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Color name
HEX #5EDD2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EDD2A it is the complementary color #A122D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EDD2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EDD2A shade: #63DD25, #74EF38, #85FF4B, #96FF5E and #A7FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EDD2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EDD2A shade: #5EDD2A, #4DCB17, #3CB904, #2BA700 and #1A9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EDD2A shade: #5FDC2C, #8FDC2C, #BEDC2C, #DCCB2C and #DC9B2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EDD2A shade: #5FDC2C, #30DC2C, #2CDC58, #2CDC87 and #2CDCB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EDD2A shade matches the following richer shades: #5FDC2C and #57F018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EDD2A shade: #5FDC2C, #67C840, #70B554, #78A167 and #808D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EDD2A shade: #BFDC2C, #90DC2C, #61DC2C, #32DC2C and #2CDC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EDD2A shade: #3F9D19, #4EC01F, #5FDC2C, #7AE24F and #95E873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EDD2A shade: #5EDD2A, #2CDCCB and #DC2CA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EDD2A shade: #5EDD2A, #2C61DC and #DC2C61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EDD2A shade: #5EDD2A, #2CDCCB, #A72CDC and #DC2C3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EDD2A shade: #5EDD2A, #2CB9DC, #A72CDC and #DC4F2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

Complementary color

CMYK 24 / 84 / 0 / 16

HEX #A122D5

RGB 161 34 213

HSL 282.57, 0.72%, 0.48%

LAB 43.54, 73.16, -64.98

 

CMYK 55 / 0 / 83 / 13

HEX #63DD25

RGB 99 221 37

HSL 99.78, 0.73%, 0.51%

LAB 78.75, -63, 71.31

 

CMYK 51 / 0 / 77 / 6

HEX #74EF38

RGB 116 239 56

HSL 100.33, 0.85%, 0.58%

LAB 84.86, -63.88, 72.03

 

CMYK 48 / 0 / 71 / 0

HEX #85FF4B

RGB 133 255 75

HSL 100.67, 1%, 0.65%

LAB 90.33, -63.76, 71.44

 

CMYK 41 / 0 / 63 / 0

HEX #96FF5E

RGB 150 255 94

HSL 99.13, 1%, 0.68%

LAB 91.15, -57.26, 65.37

 

CMYK 35 / 0 / 56 / 0

HEX #A7FF71

RGB 167 255 113

HSL 97.18, 1%, 0.72%

LAB 92.1, -50.11, 58.65

 

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

CMYK 62 / 0 / 89 / 20

HEX #4DCB17

RGB 77 203 23

HSL 102, 0.8%, 0.44%

LAB 72.46, -62.79, 68.49

 

CMYK 68 / 0 / 98 / 27

HEX #3CB904

RGB 60 185 4

HSL 101.44, 0.96%, 0.37%

LAB 66.26, -61.04, 65.79

 

CMYK 74 / 0 / 100 / 35

HEX #2BA700

RGB 43 167 0

HSL 104.55, 1%, 0.33%

LAB 60.02, -58.61, 61.16

 

CMYK 83 / 0 / 100 / 42

HEX #1A9500

RGB 26 149 0

HSL 109.53, 1%, 0.29%

LAB 53.72, -55.59, 56.01

 

CMYK 57 / 0 / 80 / 14

HEX #5FDC2C

RGB 95 220 44

HSL 102.61, 0.72%, 0.52%

LAB 78.35, -63.35, 69.11

 

CMYK 35 / 0 / 80 / 14

HEX #8FDC2C

RGB 143 220 44

HSL 86.25, 0.72%, 0.52%

LAB 80.3, -48.76, 71.61

 

CMYK 14 / 0 / 80 / 14

HEX #BEDC2C

RGB 190 220 44

HSL 70.23, 0.72%, 0.52%

LAB 83.08, -30.89, 75.16

 

CMYK 0 / 8 / 80 / 14

HEX #DCCB2C

RGB 220 203 44

HSL 54.2, 0.72%, 0.52%

LAB 80.8, -10.08, 74.05

 

CMYK 0 / 30 / 80 / 14

HEX #DC9B2C

RGB 220 155 44

HSL 37.84, 0.72%, 0.52%

LAB 68.64, 15.09, 63.28

 

CMYK 57 / 0 / 80 / 14

HEX #5FDC2C

RGB 95 220 44

HSL 102.61, 0.72%, 0.52%

LAB 78.35, -63.35, 69.11

 

CMYK 78 / 0 / 80 / 14

HEX #30DC2C

RGB 48 220 44

HSL 118.64, 0.72%, 0.52%

LAB 77.28, -72.3, 67.73

 

CMYK 80 / 0 / 60 / 14

HEX #2CDC58

RGB 44 220 88

HSL 135, 0.72%, 0.52%

LAB 77.54, -68.93, 51.8

 

CMYK 80 / 0 / 39 / 14

HEX #2CDC87

RGB 44 220 135

HSL 151.02, 0.72%, 0.52%

LAB 78.15, -61.64, 29.9

 

CMYK 80 / 0 / 17 / 14

HEX #2CDCB7

RGB 44 220 183

HSL 167.39, 0.72%, 0.52%

LAB 79.12, -51.02, 6.1

 

CMYK 57 / 0 / 80 / 14

HEX #5FDC2C

RGB 95 220 44

HSL 102.61, 0.72%, 0.52%

LAB 78.35, -63.35, 69.11

 

CMYK 64 / 0 / 90 / 6

HEX #57F018

RGB 87 240 24

HSL 102.5, 0.88%, 0.52%

LAB 84.18, -72.56, 78.35

 

CMYK 57 / 0 / 80 / 14

HEX #5FDC2C

RGB 95 220 44

HSL 102.61, 0.72%, 0.52%

LAB 78.35, -63.35, 69.11

 

CMYK 49 / 0 / 68 / 22

HEX #67C840

RGB 103 200 64

HSL 102.79, 0.55%, 0.52%

LAB 72.6, -52.52, 56.82

 

CMYK 38 / 0 / 54 / 29

HEX #70B554

RGB 112 181 84

HSL 102.68, 0.4%, 0.52%

LAB 67.38, -39.85, 42.22

 

CMYK 25 / 0 / 36 / 37

HEX #78A167

RGB 120 161 103

HSL 102.41, 0.24%, 0.52%

LAB 62.05, -25.13, 25.82

 

CMYK 9 / 0 / 13 / 45

HEX #808D7B

RGB 128 141 123

HSL 103.33, 0.07%, 0.52%

LAB 57.14, -8.26, 8.01

 

CMYK 13 / 0 / 80 / 14

HEX #BFDC2C

RGB 191 220 44

HSL 69.89, 0.72%, 0.52%

LAB 83.15, -30.49, 75.24

 

CMYK 35 / 0 / 80 / 14

HEX #90DC2C

RGB 144 220 44

HSL 85.91, 0.72%, 0.52%

LAB 80.35, -48.41, 71.68

 

CMYK 56 / 0 / 80 / 14

HEX #61DC2C

RGB 97 220 44

HSL 101.93, 0.72%, 0.52%

LAB 78.41, -62.84, 69.19

 

CMYK 77 / 0 / 80 / 14

HEX #32DC2C

RGB 50 220 44

HSL 117.95, 0.72%, 0.52%

LAB 77.31, -72.04, 67.77

 

CMYK 80 / 0 / 61 / 14

HEX #2CDC55

RGB 44 220 85

HSL 133.98, 0.72%, 0.52%

LAB 77.51, -69.28, 53.07

 

CMYK 60 / 0 / 84 / 38

HEX #3F9D19

RGB 63 157 25

HSL 102.73, 0.73%, 0.36%

LAB 57.31, -50.17, 54.59

 

CMYK 59 / 0 / 84 / 25

HEX #4EC01F

RGB 78 192 31

HSL 102.48, 0.72%, 0.44%

LAB 69.05, -58.51, 63.82

 

CMYK 57 / 0 / 80 / 14

HEX #5FDC2C

RGB 95 220 44

HSL 102.61, 0.72%, 0.52%

LAB 78.35, -63.35, 69.11

 

CMYK 46 / 0 / 65 / 11

HEX #7AE24F

RGB 122 226 79

HSL 102.45, 0.72%, 0.6%

LAB 81.34, -55.71, 60.41

 

CMYK 36 / 0 / 50 / 9

HEX #95E873

RGB 149 232 115

HSL 102.56, 0.72%, 0.68%

LAB 84.66, -46.08, 48.69

 

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

CMYK 80 / 0 / 8 / 14

HEX #2CDCCB

RGB 44 220 203

HSL 174.2, 0.72%, 0.52%

LAB 79.63, -45.78, -3.81

 

CMYK 0 / 80 / 24 / 14

HEX #DC2CA7

RGB 220 44 167

HSL 318.07, 0.72%, 0.52%

LAB 51.62, 74.91, -24.73

 

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

CMYK 80 / 56 / 0 / 14

HEX #2C61DC

RGB 44 97 220

HSL 221.93, 0.72%, 0.52%

LAB 44.59, 27.18, -67.73

 

CMYK 0 / 80 / 56 / 14

HEX #DC2C61

RGB 220 44 97

HSL 341.93, 0.72%, 0.52%

LAB 49.35, 68.22, 14.08

 

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

CMYK 80 / 0 / 8 / 14

HEX #2CDCCB

RGB 44 220 203

HSL 174.2, 0.72%, 0.52%

LAB 79.63, -45.78, -3.81

 

CMYK 24 / 80 / 0 / 14

HEX #A72CDC

RGB 167 44 220

HSL 281.93, 0.72%, 0.52%

LAB 45.89, 72.76, -65.15

 

CMYK 0 / 80 / 72 / 14

HEX #DC2C3E

RGB 220 44 62

HSL 353.86, 0.72%, 0.52%

LAB 48.72, 66.28, 34.39

 

CMYK 57 / 0 / 81 / 13

HEX #5EDD2A

RGB 94 221 42

HSL 102.57, 0.72%, 0.52%

LAB 78.61, -64.05, 69.88

 

CMYK 80 / 16 / 0 / 14

HEX #2CB9DC

RGB 44 185 220

HSL 191.93, 0.72%, 0.52%

LAB 69.75, -24.33, -27.88

 

CMYK 24 / 80 / 0 / 14

HEX #A72CDC

RGB 167 44 220

HSL 281.93, 0.72%, 0.52%

LAB 45.89, 72.76, -65.15

 

CMYK 0 / 64 / 80 / 14

HEX #DC4F2C

RGB 220 79 44

HSL 11.93, 0.72%, 0.52%

LAB 52.94, 53.44, 48.66

 

Description

Color code: HEX #5EDD2A | qconv.com Color code: HEX #5EDD2A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 221 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 221 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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