.8%, 0.65%

LAB 60.83, 9.96, -51.07

 

CMYK 60 / 55 / 0 / 7

HEX #5E6BED

RGB 94 107 237

HSL 234.55, 0.8%, 0.65%

LAB 50.7, 33.55, -67.31

 

CMYK 50 / 60 / 0 / 7

HEX #775EED

RGB 119 94 237

HSL 250.49, 0.8%, 0.65%

LAB 49.55, 45.73, -69.09

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 60 / 22 / 0 / 7

HEX #5EB8ED

RGB 94 184 237

HSL 202.24, 0.8%, 0.65%

LAB 71.4, -11.51, -34.48

 

CMYK 60 / 38 / 0 / 7

HEX #5E92ED

RGB 94 146 237

HSL 218.18, 0.8%, 0.65%

LAB 60.83, 9.96, -51.07

 

CMYK 60 / 55 / 0 / 7

HEX #5E6BED

RGB 94 107 237

HSL 234.55, 0.8%, 0.65%

LAB 50.7, 33.55, -67.31

 

CMYK 60 / 60 / 0 / 7

HEX #5E5EED

RGB 94 94 237

HSL 240, 0.8%, 0.65%

LAB 47.62, 41.37, -72.3

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 69 / 7 / 0 / 2

HEX #4FEAFB

RGB 79 234 251

HSL 185.93, 0.96%, 0.65%

LAB 85.74, -34.76, -20.05

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 51 / 5 / 0 / 13

HEX #6CD3DE

RGB 108 211 222

HSL 185.79, 0.63%, 0.65%

LAB 79.07, -26.95, -14.64

 

CMYK 41 / 4 / 0 / 18

HEX #7BC7D0

RGB 123 199 208

HSL 186.35, 0.47%, 0.65%

LAB 75.83, -21.2, -11.91

 

CMYK 29 / 3 / 0 / 24

HEX #89BCC1

RGB 137 188 193

HSL 185.36, 0.31%, 0.65%

LAB 72.98, -15.44, -7.93

 

CMYK 15 / 2 / 0 / 30

HEX #98B0B3

RGB 152 176 179

HSL 186.67, 0.15%, 0.65%

LAB 70.16, -7.59, -4.32

 

CMYK 60 / 0 / 27 / 7

HEX #5EEDAC

RGB 94 237 172

HSL 152.73, 0.8%, 0.65%

LAB 84.96, -53.28, 20.26

 

CMYK 60 / 0 / 11 / 7

HEX #5EEDD2

RGB 94 237 210

HSL 168.67, 0.8%, 0.65%

LAB 85.81, -44.75, 1.63

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 60 / 21 / 0 / 7

HEX #5EBBED

RGB 94 187 237

HSL 200.98, 0.8%, 0.65%

LAB 72.25, -13.11, -33.17

 

CMYK 60 / 37 / 0 / 7

HEX #5E95ED

RGB 94 149 237

HSL 216.92, 0.8%, 0.65%

LAB 61.64, 8.2, -49.77

 

CMYK 89 / 9 / 0 / 12

HEX #18CCE0

RGB 24 204 224

HSL 186, 0.81%, 0.49%

LAB 75.3, -33.72, -21.59

 

CMYK 76 / 8 / 0 / 9

HEX #39D7E9

RGB 57 215 233

HSL 186.14, 0.8%, 0.57%

LAB 79.24, -33.68, -20.39

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 46 / 5 / 0 / 5

HEX #83E6F1

RGB 131 230 241

HSL 186, 0.8%, 0.73%

LAB 85.89, -26.26, -14.41

 

CMYK 31 / 3 / 0 / 4

HEX #A8EDF5

RGB 168 237 245

HSL 186.23, 0.79%, 0.81%

LAB 89.62, -19.51, -10.76

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 0 / 19 / 60 / 7

HEX #EDBF5E

RGB 237 191 94

HSL 40.7, 0.8%, 0.65%

LAB 79.66, 5.8, 54.18

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 0 / 60 / 5 / 7

HEX #ED5EE1

RGB 237 94 225

HSL 305.03, 0.8%, 0.65%

LAB 62.88, 70.28, -40.26

 

CMYK 5 / 0 / 60 / 7

HEX #E1ED5E

RGB 225 237 94

HSL 65.03, 0.8%, 0.65%

LAB 90.5, -22.27, 65.93

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 0 / 55 / 60 / 7

HEX #ED6A5E

RGB 237 106 94

HSL 5.03, 0.8%, 0.65%

LAB 60.89, 49.72, 31.64

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 6 / 0 / 7

HEX #5EDFED

RGB 94 223 237

HSL 185.87, 0.8%, 0.65%

LAB 82.52, -31.28, -17.49

 

CMYK 25 / 60 / 0 / 7

HEX #B15EED

RGB 177 94 237

HSL 274.83, 0.8%, 0.65%

LAB 55.55, 58.05, -59.1

 

CMYK 0 / 55 / 60 / 7

HEX #ED6A5E

RGB 237 106 94

HSL 5.03, 0.8%, 0.65%

LAB 60.89, 49.72, 31.64

 

CMYK 35 / 0 / 60 / 7

HEX #99ED5E

RGB 153 237 94

HSL 95.24, 0.8%, 0.65%

LAB 86.08, -49.04, 59.81

 

Description

Color code: HEX #5EDFED | qconv.com Color code: HEX #5EDFED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 223 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 223 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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